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Hawkes
par Kimmy Design
Styles individuels à partir de $10.00
Famille complète de 14 polices: $75.00
Hawkes Font la famille était
conçu par
Kimmy Kirkwood et
publié par
Kimmy Design. Hawkes contient
14
styles et des offres familiales.
En savoir plus sur cette famille
Essai gratuit de 30 jours de Monotype Polices pour obtenir plus de 150 000 polices de plus de 1 400 fonderies de caractères.
Démarrer l'essai gratuit
- AaGlyphs
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Meilleure offreOffres familiales
- Styles individuels
- Spécifications techniques
- Licences
Hawkes Sans
9 policesPar style :
$5.55
Paquet de 9 styles :
$50.00
Hawkes Variable Width
3 policesPar style :
$8.33
Paquet de 3 styles :
$25.00
Hawkes Script
2 policesPar style :
$7.50
Paquet de 2 styles :
$15.00
À propos de la famille Hawkes Police
Hawkes is an extensive handmade typeface family that comes with a bundle of weights, widths and styles, all designed to work cohesively. Here is a breakdown of the Hawkes family. Hawkes Sans: The primary subfamily is a sans-serif typeface that includes nine fonts: three weights (light, medium and bold) and three widths (narrow, regular and wide). Within this set are an array of stylistic features; including small capitals, character style alternatives, discretionary ligatures and contextual alternatives. See details below for more information on OpenType Features. Hawkes Variable Width Sans: The secondary subfamily is the same base sans-serif fonts but combined in variating widths. Essentially, it takes all three widths of each weight and randomly mixes them together. This creates a funky and creative alternative to the more traditional sans-serif set. The variations are for the uppercase, lowercase, small capitals, ligatures and numbers. Hawkes Script: The last subfamily is the script typeface. It’s a quirky script with variations of its own, including ligatures, swashes and contextual alternatives (again, see below for further details.) The script font works great as a complimentary style to the sans-serif, or on it’s own. FEATURES Alright, let’s get into all the extra goodies this typeface has to offer. Small Capitals: Small caps are short capital letters designed to blend with lowercase text. These aren’t just capital letters just scaled down but designed to fit with the weight of both the lowercase and capitals. With Hawkes, small caps can either sit on the baseline (in line with the base of the capital and lowercase) or to be lifted to match the height of the capital letters by applying the discretionary ligature setting in the OpenType panel. These small capitals have a dot underlining them that sit along the baseline. The feature offers a unique display affect that is great for logos, titles and other headline needs. Discretionary Ligatures: A discretionary ligature is more decorative and unique combination than a standard ligature and can be applied at the users discretion (as the name indicates.) The specific styling for these ligatures varies for different fonts. With Hawkes, they are used as an all capital styling feature, or to lift the small capitals to align with the height of the capitals. In the former setting, both lowercase and uppercase letters are first changed to all capitals, then a specialized set of letter combinations are transitioned so small characters are positioned within a main capital letter. These combinations only happen with main characters that include an applicable stem, such as C F K L R T Y. Some of these combinations include two or three characters. When Small Caps is turned ‘on’, this feature will lift the small caps to the height of the capital letter. For more information, please check out the user guide! Stylistic Alternatives: Stylistic alternates are a secondary form of a character, often used to enhance the look or style of a font. For Hawkes, these alternatives provide a slightly more handmade feel. A - the capital and small capital A will lose its pointed apex and become rounded. Think of it more as an upside-down U than an up-side-down V ;-) Oo, G, Ss, Cc- these characters’ topmost terminal becomes a loop. The O is applied automatically, the G S and C need to be turn on individually. Titling Alternatives: This feature does sort of the opposite of what it intends. Instead of being used for titling purposes, this feature makes the text look better in paragraph text settings. Kk Rr h n m - curved terminals on the are straightened e - the counter stroke also gets straightened from a more looping motion y - the shape of y is changed from a rounded character to a sharper apex (think more like a ‘v’ than ‘u’) Contextual Alternatives: Contextual alternates are glyphs designed to work within context of other adjacent glyphs. With Hawkes Sans, there are three slightly different variations per character. The feature rotates the application of each variation. This helps with organic authenticity, so if you have two e’s next to each other, they won’t look identical (reflecting the natural variations in handwriting and lettering.) With Hawkes Variable width fonts, I have created a contextual pattern that randomizes the widths of each character. So, when the feature is turned ‘on’ in the OpenType panel, the widths would alternate in a pattern such as: Narrow, Wide, Regular, Narrow, Regular Wide, Narrow, etc. It happens automatically so the user doesn’t have to think or worry about getting a random seed. With Hawkes Script, contextual alternates allow strokes to connect properly from one character to the next while maintaining a believable, natural flow. Connecting strokes are present for two letters next to each other but are replaced by a shorter stroke when located at the end of a word or sentence. Some characters have in-strokes when located at the start of a word. When a character is preceded by a capital letter that doesn’t connect, it too needs an in-stroke or altered spacing. This feature is complicated and messy, but luckily you don’t really have to think about it! I’ve done all the coding so all you have to do is turn ‘on’ the feature in the OpenType panel and you are off to the races! I’m just letting you know what’s happening behind the scenes. Swashes: These are just for Hawkes Script and provide tail swashes to the start and ends of letters. There are three different options. You can pick the basic option by turning ‘on’ the swash feature in the OpenType panel, or you can pick using the Glyph panel. Stylistic Sets: This feature work in new versions of Illustrator CC and InDesign CC. You can pick specific styling sets instead of turning on an entire feature. For example, let’s say you want to have a loopy S, but not a loopy C or O, you can just turn on the S in the Style Set. It also helps create the little drop box that pops up when you hover over a character, showing you the alternates associated with that character. This makes it easy to pick and choose specific styles you want in a word or headline. ---------- And there it is folks! That’s all the basic info on Hawkes, I know it’s been a lot and I appreciate you hanging on. If you are like me and need more of a visual reference to accessing all these goodies, I’ve made a user guide to help navigate Hawkes and everything it has to offer. Altogether this extensive family boasts 14 total fonts in a wide array of styles, weights and widths, making it a great addition to any handmade type collection. Enjoy!
Concepteurs : Kimmy Kirkwood
Éditeur : Kimmy Design
Fonderie : Kimmy Design
Maître d'ouvrage : Kimmy Design
MyFonts débout : 19 février 2020
Hawkes
À propos Kimmy Design
"Kimmy Design est basé à Santa Monica, en Californie, mais il est aussi mobile que moi", explique Kimmy Kirkwood. "J'adore trouver de nouvelles inspirations et je travaille depuis Seattle, Palm Springs, Santa Monica ou partout où l'aventure Suivante m'emmène ! Kimmy a fondé son entreprise en 2010, l'année même où elle a obtenu son diplôme universitaire. Sa première police de caractères, Madeleine, basée sur un logotype qu'elle a créé pour un hôtel à Positano, en Italie, faisait en fait partie de l'un de ses projets de fin d'études. Elle en a profité pour s'initier aux subtilités de la création de caractères et pour développer les compétences en programmation nécessaires à la création d'un véritable police. Depuis, ses créations les plus réussies sont Lunchbox et Lunchbox Slab : des polices de caractères originales dessinées à la main qui offrent un éventail incroyable d'options personnalisables et un aspect authentiquement artisanal. "Mon objectif était de les rendre suffisamment uniques pour que le produit final de n'importe quel designer ait l'air d'avoir été fait à la main", explique-t-elle. "J'aime les polices de caractères organiques. J'aime créer quelque chose qui semble naturellement fait à la main et laisser les clients se l'approprier. Dans chaque famille dessinée à la main que je crée, j'inclus plusieurs graisses, styles et variations. Kimmy utilise des alternances contextuelles dans ses polices de caractères et crée généralement 3 à 5 variations de chaque lettre, ce qui donne à son site polices une véritable impression de lettrage à la main. "J'inclus aussi généralement des alternatives stylistiques, qui vont de la création de simples variations sur des lettres spécifiques à une alternative de style unique pour chaque caractère. Les petites capitales sont un excellent moyen d'offrir plus d'options aux concepteurs tout en conservant la largeur et la taille du site police . Toutes mes familles police sont multilingues, et nombre d'entre elles comprennent des alphabets cyrilliques et grecs complets. Dans la mesure du possible, j'inclus toujours une sorte de swash - soit dans des capitales de fantaisie, soit au début et à la fin des caractères, soit dans des swashs stylistiques". Toutes ces options personnalisables confèrent aux familles de la jeune créatrice un caractère intime et personnel. "Deux personnes différentes peuvent utiliser mon site police et créer quelque chose de totalement unique. C'est ce qui les rend si amusants à utiliser !"
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