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Arno

Arno™

par Adobe
Styles individuels à partir de $35.00
Famille complète de 32 polices: $329.00
Arno Font la famille était conçu par Robert Slimbach et publié par Adobe. Arno contient 32 styles et des offres familiales.

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Arno Pro Opticals

 32 polices

Meilleure offre !

Par style :

$10.28

Paquet de 32 styles :

$329.00

Options d'achats
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Arno Pro Complete Family Pack

 6 polices

Par style :

$29.16

Paquet de 6 styles :

$175.00

Options d'achats
Ajouter à l'album
Ajouter aux favoris

Options de licence

Caractéristiques OpenType

  • Ligatures
  • Alternatives
  • Kerning
  • Fractions
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À propos de la famille Arno Police

Nommé d'après la rivière florentine qui coule au cœur de la Renaissance italienne, Arno s'inspire de la chaleur et de la lisibilité des premiers caractères humanistes des XVe et XVIe siècles. Tout en s'inspirant du passé, Arno est résolument contemporain, tant dans son aspect que dans sa fonction. Conçu par Robert Slimbach, designer principal d'Adobe, Arno est un caractère méticuleusement fabriqué dans la tradition des premiers caractères de livres vénitiens et aldins. Incarnant des thèmes que Slimbach a explorés dans des caractères tels que Minion et Brioso, Arno représente une distillation de ses idéaux de conception et un raffinement de son art.
En tant que famille OpenType multifonctionnelle, avec le plus grand nombre de glyphes latins qu'Adobe ait jamais proposé, Arno offre une prise en charge étendue des langues paneuropéennes, y compris le cyrillique et le grec polytonique. La famille offre également des avantages typographiques tels que cinq gammes de tailles optiques, des jeux italiques étendus et des petites capitales pour toutes les langues couvertes.

Concepteurs : Robert Slimbach

Éditeur : Adobe

Fonderie : Adobe

Maître d'ouvrage : Adobe

MyFonts débout : nul

Arno™ est une marque déposée de Vyacheslav Kirilenko et Gayaneh Bagdasaryan.

À propos Adobe

Adobe Systems, based in San Jose, California, was started by John Warnock and Chuck Geschke in 1982. In 1999 it became a billion dollar company. Adobe has long offered many applications for handling images and text, as well as a fine type library. The company’s rise comes from the success of the PostScript graphics programming language, a printing industry standard since the mid-1980s. Adobe Illustrator and Photoshop software have been mainstays of graphic design for many years. The PDF format for document interchange is also a standard. The year 1990 saw the introduction of Adobe Type Manager (ATM), which rendered fonts on-screen. In 1994 Adobe extended its interests into desktop publishing with the acquisition of Paul Brainerd’s Aldus Corporation for its PageMaker software; its advanced replacement, InDesign, now looks set to eclipse Quark Xpress as the DTP software of choice. Adobe lost little time in applying knowledge of text and graphics to the web, and offers a range of web imaging tools including PageMill and ImageReady. From the very early days, Adobe has taken typography very seriously. Sumner Stone, their Director of Typography from 1984 to 1991, chose the initial set of fonts, the first in the format known as Type 1, from the established Linotype and ITC libraries. He also initiated Adobe’s design program, where classic fonts (including Garamond and Caslon) were revived by the skilled hands of Robert Slimbach, Carol Twombly, and others. Brand new designs such as Minion also appeared. The Adobe type design group, now under David Lemon and with earlier assistance from Thomas Phinney, continues to release original type designs. As well as the standard Type 1 format, Adobe is also responsible for the PostScript Type 3 format. (In theory this gives programmers much more access to the power of PostScript, but one cannot preview the fonts on screen since it is not supported by ATM, so it has not seen wide adoption.) Much more exciting to most designers is the Multiple Master format, which allows an infinite number of fonts to be interpolated (or "morphed") between a set of master designs. The masters are typically the light and the heavy, or the narrow and wide styles. Since 1997 Adobe has been working with Microsoft on the OpenType font format. Given conformant applications (of which Adobe InDesign and PhotoShop are the most important current examples), this allows clever substitution of appropriate characters, such as ligatures and smallcaps. OpenType is also very strong in multilingual typography, enabling the computerization of some languages for the first time, and removing old compromises from typesetting languages such as Arabic. Attendees at ATypI 1999 in Boston were shocked to learn that development of Multiple Master fonts has ceased at Adobe. In 2007, OpenType fonts of the Adobe Type Library became available for purchase and immediate download from MyFonts.The Premium foundry page can be viewed Here.

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