Averta Standard famille de polices


Conçue par  Kostas Bartsokas
Averta Standard is the basic version of Averta. Bringing together features from early European grotesques and American gothics, Kostas Bartokas’ (Greek: ‘aß¿¿ta’ – to act or speak openly, bluntly or without moderation, without hiding) Averta is a geometric sans serif family with a simple, yet appealing, personality. The purely geometric rounds, open apertures, and its low contrast strokes manage to express an unmoderated, straightforward tone resulting in a modernist, neutral and friendly typeface. Averta Standard is intended for use in a variety of media. The central styles (Light through Bold) are drawn to perform at text sizes, while the extremes are spaced tighter to form more coherent headlines. The dynamism of the true italics adds a complementary touch to the whole family and provides extra versatility, making Averta Standard an excellent tool for a range of uses, from signage to branding and editorial design. Averta Standard comes with alternate glyphs, case sensitive forms and contextual alternates, in eight weights with matching italics and supports over two hundred languages with an extended Latin, Cyrillic (Russian, Bulgarian, and Serbian/Macedonian alternates), Greek and Vietnamese character set. It ships in three different packages offering different script coverage according to your needs: Averta Standard PE (Pan-European: Latin, Cyrillic, Greek), Averta Standard CY (Latin and Cyrillic), and Averta Standard (Latin and Greek). Averta's Cyrillic have received the 3rd Prize in the 2017 Granshan Awards in the Cyrillic Category.

Averta Standard Averta Std ExtraBold

Les fontes d’ordinateurs de bureau sont conçues pour être installées sur un ordinateur et avec des applications. Licence par utilisateur.
Les polices web annuelles sont concédées sous licence pour un nombre déterminé de pages vues.
Les polices web annuelles sont concédées sous licence pour un nombre déterminé de pages vues.
La licence d’utilisation de l’application vous permet d’intégrer des polices dans vos applications. La licence peut se référer au nombre d’applications différentes ou au nombre d’installations d’une application.
Les polices de documents électroniques peuvent être intégrées dans un e-book, un magazine électronique ou un journal électronique. Les polices sont sous licences annuelles pour chaque publication.
Les fontes pour serveurs peuvent être installées sur un serveur ou p. ex. être utilisées par des processus automatisés afin de créer des éléments. Chaque serveur possède une licence valable un an.
Une licence Digital Ads vous permet d’intégrer des polices Web dans des publicités numériques, telles que les publicités HTML5. Cette licence est basée sur le nombre d’impressions publicitaires.
Averta Standard


Sélectionner le format de la
fonte: OT (OpenType) avec
Postscript outlines (OT CFF) ou
TrueType outlines (OT TTF)
world-map map

Std / OT CFF

supports at least

21 langues.















Détails techniques
Type de contours OpenType:
CFF - PostScript-Outlines
Noms techniques des fontes:
Nom du fichier: AvertaStd-Extrabold.otf
Nom du menu Windows: Averta Std Extrabold
Nom PostScript: , AvertaStd-Extrabold
Nom PostScript complet: , AvertaStd-Extrabold
Numéro de catalogue:
167461667
Characters:
800
US$ 10

Caractéristiques

Langues

Case-Sensitive Forms

Tag: case

Fonction: Shifts various punctuation marks up to a position that works better with all-capital sequences or sets of lining figures; also changes oldstyle figures to lining figures. By default, glyphs in a text face are designed to work with lowercase characters. Some characters should be shifted vertically to fit the higher visual center of all-capital or lining text. Also, lining figures are the same height (or close to it) as capitals, and fit much better with all-capital text. The user selects a block of text and applies this feature. The dashes, bracketing characters, guillemet quotes and the like shift up to match the capitals, and oldstyle figures change to lining figures.

Fractions

Tag: frac

Fonction: Replaces figures separated by a slash with 'common' (diagonal) fractions. The user enters 3/4 in a recipe and gets the threequarters fraction.

Localized Forms

Tag: locl

Fonction: Many scripts used to write multiple languages over wide geographical areas have developed localized variant forms of specific letters, which are used by individual literary communities. For example, a number of letters in the Bulgarian and Serbian alphabets have forms distinct from their Russian counterparts and from each other. In some cases the localized form differs only subtly from the script 'norm', in others the forms are radically distinct. This feature enables localized forms of glyphs to be substituted for default forms. The user applies this feature to text to enable localized Bulgarian forms of Cyrillic letters; alternatively, the feature might enable localized Russian forms in a Bulgarian manufactured font in which the Bulgarian forms are the default characters.

Ordinals

Tag: ordn

Fonction: Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature. The user applies this feature to turn 2.o into 2.o (abbreviation for secundo).

Superscript

Tag: sups

Fonction: Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles). The application can use this feature to automatically access the superior figures (more legible than scaled figures) for footnotes, or the user can apply it to Mssr to get the classic form.

Contextual Alternates

Tag: calt

Fonction: In specified situations, replaces default glyphs with alternate forms which provide better joining behavior. Used in script typefaces which are designed to have some or all of their glyphs join. In Caflisch Script, o is replaced by o.alt2 when followed by an ascending letterform.

Stylistic Alternates

Tag: salt

Fonction: Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates. The user applies this feature to Industria to get the alternate form of g.

Historical Forms

Tag: hist

Fonction: Some letterforms were in common use in the past, but appear anachronistic today. The best-known example is the long form of s; others would include the old Fraktur k. Some fonts include the historical forms as alternates, so they can be used for a 'period' effect. This feature replaces the default (current) forms with the historical alternates. While some ligatures are also used for historical effect, this feature deals only with single characters. The user applies this feature in Adobe Jenson to get the archaic forms of M, Q and Z.

Mathematical Greek

Tag: mgrk

Fonction: Replaces standard typographic forms of Greek glyphs with corresponding forms commonly used in mathematical notation (which are a subset of the Greek alphabet). The user applies this feature to U+03A3 (Sigma), and gets U+2211 (summation).

Sylistic Set 1

Tag: ss01

Fonction: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Sylistic Set 2

Tag: ss02

Fonction: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Sylistic Set 3

Tag: ss03

Fonction: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Sylistic Set 4

Tag: ss04

Fonction: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Glyph Composition/Decomposition

Tag: ccmp

Fonction: To minimize the number of glyph alternates, it is sometimes desired to decompose a character into two glyphs. Additionally, it may be preferable to compose two characters into a single glyph for better glyph processing. This feature permits such composition/decompostion. The feature should be processed as the first feature processed, and should be processed only when it is called. In Syriac, the character 0x0732 is a combining mark that has a dot above AND a dot below the base character. To avoid multiple glyph variants to fit all base glyphs, the character is decomposed into two glyphs...a dot above and a dot below. These two glyphs can then be correctly placed using GPOS. In Arabic it might be preferred to combine the shadda with fatha (0x0651, 0x064E) into a ligature before processing shapes. This allows the font vendor to do special handling of the mark combination when doing further processing without requiring larger contextual rules.

Capital Spacing

Tag: cpsp

Fonction: Globally adjusts inter-glyph spacing for all-capital text. Most typefaces contain capitals and lowercase characters, and the capitals are positioned to work with the lowercase. When capitals are used for words, they need more space between them for legibility and esthetics. This feature would not apply to monospaced designs. Of course the user may want to override this behavior in order to do more pronounced letterspacing for esthetic reasons. The user sets a title in all caps, and the Capital Spacing feature opens the spacing.

Kerning

Tag: kern

Fonction: Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically. The o is shifted closer to the T in the combination "To."

Mark Positioning

Tag: mark

Fonction: Positions mark glyphs with respect to base glyphs. In the Arabic script, positioning the Hamza above the Yeh.

Mark to Mark Positioning

Tag: mkmk

Fonction: Positions marks with respect to other marks. Required in various non-Latin scripts like Arabic. In Arabic, the ligaturised mark Ha with Hamza above it; can also be obtained by positioning these marks relative to one another.

These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in d

Tag: Basic Latin

Fonction: These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.

These fonts support the Latin Extended character set. Each font is Unicode™ encoded, and available i

Tag: Latin Extended

Fonction: These fonts support the Latin Extended character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.