Linotype Didot™ eText famille de polices

Conçue par  Adrian Frutiger en 2013
Linotype Design Studio en 2013
For about 100 years in the eighteenth and nineteenth centuries, several members of the Didot family were active in Paris as designers. They were also printers, publishers, typefounders, inventors, writers and intellectuals. Around 1800, the Didot family owned the most important print shop and font foundry in France. Pierre Didot published books and prints set in typefaces designed and punchcut by his brother, Firmin Didot. The statuesque, clear forms of the Didot alphabets are representative of the time, and are quite similar to those designed by Giambattista Bodoni around the same time in Italy. These types are in the style known as "modern" - meaning they are characterized by extreme vertical stress and fine hairlines contrasted by bold main strokes. Linotype Didot™ was drawn by Adrian Frutiger in 1991, and is based on the fonts cut by Firmin Didot between 1799 and 1811. Frutiger also studied the Didot types in a book printed by the Didots in 1818, "La Henriade" by Voltaire. This beautifully drawn family has 12 weights including Old style Figures, a headline version, and superb graphic ornaments. Linotype Didot is the right choice for elegant book and magazine designs, as well as advertising with a classic touch.
eText fonts - the optimum of on-screen text quality
With our new eText fonts that have been optimised for on-screen use, you can ensure that your texts remain readily legible when displayed on smartphones, tablets or e-readers.
The poor resolution of many digital display systems represents a major challenge when it comes to presenting text. It is necessary to make considerable compromises, particularly in the case of text in smaller point sizes, in order to adapt characters designed in detail using vector graphics to the relatively crude pixel grid. So-called 'font hinting' can help with this process. This, for example, provides the system with information on which lines are to be displayed in a particular thickness, i.e. using a specific number of pixels.
As font hinting is a largely manual and thus very complex technique, many typefaces come with only the most necessary information. What is unimportant for a text printed in high resolution can result in a poor quality image when the same text is displayed on a screen, so that reading it rapidly becomes a demanding activity.
Specially optimised eText fonts can help overcome this problem. An extremely refined and elaborate font hinting system makes sure that these fonts are optimally displayed on screens. Monotype has not only adopted font hinting for this purpose but has also thoroughly reworked the fonts to hone them for display in low resolution environments. For example, the open counters present in the letters C, c, e, S, s, g etc. have been slightly expanded so that these retain their character even in small point sizes. Also with a view to enhancing appearance in smaller point sizes, line thickness has been discreetly increased and x-height carefully adjusted. Kerning has also been modified.
Don't leave the on-screen appearance of your creations to chance. Play it safe and use eText fonts to achieve perfect results on modern display devices. Many typefaces, including many popular classics, are already available as eText fonts and new ones are continually being published.
The eText font you can purchase here are available for use as Desktop Fonts or Web Fonts. Should they be used in Mobile Devices such as smartphones, tablets or eReaders, please contact our OEM specialists at [email protected] "

Linotype Didot eText Italic

Les fontes d’ordinateurs de bureau sont conçues pour être installées sur un ordinateur et avec des applications. Une licence par ordinateur.
Les fontes Web sont utilisées avec la règle CSS @font-face. Elles bénéficient d’une licence couvrant un nombre déterminé de pages consultées et valable sans limite de temps.
Les fontes Web sont utilisées avec la règle CSS @font-face. La licence a une durée illimitée.
Les polices d’applications sont adaptées à l’intégration dans les applications mobiles. La licence est valide pour respectivement une application et repose sur le nombre d’installations de l’application.
Les fontes pour publications électroniques peuvent être intégrées à un eBook, à un e-magazine ou à un e-journal. Ces fontes sont mises sous licence à chaque numéro.
Les fontes pour serveurs peuvent être installées sur un serveur ou p. ex. être utilisées par des processus automatisés afin de créer des éléments. Chaque serveur possède une licence valable un an.
Vous pouvez utiliser ce type de licence pour intégrer des polices Web dans des publicités numériques, comme dans les annonces rédigées en HTML. Les licences s’appliquent pour un nombre défini d’impressions publicitaires sans limitation dans le temps.
Linotype Didot eText

world-map map

Std / OT CFF

supports at least

21 langues.

Détails techniques
Type de contours OpenType:
CFF - PostScript-Outlines
Noms techniques des fontes:
Nom du fichier: DidotETStd-Italic.otf
Nom du menu Windows: Didot eText Std
Nom PostScript: DidoteTextStd-Italic
Nom PostScript complet: Didot eText Std Italic
Numéro de catalogue:
US$ 65
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Case-Sensitive Forms

Tag: case

Fonction: Shifts various punctuation marks up to a position that works better with all-capital sequences or sets of lining figures; also changes oldstyle figures to lining figures. By default, glyphs in a text face are designed to work with lowercase characters. Some characters should be shifted vertically to fit the higher visual center of all-capital or lining text. Also, lining figures are the same height (or close to it) as capitals, and fit much better with all-capital text. The user selects a block of text and applies this feature. The dashes, bracketing characters, guillemet quotes and the like shift up to match the capitals, and oldstyle figures change to lining figures.


Tag: dnom

Fonction: Replaces selected figures which follow a slash with denominator figures. In the string 11/17 selected by the user, the application turns the 17 into denominators when the user applies the fraction feature.


Tag: frac

Fonction: Replaces figures separated by a slash with 'common' (diagonal) fractions. The user enters 3/4 in a recipe and gets the threequarters fraction.

Standard Ligatures

Tag: liga

Fonction: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions. The glyph for ffl replaces the sequence of glyphs f f l.


Tag: numr

Fonction: Replaces selected figures which precede a slash with numerator figures, and replaces the typographic slash with the fraction slash. In the string 11/17 selected by the user, the application turns the 11 into numerators, and the slash into a fraction slash when the user applies the fraction feature.

Old Style Figures

Tag: onum

Fonction: This feature changes selected figures from the default lining style to oldstyle form. The user invokes this feature to get oldstyle figures, which fit better into the flow of normal upper- and lowercase text. Various characters designed to be used with figures may also have oldstyle versions.

Proportional Figures

Tag: pnum

Fonction: Replaces figure glyphs set on uniform (tabular) widths with corresponding glyphs set on glyph-specific (proportional) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs. The user may apply this feature to get even spacing for lining figures used as dates in an all-cap headline.

Scientific Inferiors

Tag: sinf

Fonction: Replaces lining or oldstyle figures with inferior figures (smaller glyphs which sit lower than the standard baseline, primarily for chemical or mathematical notation). May also replace lowercase characters with alphabetic inferiors. The application can use this feature to automatically access the inferior figures (more legible than scaled figures).


Tag: sups

Fonction: Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles). The application can use this feature to automatically access the superior figures (more legible than scaled figures) for footnotes, or the user can apply it to Mssr to get the classic form.

Tabular Figures

Tag: tnum

Fonction: Replaces figure glyphs set on proportional widths with corresponding glyphs set on uniform (tabular) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs. The user may apply this feature to get oldstyle figures to align vertically in a column.

Small Capitals From Capitals

Tag: c2sc

Fonction: Small Capitals From Capitals

Small Capitals

Tag: smcp

Fonction: This feature turns lowercase characters into small capitals. This corresponds to the common SC font layout. It is generally used for display lines set in Large & small caps, such as titles. Forms related to small capitals, such as oldstyle figures, may be included. The user enters text as mixed capitals and lowercase, and gets Large & small cap text.


Tag: subs

Fonction: The "subs" feature may replace a default glyph with a subscript glyph, or it may combine a glyph substitution with positioning adjustments for proper placement. Recommended implementation: First, a single or contextual substitution lookup implements the subscript glyph (GSUB lookup type 1). Then, if the glyph needs repositioning, an application may apply a single adjustment, pair adjustment, or contextual adjustment positioning lookup to modify its position.


Tag: kern

Fonction: Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically. The o is shifted closer to the T in the combination "To."

These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in d

Tag: Basic Latin

Fonction: These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.