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Museo Sans Cyrillic

Museo™ Sans Cyrillic

par exljbris
Styles individuels à partir de $0.00
Famille complète de 10 polices: $119.00
Museo Sans Cyrillic Font la famille était conçu par Jos Buivenga, Irina Smirnova et publié par exljbris. Museo Sans Cyrillic contient 10 styles et des offres familiales.

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ESSAI GRATUIT DE 30 JOURS de Monotype Polices pour obtenir Museo Sans Cyrillic et plus de 150 000 polices. Démarrer l'essai gratuit
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A propos de la famille Museo Sans Cyrillic Police


Museo Sans est une famille de caractères sans empattement complète et très lisible police conçue par Jos Buivenga. Museo Sans a un aspect familier et est basé sur la populaire famille de caractères à empattement Museo. Museo Sans a un style robuste, peu contrasté et géométrique qui fonctionne bien dans les tailles de texte et d'affichage. La famille Museo Sans police comprend 10 polices: 5 graisses différentes avec des italiques assorties et un support linguistique pour l'Europe occidentale et centrale. Les caractéristiques OpenType de Museo Sans comprennent les ligatures, les fractions, les proportions, les doublures tabulaires et les chiffres de style ancien. Museo Sans est une marque déposée de Exljbris Police Foundry et peut être enregistrée dans certaines juridictions.

Concepteurs : Jos Buivenga, Irina Smirnova

Éditeur : exljbris

Fonderie : exljbris

Maître d'ouvrage : exljbris

MyFonts débout : 9 août 2012

Museo™ Sans Cyrillic

À propos exljbris

Dutchman Jos Buivenga already had an impressive following when he and his foundry, exljbris, joined MyFonts in 2008. For years, his online friends and fans were able to witness and comment on the development of his typefaces on his website and download the beta versions at no cost at all. When he transformed his free site into a one-man foundry, he debuted his first commercial typeface in an unprecedented, and ultimately, very successful way. With this typeface, Museo, Jos became the first designer to offer several weights in an extended font family for free. “I had to take into account that most people who knew me, knew me for my free fonts,” he said in his Creative Characters interview, “so my guess was that it would be best to offer more free than paid weights.” His generosity paid off. Museo became a sensational best seller on the strength of the paid fonts alone and the typeface was named one of MyFonts Top Ten Fonts of 2008. “I decided to offer the three middle, most common weights for free. And that was received better than I could have imagined.” And with that, his foundry took off. His sophomore font, Museo Sans, proved to be even more successful than its predecessor. It too was named one of our Top Ten Fonts of 2008. The true indicator of the success of this typeface, though, is the incredible longevity of its stay on our Best Sellers list. Released in 2008, the font is still a best selling typeface. Considering the enormous success that the self-taught designer has seen, it’s amazing to think that his career started off with just simple intrigue. “I just wanted to know,” he says, “what it would feel like to use a font of my own on my first Mac.”

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