Neue Haas Grotesk™ Familia tipográfica


Diseñado por  Christian Schwartz/2011
Max Miedinger
The original metal Neue Haas Grotesk™ would, in the late 1950s become Helvetica®. But, over the years, Helvetica would move away from its roots. Some of the features that made Neue Haas Grotesk so good were expunged or altered owing to comprimises dictated by technological changes. Christian Schwartz says Neue Haas Grotesk was originally produced for typesetting by hand in a range of sizes from 5 to 72 points, but digital Helvetica has always been one-size-fits-all, which leads to unfortunate compromises."""" Schwartz's digital revival sets the record straight, so to speak. What was lost in Neue Haas Grotesk's transition to the digital Helvetica of today, has been resurrected in this faithful digital revival.
The Regular and Bold weights of Helvetica were redesigned for the Linotype machine; those alterations remained when Helvetica was adapted for phototypesetting. During the 1980s, the family was redrawn and released as Neue Helvetica. Schwartz's revival of the original Helvetica, his new Neue Haas Grotesk, comes complete with a number of Max Miedinger's alternates, including a flat-legged R.
Eight display weights, from Thin to Black, plus a further three weights drawn specifically for text make this much more than a revival - it's a versatile, well-drawn grot with all the right ingredients. The Thin weight (originally requested by Bloomberg Businessweek) is very fine, very thin indeed, and reveals the true skeleton of these iconic letterforms.
Available as a family of OpenType fonts with a very large Pro character set, Neue Haas Grotesk supports most Central European and many Eastern European languages.

Neue Haas Grotesk Text 55 Roman

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en procesos automáticos para crear
artículos. Cada licencia es válida para
un servidor y durante un año.
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en los que se instalará la fuente.
Seleccione la cantidad de visitas que
se pueden consumir con el tiempo.
Le avisaremos cuando se estén agotando.
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permiten un número ilimitado de
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y su vida útil.
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en los que se instalará la fuente.
Una licencia es válida durante 1 año.
Visitas a página/mes: indique el número
previsto de visitas mensuales. No es
necesario renovar la licencia. No caduca.
Tan sólo si recibe más tráfico en la
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nuevo por las visitas adicionales.
Por favor, elija el número deseado de Ad Impressions. Le avisaremos cuando se estén agotando.
Seleccione el formato técnico
de la fuente: OT (OpenType)
con perfiles Postscript (OT CFF)
o TrueType (OT TTF).
Seleccione la compatibilidad
lingüística de la fuente:
W1G (98 idiomas),
COM (56 idiomas),
PRO (33 idiomas) o
STD (21 idiomas).
Language versions the web font is
available in. These differ in contained
characters and file size. You get all
available versions with your license.
Test-drive Neue Haas Grotesk™ Text 55 Roman in Typecast.

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Fuentes

Desktop

Web

Digital Ads

App

ePub

Server
Las fuentes de escritorio están diseñadas para instalarse en un ordenador y usarse con aplicaciones. Se emite una licencia para cada ordenador.
Las fuentes web se emplean con la norma CSS @font-face. Cada licencia cubre un determinado número de visitas de página sin limitaciones temporales.
Las fuentes web se usan con la regla @font-face de CSS. La licencia no tiene caducidad.
Las fuentes de App son aptas para incrustar en aplicaciones móviles. La licencia es válida para cada App y se basa en el número de instalaciones de la App.
Las fuentes para publicaciones electrónicas se pueden integrar en un libro electrónico, una revista electrónica o un periódico electrónico. La licencia de estas fuentes se concede por emisión.
Las fuentes para servidores se pueden instalar en un servidor y, p. ej., usarse en procesos automáticos para crear artículos. Cada licencia es válida para un servidor y durante un año.
Este tipo de licencia lo puede utilizar para incrustar fuentes web en Digital Ads, por ejemplo en anuncios creados en HTLM5. Las licencias son válidas para un determinado número de Ad Impressions sin limitación de tiempo.
Neue Haas Grotesk


world-map map

Std / OT CFF

supports at least

21 idiomas.















Detalles técnicos
Datos digitales de:
Linotype
Tipo de curvas OpenType:
CFF - PostScript-Outlines
Nombres técnicos de las fuentes:
Nombre del archivo: NHaasGroteskTXStd-55Rg.otf
Nombre del menú Windows: NeueHaasGroteskText Std
Nombre PostScript: NHaasGroteskTXStd-55Rg
Nombre PostScript completo: Neue Haas Grotesk Text Std 55 Roman
Número del catálogo:
167369456
Characters:
397
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Características

Idiomas

Case-Sensitive Forms

Etiqueta: case

Función: Shifts various punctuation marks up to a position that works better with all-capital sequences or sets of lining figures; also changes oldstyle figures to lining figures. By default, glyphs in a text face are designed to work with lowercase characters. Some characters should be shifted vertically to fit the higher visual center of all-capital or lining text. Also, lining figures are the same height (or close to it) as capitals, and fit much better with all-capital text. The user selects a block of text and applies this feature. The dashes, bracketing characters, guillemet quotes and the like shift up to match the capitals, and oldstyle figures change to lining figures.

Denominators

Etiqueta: dnom

Función: Replaces selected figures which follow a slash with denominator figures. In the string 11/17 selected by the user, the application turns the 17 into denominators when the user applies the fraction feature.

Fractions

Etiqueta: frac

Función: Replaces figures separated by a slash with 'common' (diagonal) fractions. The user enters 3/4 in a recipe and gets the threequarters fraction.

Standard Ligatures

Etiqueta: liga

Función: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions. The glyph for ffl replaces the sequence of glyphs f f l.

Numerators

Etiqueta: numr

Función: Replaces selected figures which precede a slash with numerator figures, and replaces the typographic slash with the fraction slash. In the string 11/17 selected by the user, the application turns the 11 into numerators, and the slash into a fraction slash when the user applies the fraction feature.

Ordinals

Etiqueta: ordn

Función: Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature. The user applies this feature to turn 2.o into 2.o (abbreviation for secundo).

Proportional Figures

Etiqueta: pnum

Función: Replaces figure glyphs set on uniform (tabular) widths with corresponding glyphs set on glyph-specific (proportional) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs. The user may apply this feature to get even spacing for lining figures used as dates in an all-cap headline.

Superscript

Etiqueta: sups

Función: Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles). The application can use this feature to automatically access the superior figures (more legible than scaled figures) for footnotes, or the user can apply it to Mssr to get the classic form.

Tabular Figures

Etiqueta: tnum

Función: Replaces figure glyphs set on proportional widths with corresponding glyphs set on uniform (tabular) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs. The user may apply this feature to get oldstyle figures to align vertically in a column.

Contextual Alternates

Etiqueta: calt

Función: In specified situations, replaces default glyphs with alternate forms which provide better joining behavior. Used in script typefaces which are designed to have some or all of their glyphs join. In Caflisch Script, o is replaced by o.alt2 when followed by an ascending letterform.

Stylistic Alternates

Etiqueta: salt

Función: Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates. The user applies this feature to Industria to get the alternate form of g.

Subscript

Etiqueta: subs

Función: The "subs" feature may replace a default glyph with a subscript glyph, or it may combine a glyph substitution with positioning adjustments for proper placement. Recommended implementation: First, a single or contextual substitution lookup implements the subscript glyph (GSUB lookup type 1). Then, if the glyph needs repositioning, an application may apply a single adjustment, pair adjustment, or contextual adjustment positioning lookup to modify its position.

Sylistic Set 1

Etiqueta: ss01

Función: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Sylistic Set 3

Etiqueta: ss03

Función: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Capital Spacing

Etiqueta: cpsp

Función: Globally adjusts inter-glyph spacing for all-capital text. Most typefaces contain capitals and lowercase characters, and the capitals are positioned to work with the lowercase. When capitals are used for words, they need more space between them for legibility and esthetics. This feature would not apply to monospaced designs. Of course the user may want to override this behavior in order to do more pronounced letterspacing for esthetic reasons. The user sets a title in all caps, and the Capital Spacing feature opens the spacing.

Kerning

Etiqueta: kern

Función: Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically. The o is shifted closer to the T in the combination "To."

These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in d

Etiqueta: Basic Latin

Función: These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.

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