Seleccione este tipo de licencia cuando esté desarrollando una aplicación app para iOS, Android o Windows Phone, y vaya a incrustar el archivo en el código de su aplicación móvil. va a incrustar el archivo fuente en el código de su aplicación móvil.
Allotrope
por Kostic- Aa Glifos
-
¡Mejor PrecioPaquetes de familia
- Estilos individuales
- Especificaciones técnicas
- Licencias
Allotrope Wide Family
20 fuentesPor estilo:
$9.50
Paquete de 20 estilos:
$190.00
Allotrope Normal Family
20 fuentesPor estilo:
$9.50
Paquete de 20 estilos:
$190.00
Allotrope Extra Condensed Family
20 fuentesPor estilo:
$9.50
Paquete de 20 estilos:
$190.00
Allotrope Condensed Family
20 fuentesPor estilo:
$9.50
Paquete de 20 estilos:
$190.00
Allotrope Compressed Family
20 fuentesPor estilo:
$9.50
Paquete de 20 estilos:
$190.00
Sobre la familia Allotrope Fuente
Los alótropos son formas estructurales diferentes de un mismo elemento y pueden presentar propiedades físicas y comportamientos químicos bastante distintos. El cambio entre formas alotrópicas lo provocan las mismas fuerzas que afectan a otras estructuras: la presión, la luz y la temperatura. De Wikipedia, la enciclopedia libre
Con diez pesos en cinco anchos más la cursiva, esta familia tiene un total de 100 fuentes. El gran número de estilos se hizo con la intención de cubrir la mayoría de los casos que los diseñadores de IU tienen que abordar, con una sola familia tipográfica. Las alternativas estilísticas se hicieron siguiendo la misma lógica, por lo que hay una g opcional de un solo piso, una I mayúscula con gracias y un cero con puntos, todo ello disponible a través de la función OpenType. El juego de caracteres es compatible con las lenguas de Europa Occidental y Central, así como con el turco.
Diseñadores: Nikola Kostić
Editorial: Kostic
Fundición: Kostic
Propietario del diseño: Kostic
MyFonts debut: 14 de febrero de 2020
Acerca de Kostic
Kostić Type Foundry is located in Belgrade, Serbia. It is a small private foundry, run in cooperation between Zoran and Nikola Kostić (father and son). Zoran began making fonts in 1987 out of necessity, since his DTP studio needed PostScript Cyrilic fonts which, at the time, were being made by no one. While designing his first font, he discovered a whole new world whose beauty and complexity wove such a spell over him that he’s under its hold to this very day. He created a number of original typefaces like: Batke, Beograd, KosticSans, KosticSerif, Lapidary Capitals, Sketch, DesignerRound, Why Square (licence by Linotype) and Just Square (licence by Linotype) and about ten others, designed on the basis of Old Church Slavonic scripts (Hilandarski Ustav and Monah with 6,400 characters each). Nikola grew up playing and learning in his father’s DTP studio, where he was surrounded by the amazing world of the late 80’s and early 90’s graphic design, a period when technological breakthroughs opened up new possibilities for everyone in the business. Naturally, he became a graphic designer. He got his master’s degree in graphic design from the Faculty of Applied Arts (University of Arts in Belgrade) in 2002. However, type design was a different story. This peculiar and seemingly uninteresting craft was something he grew to love only when he was in his thirties and years into the business. He had to push himself hard so as to develop the discipline required to master this particular art. By 2016 he has designed more than a dozen typefaces. Among his most well known typeface designs are Breakers, Argumentum and the awarded Chiavettieri. Once mystified by his father’s craft, Nikola is now his proud partner at Kostić Type Foundry.
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