Pierre Simon Fournier
Trains at the company of his father, Jean Claude Fournier. 1737: develops a typographical system of measures which F. A. Didot reworks. 1739: opens his own type foundry. 1742: publishes a book of type specimens which is printed by J. J. Barbou. In total, Fournier cuts 60,000 punches for c. 150 of his own alphabets. 1760: completes his design for a system of musical notation which is patented in 1762 and which is produced in various sizes in 1764. 1768: Fournier’s widow and son continue to run the type foundry after Fournier’s death.
Publications include: "Essai d’un nouveau caractère de fonte pour l’impression de la musique", Paris 1756; "Manuel typographique" (2 vols.), Paris 1764–66.
* TYPOGRAPHY – An Encyclopedic Survey of Type Design and Techniques Throughout History by Friedrich Friedl, Nicolaus Ott (Editor), Bernard Stein, published by Könemann Verlagsgesellschaft mbH.
Fonts from the Linotype Library in the style of Pierre Simon Fournier: