Scene® Familia tipográfica
Diseñado por Sebastian Lester/2002
Clean. Calm. Highly legible. This is the design brief Sebastian Lester set for himself when he began to create the Scene typeface family.
Knowing that, you'd never guess that Lester's first commercial fonts were alternative" display designs influenced by electronic gaming and house music. Lester began his career after graduating with honors from Central Saint Martins College of Art and Design in London. He spent several years designing for the music and games industries and dabbling in 3D animation. Then, in 2000, he joined Monotype Imaging, where he creates fonts for both on-screen and print uses. "I've always had a deep interest in type and typography," says Lester, "but when I began creating text typefaces for Monotype Imaging, I gained new insight into the subtleties of letterform design."
Work on Scene began after Lester had developed several corporate identity fonts for Monotype Imaging. He wanted to provide graphic designers and creative directors with a suite of fonts that would serve as a strong foundation for identity projects. He also wanted to incorporate what he'd learned about achieving best on-screen and print legibility. Much of the Scene family's clarity lies in an x-height that sits comfortably between that of Helvetica and Verdana. Full-bodied counters, long ascenders and descenders, and exceptionally well-drawn letters also play their parts. Lester took special care with letter spacing and kerning to ensure optimal typographic color at any size.
Scene is the result of two years of after-hours and weekend work. "It started off as a part-time project," says Lester, "but ended up as virtually a second full-time job." The completed family is six weights with complementary italic designs. Also included is a set of "semi-sans" characters that introduce more expressive word rhythms into headlines and blocks of copy. In addition, aligning and old style numerals were drawn for all six weights.
"I'm very pleased with this font family," beams Lester. "I believe I've created a strong yet subtle communication tool that has much to offer designers working in corporate identity and other areas of design." We wholeheartedly agree."
Knowing that, you'd never guess that Lester's first commercial fonts were alternative" display designs influenced by electronic gaming and house music. Lester began his career after graduating with honors from Central Saint Martins College of Art and Design in London. He spent several years designing for the music and games industries and dabbling in 3D animation. Then, in 2000, he joined Monotype Imaging, where he creates fonts for both on-screen and print uses. "I've always had a deep interest in type and typography," says Lester, "but when I began creating text typefaces for Monotype Imaging, I gained new insight into the subtleties of letterform design."
Work on Scene began after Lester had developed several corporate identity fonts for Monotype Imaging. He wanted to provide graphic designers and creative directors with a suite of fonts that would serve as a strong foundation for identity projects. He also wanted to incorporate what he'd learned about achieving best on-screen and print legibility. Much of the Scene family's clarity lies in an x-height that sits comfortably between that of Helvetica and Verdana. Full-bodied counters, long ascenders and descenders, and exceptionally well-drawn letters also play their parts. Lester took special care with letter spacing and kerning to ensure optimal typographic color at any size.
Scene is the result of two years of after-hours and weekend work. "It started off as a part-time project," says Lester, "but ended up as virtually a second full-time job." The completed family is six weights with complementary italic designs. Also included is a set of "semi-sans" characters that introduce more expressive word rhythms into headlines and blocks of copy. In addition, aligning and old style numerals were drawn for all six weights.
"I'm very pleased with this font family," beams Lester. "I believe I've created a strong yet subtle communication tool that has much to offer designers working in corporate identity and other areas of design." We wholeheartedly agree."
Scene Medium Italic
Las fuentes de escritorio están
diseñadas para instalarse en un
ordenador y usarse con aplicaciones.
Se emite una licencia para cada ordenador.
Las fuentes web de pago por uso tienen licencia para un cierto número de páginas vistas.
Las fuentes web se usan con
la regla @font-face de CSS.
La licencia no tiene caducidad.
El licenciamiento de aplicaciones le permite incrustar fuentes en sus aplicaciones. La licencia puede referirse al número de aplicaciones diferentes o al número de instalaciones de una aplicación.
Las fuentes para publicaciones electrónicas
se pueden integrar en un libro electrónico, una
revista electrónica o un periódico electrónico.
La licencia de estas fuentes se concede por emisión.
Las fuentes para servidores se pueden
instalar en un servidor y, p. ej., usarse
en procesos automáticos para crear
artículos. Cada licencia es válida para
un servidor y durante un año.
Una licencia de Digital Ads le permite incrustar fuentes web en anuncios digitales, como anuncios HTML5. Esta licencia se basa en el número de impresiones de anuncios.
Scene
Seleccione el formato técnico
de la fuente: OT (OpenType)
con perfiles Postscript (OT CFF)
o TrueType (OT TTF).
de la fuente: OT (OpenType)
con perfiles Postscript (OT CFF)
o TrueType (OT TTF).
Detalles técnicos
Datos digitales de:
Tipo de curvas OpenType:
CFF - PostScript-Outlines
Nombres técnicos de las fuentes:
Nombre del archivo: SceneStd-MediumItalic.otf
Nombre del menú Windows: Scene Std Medium
Nombre PostScript: , SceneStd-MediumItalic
Nombre PostScript completo: , SceneStd-MediumItalic
Nombre del menú Windows: Scene Std Medium
Nombre PostScript: , SceneStd-MediumItalic
Nombre PostScript completo: , SceneStd-MediumItalic
Número del catálogo:
16786265
Characters:
361
