Arial® OS Familia tipográfica


Diseñado por  Robin Nicholas/1982
Patricia Saunders/1982
Arial was designed for Monotype in 1982 by Robin Nicholas and Patricia Saunders. A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance.

Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

Arial OS Bold Italic

Las fuentes de escritorio están
diseñadas para instalarse en un
ordenador y usarse con aplicaciones.
Se emite una licencia para cada ordenador.
Las fuentes web se emplean con la
norma CSS @font-face. Cada licencia
cubre un determinado número de visitas
de página sin limitaciones temporales.
Las fuentes de App son aptas para incrustar en aplicaciones móviles. La licencia es válida para cada App y se basa en el número de instalaciones de la App.
Las fuentes para publicaciones electrónicas
se pueden integrar en un libro electrónico, una
revista electrónica o un periódico electrónico.
La licencia de estas fuentes se concede por emisión.
Las fuentes para servidores se pueden
instalar en un servidor y, p. ej., usarse
en procesos automáticos para crear
artículos. Cada licencia es válida para
un servidor y durante un año.
Seleccione el número de ordenadores
en los que se instalará la fuente.
Seleccione la cantidad de visitas que
se pueden consumir con el tiempo.
Le avisaremos cuando se estén agotando.
Seleccione el número de instalaciones
de la App para el que desea una
licencia. Algunas fuentes de App
permiten un número ilimitado de
instalaciones. Más información
Seleccione el número de publicaciones
en las que se integrará el tipo de letra.
Cada licencia es válida para una emisión
y su vida útil.
Seleccione el número de servidores
en los que se instalará la fuente.
Una licencia es válida durante 1 año.
Visitas a página/mes: indique el número
previsto de visitas mensuales. No es
necesario renovar la licencia. No caduca.
Tan sólo si recibe más tráfico en la
página web del previsto pagará de
nuevo por las visitas adicionales.
Por favor, elija el número deseado de Ad Impressions. Le avisaremos cuando se estén agotando.
Seleccione el formato técnico
de la fuente: OT (OpenType)
con perfiles Postscript (OT CFF)
o TrueType (OT TTF).
Seleccione la compatibilidad
lingüística de la fuente:
W1G (98 idiomas),
COM (56 idiomas),
PRO (33 idiomas) o
STD (21 idiomas).
Language versions the web font is
available in. These differ in contained
characters and file size. You get all
available versions with your license.
Test-drive Arial® OS Bold Italic in Typecast.

Typecast is a web-based tool to create visual and semantic designs. Check for readability, rendering and beauty then share a working prototype of your design.

Tip: Add fonts to your Favorites, then test your custom selection in Typecast!

Fuentes

Desktop

Web

Digital Ads

App

ePub

Server
Las fuentes de escritorio están diseñadas para instalarse en un ordenador y usarse con aplicaciones. Se emite una licencia para cada ordenador.
Las fuentes web se emplean con la norma CSS @font-face. Cada licencia cubre un determinado número de visitas de página sin limitaciones temporales.
Las fuentes web se usan con la regla @font-face de CSS. La licencia no tiene caducidad.
Las fuentes de App son aptas para incrustar en aplicaciones móviles. La licencia es válida para cada App y se basa en el número de instalaciones de la App.
Las fuentes para publicaciones electrónicas se pueden integrar en un libro electrónico, una revista electrónica o un periódico electrónico. La licencia de estas fuentes se concede por emisión.
Las fuentes para servidores se pueden instalar en un servidor y, p. ej., usarse en procesos automáticos para crear artículos. Cada licencia es válida para un servidor y durante un año.
Este tipo de licencia lo puede utilizar para incrustar fuentes web en Digital Ads, por ejemplo en anuncios creados en HTLM5. Las licencias son válidas para un determinado número de Ad Impressions sin limitación de tiempo.
Arial OS


Seleccione el formato técnico
de la fuente: OT (OpenType)
con perfiles Postscript (OT CFF)
o TrueType (OT TTF).
world-map map

WGL / OT TTF

supports at least

79 idiomas.















Detalles técnicos
Tipo de curvas OpenType:
TTF - TrueType-Outlines
Nombres técnicos de las fuentes:
Nombre del archivo: arialbi.ttf
Nombre del menú Windows: Arial
Nombre PostScript: Arial-BoldItalicMT
Nombre PostScript completo: Arial Bold Italic
Número del catálogo:
168421806
Characters:
3072
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Características

Idiomas

Denominators

Etiqueta: dnom

Función: Replaces selected figures which follow a slash with denominator figures. In the string 11/17 selected by the user, the application turns the 17 into denominators when the user applies the fraction feature.

Fractions

Etiqueta: frac

Función: Replaces figures separated by a slash with 'common' (diagonal) fractions. The user enters 3/4 in a recipe and gets the threequarters fraction.

Lining Figures

Etiqueta: lnum

Función: This feature changes selected figures from oldstyle to the default lining form. The user invokes this feature in order to get lining figures, which fit better with all-capital text. Various characters designed to be used with figures may also be covered by this feature. In cases where lining figures are the default form, this feature would undo previous substitutions.

Localized Forms

Etiqueta: locl

Función: Many scripts used to write multiple languages over wide geographical areas have developed localized variant forms of specific letters, which are used by individual literary communities. For example, a number of letters in the Bulgarian and Serbian alphabets have forms distinct from their Russian counterparts and from each other. In some cases the localized form differs only subtly from the script 'norm', in others the forms are radically distinct. This feature enables localized forms of glyphs to be substituted for default forms. The user applies this feature to text to enable localized Bulgarian forms of Cyrillic letters; alternatively, the feature might enable localized Russian forms in a Bulgarian manufactured font in which the Bulgarian forms are the default characters.

Numerators

Etiqueta: numr

Función: Replaces selected figures which precede a slash with numerator figures, and replaces the typographic slash with the fraction slash. In the string 11/17 selected by the user, the application turns the 11 into numerators, and the slash into a fraction slash when the user applies the fraction feature.

Old Style Figures

Etiqueta: onum

Función: This feature changes selected figures from the default lining style to oldstyle form. The user invokes this feature to get oldstyle figures, which fit better into the flow of normal upper- and lowercase text. Various characters designed to be used with figures may also have oldstyle versions.

Proportional Figures

Etiqueta: pnum

Función: Replaces figure glyphs set on uniform (tabular) widths with corresponding glyphs set on glyph-specific (proportional) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs. The user may apply this feature to get even spacing for lining figures used as dates in an all-cap headline.

Tabular Figures

Etiqueta: tnum

Función: Replaces figure glyphs set on proportional widths with corresponding glyphs set on uniform (tabular) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs. The user may apply this feature to get oldstyle figures to align vertically in a column.

Small Capitals From Capitals

Etiqueta: c2sc

Función: Small Capitals From Capitals

Small Capitals

Etiqueta: smcp

Función: This feature turns lowercase characters into small capitals. This corresponds to the common SC font layout. It is generally used for display lines set in Large & small caps, such as titles. Forms related to small capitals, such as oldstyle figures, may be included. The user enters text as mixed capitals and lowercase, and gets Large & small cap text.

Stylistic Alternates

Etiqueta: salt

Función: Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates. The user applies this feature to Industria to get the alternate form of g.

Discretionary Ligatures

Etiqueta: dlig

Función: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers those ligatures which may be used for special effect, at the user's preference. The glyph for ct replaces the sequence of glyphs c t, or U+322E (Kanji ligature for "Friday") replaces the sequence U+91D1 U+66DC U+65E5.

Sylistic Set 1

Etiqueta: ss01

Función: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Sylistic Set 2

Etiqueta: ss02

Función: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Sylistic Set 3

Etiqueta: ss03

Función: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Unicase

Etiqueta: unic

Función: This feature maps upper- and lowercase letters to a mixed set of lowercase and small capital forms, resulting in a single case alphabet (for an example of unicase, see the Emigre type family Filosofia). The letters substituted may vary from font to font, as appropriate to the design. If aligning to the x-height, smallcap glyphs may be substituted, or specially designed unicase forms might be used. Substitutions might also include specially designed figures. The user enters text as uppercase, lowercase or mixed case, and gets unicase text.

Glyph Composition/Decomposition

Etiqueta: ccmp

Función: To minimize the number of glyph alternates, it is sometimes desired to decompose a character into two glyphs. Additionally, it may be preferable to compose two characters into a single glyph for better glyph processing. This feature permits such composition/decompostion. The feature should be processed as the first feature processed, and should be processed only when it is called. In Syriac, the character 0x0732 is a combining mark that has a dot above AND a dot below the base character. To avoid multiple glyph variants to fit all base glyphs, the character is decomposed into two glyphs...a dot above and a dot below. These two glyphs can then be correctly placed using GPOS. In Arabic it might be preferred to combine the shadda with fatha (0x0651, 0x064E) into a ligature before processing shapes. This allows the font vendor to do special handling of the mark combination when doing further processing without requiring larger contextual rules.

Capital Spacing

Etiqueta: cpsp

Función: Globally adjusts inter-glyph spacing for all-capital text. Most typefaces contain capitals and lowercase characters, and the capitals are positioned to work with the lowercase. When capitals are used for words, they need more space between them for legibility and esthetics. This feature would not apply to monospaced designs. Of course the user may want to override this behavior in order to do more pronounced letterspacing for esthetic reasons. The user sets a title in all caps, and the Capital Spacing feature opens the spacing.

Kerning

Etiqueta: kern

Función: Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically. The o is shifted closer to the T in the combination "To."

Mark Positioning

Etiqueta: mark

Función: Positions mark glyphs with respect to base glyphs. In the Arabic script, positioning the Hamza above the Yeh.

Mark to Mark Positioning

Etiqueta: mkmk

Función: Positions marks with respect to other marks. Required in various non-Latin scripts like Arabic. In Arabic, the ligaturised mark Ha with Hamza above it; can also be obtained by positioning these marks relative to one another.

Required Ligatures

Etiqueta: rlig

Función: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers those ligatures, which the script determines as required to be used in normal conditions. This feature is important for some scripts to insure correct glyph formation. The Arabic character lam followed by alef will always form a ligated lamalef form. This ligated form is a requirement of the script's shaping. The same happens with the Syriac script.

These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in d

Etiqueta: Basic Latin

Función: These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.

These fonts support the Latin Extended character set. Each font is Unicode™ encoded, and available i

Etiqueta: Latin Extended

Función: These fonts support the Latin Extended character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.

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