Classic Grotesque™ Familia tipográfica
Diseñado por Rod McDonald/2016
Acerca de Classic Grotesque™ Familia tipográfica
An update of Monotype Grotesque that was first published in 1926, Rod McDonald's Classic Grotesque combines both traditional and contemporary elements of typography. With its many fascinating details, Classic Grotesque is at home in print and web designs.
The growing popularity of grotesque typefaces meant that many new sans serif analogues were published in the early 20th century. Setting machines were not compatible with each other but all foundries wanted to offer up-to-date fonts, and as a result numerous different typeface families appeared that seem almost identical at first glance and yet go their separate ways with regard to details. One of the first fonts created with automatic typesetting in mind was Monotype Grotesque®. Although this typeface that was designed and published by Frank Hinman Pierpont in 1926 has since been digitalised, it has never achieved the status of other grotesque fonts of this period. But Monotype Grotesque was always one of designer Rod McDonald's favourites, and he was overjoyed when he finally got the go-ahead from Monotype in 2008 to update this hidden treasure".
The design process lasted four years, with regular interruptions due to the need to complete projects for other clients. In retrospect, McDonald admits that he had no idea at the beginning of just how challenging and complex a task it would be to create Classic Grotesque™. It took him considerable time before he found the right approach. In his initial drafts, he tried to develop Monotype Grotesque only to find that the result was almost identical with Arial®, a typeface that is also derived in many respects from Monotype Grotesque. It was only when he went back a stage, and incorporated elements of Bauer Font's Venus™ and Ideal Grotesk by the Julius Klinkhardt foundry into the design process, that he found the way forward. Both these typefaces had served as the original inspiration for Monotype Grotesque.
The name says it all: Classic Grotesque has all the attributes of the early grotesque fonts of the 20th century: The slightly artificial nature gives the characters a formal appearance. There are very few and only minor variations in line width. The tittles of the 'i' and 'j', the umlaut diacritic and other diacritic marks are rectangular. Interestingly, it is among the uppercase letters that certain variations from the standard pattern can be found, and it is these that enliven the typeface. Hence the horizontal bars of the "E", "F" and "L" have bevelled terminals. The chamfered terminal of the bow of the "J" has a particular flamboyance, while the slightly curved descender of the "Q" provides for additional dynamism. The character alternatives available through the OpenType option provide the designer with a wealth of opportunities. These include a closed "a", a double-counter "g" and an "e" in which the transverse bar deviates slightly from the horizontal.
The seven different weights also extend the scope of uses of Classic Grotesque. These range from the delicate Light to the super thick Extrabold. There are genuine italic versions of each weight; these are not only slightly narrower than their counterparts, but also have variant shapes. The "a" is closed, the "f" has a semi-descender while the "e" is rounded.
Its neutral appearance and excellent features mean that Classic Grotesque is suitable for use in nearly all imaginable applications. Even during the design phase, McDonald used his new font to set books and in promotional projects. However, he would be pleased to learn of possible applications that he himself has not yet considered. Classic Grotesque, which has its own individual character despite its neutral and restrained appearance, is the ideal partner for your print and web project."
diseñadas para instalarse en un
ordenador y usarse con aplicaciones.
Se emite una licencia para cada ordenador.
norma CSS @font-face. Cada licencia
cubre un determinado número de visitas
de página sin limitaciones temporales.
se pueden integrar en un libro electrónico, una
revista electrónica o un periódico electrónico.
La licencia de estas fuentes se concede por emisión.
instalar en un servidor y, p. ej., usarse
en procesos automáticos para crear
artículos. Cada licencia es válida para
un servidor y durante un año.
en los que se instalará la fuente.
se pueden consumir con el tiempo.
Le avisaremos cuando se estén agotando.
de la App para el que desea una
licencia. Algunas fuentes de App
permiten un número ilimitado de
instalaciones. Más información
en las que se integrará el tipo de letra.
Cada licencia es válida para una emisión
y su vida útil.
en los que se instalará la fuente.
Una licencia es válida durante 1 año.
previsto de visitas mensuales. No es
necesario renovar la licencia. No caduca.
Tan sólo si recibe más tráfico en la
página web del previsto pagará de
nuevo por las visitas adicionales.
de la fuente: OT (OpenType)
con perfiles Postscript (OT CFF)
o TrueType (OT TTF).
lingüística de la fuente:
W1G (98 idiomas),
COM (56 idiomas),
PRO (33 idiomas) o
STD (21 idiomas).
available in. These differ in contained
characters and file size. You get all
available versions with your license.
Typecast is a web-based tool to create visual
and semantic designs. Check for readability,
rendering and beauty then share a working
prototype of your design.
Tip: Add fonts to your Favorites, then test your custom selection in Typecast!
56 Tipos de letra
Std / OT CFF
compatible con al menos