Wählen Sie diesen Lizenztyp, wenn Sie eine app für iOS, Android oder Windows Phone entwickeln und Sie die Datei Font in den Code Ihrer mobilen Anwendung einbetten.
Apud
von DSType
Einzelschnitte ab $26.00
Vollständige Familie mit 8 Fonts : $160.00
Apud Font Familie wurde entworfen von
Dino dos Santos und
herausgegeben von
DSType. Apud enthält
8
Stile und Optionen für Familienpakete.
Mehr über diese Familie
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Bestes AngebotFamilienpakete
- Einzelschnitte
- Technische Daten
- Lizenzierung
Per Font:
$20.00
Paket mit 8 Fonts:
$160.00
Über die Schriftfamilie Apud
Apud, eine Schrift mit schmalen Proportionen, austauschbaren Strichstärken zur Vermeidung von Textverwerfungen, scharfen Serifen und quadratischen Endungen. Durch ihr klares, modernes Aussehen und ihre feste Struktur eignet sich die Apud für jede Art von Publikationsdesign.
Designer: Dino dos Santos
Herausgeber: DSType
Foundry: DSType
Original Foundry: DSType
Eigentümer des Designs: DSType
MyFonts Debüt: März 18, 2010
Apud
Über DSType
“I began designing typefaces in the early ’90s because there weren’t many typefaces available to us in those days,” Dino dos Santos, founder of DSType, said in his Creative Characters interview. “I started designing fonts that matched the new typographic experience. To me, graphic design was never about taking a picture and then just choosing one of the available typefaces” Based in Porto, Portugal, Dino got his start designing typefaces for magazines and large corporations. Frustrated that the only fonts available for use were system fonts and dry transfer sheets, he began selling his typefaces on MyFonts. Since then, the self-taught designer has created a library full of striking experiments, charming display type, and most notably, an amazing collection of well-wrought, extensive text families. His collection also boasts a handful of bestsellers such as Velino Text, Prelo Slab and Prumo Slab. “There is not much of a type design history in Portugal,” he noted in his interview. He is, however, interested in what has been done in his country by older generations of type designers and calligraphers. “I want to understand what happened, how things worked back then, and expose the world to some lesser-known work. History is often seen as something that passed away, and that’s it. But for me history is one of the most relevant aspects of type design. I believe we are made of history, but also that we should take a step forward by connecting it to the present and the future and we can do that through technology.”The Premium foundry page can be viewed Here.
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