Iwan Zaza Arabic Schriftfamilie


Entworfen von  Ahmed Zaza

Iwan Zaza is a high-contrast modern Arabic typeface designed by Ahmed Zaza. The design is inspired by the Kufi calligraphic style and influenced by the Naskh style. Iwan balances classic and contemporary tastes with wide open counters and short ascenders and descenders that minimize the hight. And has a high - contrast between the vertical and the horizontal to line up in harmony with Latin. And openType alternates and ligatures set. This makes it suitable for branding, editorial, packaging and advertising.


Iwan features five weights from Light to Black, and supports OpenType features for Arabic, and has a wide glyph set.

Iwan Zaza Arabic Regular

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Iwan Zaza Arabic


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STD / OT CFF

supports at least

21 Sprachen.















Technische Details
OpenType-Kurven-Typ:
CFF - PostScript-Outlines
Technische Font-Namen:
Dateiname: iwanzaza-Regular.otf
Windows-Menü-Name: iwan zaza
PostScript-Name: , iwanzaza-Regular
Langer PostScript-Name: , iwan zaza Regular
Katalognummer:
167557111
Characters:
501
34,79 inkl. MwSt.
In den Warenkorb

Besonderheiten

Sprachen

Stylistic Alternates

Tag: salt

Funktion: Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates. The user applies this feature to Industria to get the alternate form of g.

Discretionary Ligatures

Tag: dlig

Funktion: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers those ligatures which may be used for special effect, at the user's preference. The glyph for ct replaces the sequence of glyphs c t, or U+322E (Kanji ligature for "Friday") replaces the sequence U+91D1 U+66DC U+65E5.

Sylistic Set 1

Tag: ss01

Funktion: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Initial Forms

Tag: init

Funktion: Replaces glyphs at the beginnings of words with alternate forms designed for this use. This is common in Latin connecting scripts, and required in various non-Latins like Arabic. In the typeface Ex Ponto, the default t in the word 'type' is replaced with the t.begin form.

Terminal Forms

Tag: fina

Funktion: Replaces glyphs at the ends of words with alternate forms designed for this use. This is common in Latin connecting scripts, and required in various non-Latins like Arabic. In the typeface Poetica, the default e in the word 'type' is replaced with the e.end form.

Glyph Composition/Decomposition

Tag: ccmp

Funktion: To minimize the number of glyph alternates, it is sometimes desired to decompose a character into two glyphs. Additionally, it may be preferable to compose two characters into a single glyph for better glyph processing. This feature permits such composition/decompostion. The feature should be processed as the first feature processed, and should be processed only when it is called. In Syriac, the character 0x0732 is a combining mark that has a dot above AND a dot below the base character. To avoid multiple glyph variants to fit all base glyphs, the character is decomposed into two glyphs...a dot above and a dot below. These two glyphs can then be correctly placed using GPOS. In Arabic it might be preferred to combine the shadda with fatha (0x0651, 0x064E) into a ligature before processing shapes. This allows the font vendor to do special handling of the mark combination when doing further processing without requiring larger contextual rules.

Mark Positioning

Tag: mark

Funktion: Positions mark glyphs with respect to base glyphs. In the Arabic script, positioning the Hamza above the Yeh.

Medial Forms

Tag: medi

Funktion: Replaces glyphs in the middles of words (i.e. following a beginning and preceding an end) with alternate forms designed for this use. Note: This is different from the default form, which is designed for stand-alone use. This is common in Latin connecting scripts, and required in various non-Latins like Arabic. In the typeface Caflisch Script, the y and p in the word 'type' are replaced by the y.med and p.med forms.

Mark to Mark Positioning

Tag: mkmk

Funktion: Positions marks with respect to other marks. Required in various non-Latin scripts like Arabic. In Arabic, the ligaturised mark Ha with Hamza above it; can also be obtained by positioning these marks relative to one another.

Required Ligatures

Tag: rlig

Funktion: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers those ligatures, which the script determines as required to be used in normal conditions. This feature is important for some scripts to insure correct glyph formation. The Arabic character lam followed by alef will always form a ligated lamalef form. This ligated form is a requirement of the script's shaping. The same happens with the Syriac script.

These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in d

Tag: Basic Latin

Funktion: These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.