Ten Mincho Schriftfamilie


Entworfen von  Ryoko Nishizuka (; ;)
Robert Slimbach (; ;)
Frank Grießhammer (; ;)
Ten Mincho is a Japanese typeface design from Adobe Originals, designed by Ryoko Nishizuka and useful for a broad range of settings, such as advertising copy, book titles, and headings. As a traditional Mincho-style design the strokes are slightly heavy and rounded, and exhibit smaller counter spaces. Ten Mincho also features a full set of Latin glyphs, collectively known as Ten Oldstyle and designed by Robert Slimbach. This relatively feature-rich Latin subset includes OpenType features such as small caps and old-style figures. Finally, look for a small number of color emoji in an SVG table, some of which are accessible as alternates.

Ten Mincho Text Regular

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Desktop-Fonts sind für die Installation auf einem Computer und die Nutzung mit Anwendungen konzipiert. Diese Fonts werden pro Computer lizenziert.
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Ten Mincho


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Schriftgröße:
3276 KB (WOFF2) , 3443 KB (WOFF)
Katalognummer:
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Anzahl der Zeichen:
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Case-Sensitive Forms

Tag: case

Funktion: Shifts various punctuation marks up to a position that works better with all-capital sequences or sets of lining figures; also changes oldstyle figures to lining figures. By default, glyphs in a text face are designed to work with lowercase characters. Some characters should be shifted vertically to fit the higher visual center of all-capital or lining text. Also, lining figures are the same height (or close to it) as capitals, and fit much better with all-capital text. The user selects a block of text and applies this feature. The dashes, bracketing characters, guillemet quotes and the like shift up to match the capitals, and oldstyle figures change to lining figures.

Denominators

Tag: dnom

Funktion: Replaces selected figures which follow a slash with denominator figures. In the string 11/17 selected by the user, the application turns the 17 into denominators when the user applies the fraction feature.

Fractions

Tag: frac

Funktion: Replaces figures separated by a slash with 'common' (diagonal) fractions. The user enters 3/4 in a recipe and gets the threequarters fraction.

Standard Ligatures

Tag: liga

Funktion: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions. The glyph for ffl replaces the sequence of glyphs f f l.

Lining Figures

Tag: lnum

Funktion: This feature changes selected figures from oldstyle to the default lining form. The user invokes this feature in order to get lining figures, which fit better with all-capital text. Various characters designed to be used with figures may also be covered by this feature. In cases where lining figures are the default form, this feature would undo previous substitutions.

Localized Forms

Tag: locl

Funktion: Many scripts used to write multiple languages over wide geographical areas have developed localized variant forms of specific letters, which are used by individual literary communities. For example, a number of letters in the Bulgarian and Serbian alphabets have forms distinct from their Russian counterparts and from each other. In some cases the localized form differs only subtly from the script 'norm', in others the forms are radically distinct. This feature enables localized forms of glyphs to be substituted for default forms. The user applies this feature to text to enable localized Bulgarian forms of Cyrillic letters; alternatively, the feature might enable localized Russian forms in a Bulgarian manufactured font in which the Bulgarian forms are the default characters.

Numerators

Tag: numr

Funktion: Replaces selected figures which precede a slash with numerator figures, and replaces the typographic slash with the fraction slash. In the string 11/17 selected by the user, the application turns the 11 into numerators, and the slash into a fraction slash when the user applies the fraction feature.

Old Style Figures

Tag: onum

Funktion: This feature changes selected figures from the default lining style to oldstyle form. The user invokes this feature to get oldstyle figures, which fit better into the flow of normal upper- and lowercase text. Various characters designed to be used with figures may also have oldstyle versions.

Ordinals

Tag: ordn

Funktion: Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature. The user applies this feature to turn 2.o into 2.o (abbreviation for secundo).

Proportional Figures

Tag: pnum

Funktion: Replaces figure glyphs set on uniform (tabular) widths with corresponding glyphs set on glyph-specific (proportional) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs. The user may apply this feature to get even spacing for lining figures used as dates in an all-cap headline.

Scientific Inferiors

Tag: sinf

Funktion: Replaces lining or oldstyle figures with inferior figures (smaller glyphs which sit lower than the standard baseline, primarily for chemical or mathematical notation). May also replace lowercase characters with alphabetic inferiors. The application can use this feature to automatically access the inferior figures (more legible than scaled figures).

Superscript

Tag: sups

Funktion: Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles). The application can use this feature to automatically access the superior figures (more legible than scaled figures) for footnotes, or the user can apply it to Mssr to get the classic form.

Tabular Figures

Tag: tnum

Funktion: Replaces figure glyphs set on proportional widths with corresponding glyphs set on uniform (tabular) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs. The user may apply this feature to get oldstyle figures to align vertically in a column.

Small Capitals From Capitals

Tag: c2sc

Funktion: Small Capitals From Capitals

Small Capitals

Tag: smcp

Funktion: This feature turns lowercase characters into small capitals. This corresponds to the common SC font layout. It is generally used for display lines set in Large & small caps, such as titles. Forms related to small capitals, such as oldstyle figures, may be included. The user enters text as mixed capitals and lowercase, and gets Large & small cap text.

Stylistic Alternates

Tag: salt

Funktion: Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates. The user applies this feature to Industria to get the alternate form of g.

Historical Forms

Tag: hist

Funktion: Some letterforms were in common use in the past, but appear anachronistic today. The best-known example is the long form of s; others would include the old Fraktur k. Some fonts include the historical forms as alternates, so they can be used for a 'period' effect. This feature replaces the default (current) forms with the historical alternates. While some ligatures are also used for historical effect, this feature deals only with single characters. The user applies this feature in Adobe Jenson to get the archaic forms of M, Q and Z.

Subscript

Tag: subs

Funktion: The "subs" feature may replace a default glyph with a subscript glyph, or it may combine a glyph substitution with positioning adjustments for proper placement. Recommended implementation: First, a single or contextual substitution lookup implements the subscript glyph (GSUB lookup type 1). Then, if the glyph needs repositioning, an application may apply a single adjustment, pair adjustment, or contextual adjustment positioning lookup to modify its position.

Discretionary Ligatures

Tag: dlig

Funktion: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers those ligatures which may be used for special effect, at the user's preference. The glyph for ct replaces the sequence of glyphs c t, or U+322E (Kanji ligature for "Friday") replaces the sequence U+91D1 U+66DC U+65E5.

Sylistic Set 1

Tag: ss01

Funktion: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Slashed Zero

Tag: zero

Funktion: Some fonts contain both a default form of zero, and an alternative form which uses a diagonal slash through the counter. Especially in condensed designs, it can be difficult to distinguish between 0 and O (zero and capital O) in any situation where capitals and lining figures may be arbitrarily mixed. This feature allows the user to change from the default 0 to a slashed form. When setting labels, the user applies this feature to get the slashed 0.

Sylistic Set 2

Tag: ss02

Funktion: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Sylistic Set 3

Tag: ss03

Funktion: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Full Width

Tag: fwid

Funktion: Replaces glyphs set on other widths with glyphs set on full (usually em) widths. In a CJKV font, this may include "lower ASCII" Latin characters and various symbols. In a European font, this feature replaces proportionally-spaced glyphs with monospaced glyphs, which are generally set on widths of 0.6 em. The user may invoke this feature in a Japanese font to get full monospaced Latin glyphs instead of the corresponding proportionally-spaced versions.

Half Width

Tag: hwid

Funktion: Replaces glyphs on proportional widths, or fixed widths other than half an em, with glyphs on half-em (en) widths. Many CJKV fonts have glyphs which are set on multiple widths; this feature selects the half-em version. There are various contexts in which this is the preferred behavior, including compatibility with older desktop documents. The user may replace a proportional Latin glyph with the same character set on a half-em width.

Proportional Widths

Tag: pwid

Funktion: Replaces glyphs set on uniform widths (typically full or half-em) with proportionally spaced glyphs. The proportional variants are often used for the Latin characters in CJKV fonts, but may also be used for Kana in Japanese fonts. The user may invoke this feature in a Japanese font to get a proportionally-spaced glyph instead of a corresponding half-width Roman glyph or a full-width Kana glyph.

Traditional Forms

Tag: trad

Funktion: Replaces 'simplified' Chinese hanzi or Japanese kanji forms with the corresponding 'traditional' forms. The user inputs U+53F0 and is offered a choice of U+6AAF, U+81FA, or U+98B1.

Vertical Writing

Tag: vert

Funktion: Replaces default forms with variants adjusted for vertical writing when in vertical writing mode. While most CJKV glyphs remain vertical when set in vertical writing mode, some take a different form (usually rotated and repositioned) for this purpose. Glyphs covered by this feature correspond to the set normally rotated in low-end DTP applications. In vertical writing mode, the opening parenthesis (U+FF08) is replaced by the rotated form (U+FE35).

Vertical Rotation

Tag: vrt2

Funktion: Replaces some fixed-width (half-, third- or quarter-width) or proportional-width glyphs (mostly Latin or katakana) with forms suitable for vertical writing (that is, rotated 90 degrees clockwise). Note that these are a superset of the glyphs covered in the vert table. ATM/NT 4.1 and the Windows 2000 OTF driver impose the following requirements for an OpenType font with CFF outlines to be used for vertical writing: the vrt2 feature must be present in the GSUB table, it must comprises a single lookup of LookupType 1 and LookupFlag 0, and the lookup must have a single subtable. The predecessor feature, vert, is ignored. A rotated glyph must be designed such that its top side bearing and vertical advance as recorded in the Vertical Metrics ('vmtx') table are identical to the left side bearing and horizontal advance, respectively, of the corresponding upright glyph as recorded in the Horizontal Metrics ('hmtx') table. (The horizontal advance of the rotated glyph may be set to any value, since the glyph is intended only for vertical writing use. The vendor may however set it to head.unitsPerEm, to prevent overlap during font proofing tests, for example.) Thus, proportional-width glyphs with rotated forms in the vrt2 feature will appear identically spaced in both vertical and horizontal writing. In order for kerning to produce identical results as well, developers must ensure that the Vertical Kerning (vkrn) feature record kern values between the rotated glyphs that are the same as kern values between their corresponding upright glyphs in the Kerning (kern) feature. Proportional- or half-width Latin and half-width katakana characters are rotated 90 degrees clockwise for vertical writing.

Glyph Composition/Decomposition

Tag: ccmp

Funktion: To minimize the number of glyph alternates, it is sometimes desired to decompose a character into two glyphs. Additionally, it may be preferable to compose two characters into a single glyph for better glyph processing. This feature permits such composition/decompostion. The feature should be processed as the first feature processed, and should be processed only when it is called. In Syriac, the character 0x0732 is a combining mark that has a dot above AND a dot below the base character. To avoid multiple glyph variants to fit all base glyphs, the character is decomposed into two glyphs...a dot above and a dot below. These two glyphs can then be correctly placed using GPOS. In Arabic it might be preferred to combine the shadda with fatha (0x0651, 0x064E) into a ligature before processing shapes. This allows the font vendor to do special handling of the mark combination when doing further processing without requiring larger contextual rules.

Alternate Half Width

Tag: halt

Funktion: Respaces glyphs designed to be set on full-em widths, fitting them onto half-em widths. This differs from hwid in that it does not substitute new glyphs. The user may invoke this feature in a CJKV font to get better fit for punctuation or symbol glyphs without disrupting the monospaced alignment.

Italics

Tag: ital

Funktion: Some fonts (such as Adobe's Pro Japanese fonts) will have both Roman and Italic forms of some characters in a single font. This feature replaces the Roman glyphs with the corresponding Italic glyphs. The user would apply this feature to replace B with B.

Kerning

Tag: kern

Funktion: Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically. The o is shifted closer to the T in the combination "To."

Proportional Alternate Width

Tag: palt

Funktion: Respaces glyphs designed to be set on full-em widths, fitting them onto individual (more or less proportional) horizontal widths. This differs from pwid in that it does not substitute new glyphs (GPOS, not GSUB feature). The user may prefer the monospaced form, or may simply want to ensure that the glyph is well-fit and not rotated in vertical setting (Latin forms designed for proportional spacing would be rotated). The user may invoke this feature in a Japanese font to get Latin, Kanji, Kana or Symbol glyphs with the full-width design but individual metrics.

Ruby Notation Forms

Tag: ruby

Funktion: Japanese typesetting often uses smaller kana glyphs, generally in superscripted form, to clarify the meaning of kanji which may be unfamiliar to the reader. These are called ruby, from the old typesetting term for four-point-sized type. This feature identifies glyphs in the font which have been designed for this use, substituting them for the default designs. The user applies this feature to the kana character U+3042, to get the ruby form for annotation.

Alternate Vertical Half Metrics

Tag: vhal

Funktion: Respaces glyphs designed to be set on full-em heights, fitting them onto half-em heights. This differs from valt in that it does not substitute new glyphs. The user may invoke this feature in a CJKV font to get better fit for punctuation or symbol glyphs without disrupting the monospaced alignment.

Vertical Kerning

Tag: vkrn

Funktion: Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the vertical direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the X text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature applies only to text set vertically. When the katakana character U+30B9 or U+30D8 is followed by U+30C8 in a vertical setting, U+30C8 is shifted up to fit more evenly.

Proportional Alternate Vertical Metrics

Tag: vpal

Funktion: Respaces glyphs designed to be set on full-em heights, fitting them onto individual (more or less proportional) vertical heights. This differs from valt in that it does not substitute new glyphs (GPOS, not GSUB feature). The user may prefer the monospaced form, or may simply want to ensure that the glyph is well-fit. The user may invoke this feature in a Japanese font to get Latin, Kanji, Kana or Symbol glyphs with the full-height design but individual metrics.

These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in d

Tag: Basic Latin

Funktion: These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.

These fonts support the Latin Extended character set. Each font is Unicode™ encoded, and available i

Tag: Latin Extended

Funktion: These fonts support the Latin Extended character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.

These fonts support the Japanese script. Each font is Unicode™ encoded, and available in different f

Tag: Japanese

Funktion: These fonts support the Japanese script. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.

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Ten Mincho Text Regular

Catalog number: 167540988

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