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Following Generis, Aeonis is Erik Faulhaber’s second large type family. Lapidary inscriptions from Ancient Greece supured Faulhaber on to create this typeface’s basic sans serif forms. This clarity is visible in the simplified form of the typeface's capital A. Further inspiration came from a domed lamp designed in 1952 by Wilhelm Wagonfeld; this went on to inspire the roundness in Aeonis. Faulhaber sees the conflict between antiquity and modernity as a struggle between angular and round forms; Aeonis reconciles these trends. By removing spurs at the stems of the lowercase letters, Aeonis reduces the alphabet to its most basic movements; and in order to further strengthen reading speed, all of the unnecessary horizontal elements lave been left out of the lowercase letters and numbers, too. Aeonis is available in three widths and seven weights. Its open letterforms ensure legibility at small sizes. Aeonis works both in complex text layouts and simple logos. As was the case in the Generis family, all of the numbers, currency symbols, mathematical signs, and punctuation marks in the Aeonis fonts have a coordinated system of widths, ensuring their suitability for tables and financial reports. All of its members of the Aeonis family may easily be used with each other; their design combines a contemporary character with sophisticated typography.