Thirsty Script Rough Schriftfamilie

Entworfen von  Ryan Martinson (2012)
The sinuous brush scripts Thirsty Script and Thirsty Script Rough by Ryan Martinson ingeniously combine the influences of several styles and are described by their creator as a genial mixture of retro script, modern sans serif and a shot of caffeine.
The character of Thirsty Script is determined by the dynamic letters of this meticulously designed calligraphic font. The letters with their undemonstrative decorative finials are suggestive of old hand-painted signs and advertising texts of the 1950s and 1960s.
A very generous x-height and the linking of letters with each other provide text set in Thirsty Script with a compact appearance. Discretely bevelled line terminals and a contrast that grows with increasing stroke thickness give the font additional vibrancy.
The provision of alternative glyphs ensures that there is always sufficient versatility. There are minor differences to be found, for example, in the alternative versions of the 'n' and the 'm', both of which have a horizontal rather than diagonal terminal outstroke, while there are more marked disparities in the case of the 'o' and the 'v', which are connected to the following letter with an additional curlicue. Numerous ligatures, oldstyle and lining figures round off the range of characters.
For all six weights of Thirsty Script, there are variants with which the text can be duplicated in the form of a hard shadow line. This shadow line can be coloured to taste in this second text layer and its alignment can be readily adjusted, so that it is possible to create not just a standard hard shadow line, but also one that is slightly offset to the actual letters - an effect that again emphasizes the retro nature of Thirsty Script.
Martinson's Thirsty Script Rough is a modified version of his Thirsty Script. Its letters simulate the effect of irregular printing, so that they are not overly dominated by opaque colouring and look as if they have been stamped. Thirsty Script Rough is available in four weights, each with three variants of colour texture. And Martinson has, of course, remembered to add a corresponding shadowed version of each weight.
But that's not all. Also supplied free of charge is a version with various textures and patches; Thirsty Script Rough Textures. This enhances the design potential of the font, while it is also possible to embellish a text using the numerous symbols provided.
The extensive and highly versatile fonts Thirsty Script and Thirsty Script Rough are at home in many different contexts, such as headlines, logos and even short text passages. Thanks to the attractive blend of different styles, the retro feel of the fonts has been enhanced by means of a very modern touch and they have a certain something that gives them considerable individuality and a high recognisability factor. The alternative characters and the very adaptable text shadow concept will make any project for which Thirsty Script is used into an eye-catching experience.

Thirsty Script Rough Bold Two

Desktop-Fonts sind für die Installation auf einem Computer und die Nutzung mit Anwendungen konzipiert. Diese Fonts werden pro Computer lizenziert.
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Thirsty Script Rough

world-map map

Std / OT CFF

supports at least

21 Sprachen.

Technische Details
CFF - PostScript-Outlines
Technische Font-Namen:
Dateiname: Yellow Design Studio - ThirstyRoughBolTwo.otf
Windows-Menü-Name: Thirsty Rough Bol Two
PostScript-Name: ThirstyRoughBolTwo
Langer PostScript-Name: Thirsty Rough Bol Two
US$ 20
In den Warenkorb



Standard Ligatures

Tag: liga

Funktion: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions. The glyph for ffl replaces the sequence of glyphs f f l.

Old Style Figures

Tag: onum

Funktion: This feature changes selected figures from the default lining style to oldstyle form. The user invokes this feature to get oldstyle figures, which fit better into the flow of normal upper- and lowercase text. Various characters designed to be used with figures may also have oldstyle versions.

Scientific Inferiors

Tag: sinf

Funktion: Replaces lining or oldstyle figures with inferior figures (smaller glyphs which sit lower than the standard baseline, primarily for chemical or mathematical notation). May also replace lowercase characters with alphabetic inferiors. The application can use this feature to automatically access the inferior figures (more legible than scaled figures).


Tag: sups

Funktion: Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles). The application can use this feature to automatically access the superior figures (more legible than scaled figures) for footnotes, or the user can apply it to Mssr to get the classic form.

Stylistic Alternates

Tag: salt

Funktion: Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates. The user applies this feature to Industria to get the alternate form of g.

Sylistic Set 1

Tag: ss01

Funktion: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.


Tag: kern

Funktion: Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically. The o is shifted closer to the T in the combination "To."

These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in d

Tag: Basic Latin

Funktion: These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.

These fonts support the Latin Extended character set. Each font is Unicode™ encoded, and available i

Tag: Latin Extended

Funktion: These fonts support the Latin Extended character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.