Bodoni Classico™ Schriftfamilie


Entworfen von  Franko Luin (1995)
Giambattista Bodoni (1790)
Giambattista Bodoni (1740-1813) was called the King of Printers; he was a prolific type designer, a masterful engraver of punches and the most widely admired printer of his time. His books and typefaces were created during the 45 years he was the director of the fine press and publishing house of the Duke of Parma in Italy. He produced the best of what are known as modern" style types, basing them on the finest writing of his time. Modern types represented the ultimate typographic development of the late eighteenth and early nineteenth centuries. They have characteristics quite different from the types that preceded them; such as extreme vertical stress, fine hairlines contrasted by bold main strokes, and very subtle, almost non-existent bracketing of sharply defined hairline serifs. Bodoni saw this style as beautiful and harmonious-the natural result of writing done with a well-cut pen, and the look was fashionable and admired. Other punchcutters, such as the Didot family (1689-1853) in France, and J. E. Walbaum (1768-1839) in Germany made their own versions of the modern faces. Even though some nineteenth century critics turned up their noses and called such types shattering and chilly, today the Bodoni moderns are seen in much the same light as they were in his own time. When used with care, the Bodoni types are both romantic and elegant, with a presence that adds tasteful sparkle to headlines and advertising.

Franko Luin's Bodoni Classico™ has thicker thin strokes than other versions of Bodoni. These strokes hold up well at smaller point sizes, making this family a good choice for text or captions."

Bodoni Classico Italic

Desktop-Fonts sind für die Installation auf einem Computer und die Nutzung mit Anwendungen konzipiert. Diese Fonts werden pro Computer lizenziert.
Pay-as-you-go-Webfonts sind für eine bestimmte Anzahl von Seitenaufrufen lizenziert.
Webfonts werden mit der CSS-Regel @font-face verwendet. Die Lizenz ist zeitlich unbegrenzt.
Die App-Lizenzierung ermöglicht die Einbettung von Fonts in Ihre Apps. Die Lizenz kann sich auf die Anzahl der verschiedenen Apps oder aber die Anzahl der Installationen einer App beziehen.
Electronic Publication Fonts sind für die Einbettung in eBooks, eMagazines oder eNewspapers bestimmt. Diese Fonts werden pro Ausgabe lizenziert.
Server-Fonts können auf einem Server installiert und z.B. von Prozessen zur Erstellung von Objekten verwendet werden. Eine Lizenz gilt pro Server Core CPU pro Jahr.
Eine Digital Ads-Lizenz ermöglicht es Ihnen, Webfonts in digitale Anzeigen einzubetten, wie beispielsweise in mit HTML5 erstellte Anzeigen. Diese Lizenz basiert auf der Anzahl der Ad Impressions.
Bodoni Classico


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Technische Details
OpenType-Kurven-Typ:
TTF - TrueType-Outlines
Technische Font-Namen:
Dateiname: BodoniClassico-Italic.ttf
Windows-Menü-Name: Bodoni Classico
PostScript-Name: BodoniClassico-Italic
Langer PostScript-Name: Bodoni Classico Italic
Katalognummer:
168414420
Characters:
231
US$ 35
In den Warenkorb

Besonderheiten

Fractions

Tag: frac

Funktion: Replaces figures separated by a slash with 'common' (diagonal) fractions. The user enters 3/4 in a recipe and gets the threequarters fraction.

Standard Ligatures

Tag: liga

Funktion: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions. The glyph for ffl replaces the sequence of glyphs f f l.

Ordinals

Tag: ordn

Funktion: Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature. The user applies this feature to turn 2.o into 2.o (abbreviation for secundo).

Superscript

Tag: sups

Funktion: Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles). The application can use this feature to automatically access the superior figures (more legible than scaled figures) for footnotes, or the user can apply it to Mssr to get the classic form.

Kerning

Tag: kern

Funktion: Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically. The o is shifted closer to the T in the combination "To."