Aldus® nova Schriftfamilie


Entworfen von  Hermann Zapf (2005)
Akira Kobayashi
Palatino nova is Prof. Hermann Zapf's redesign of his own masterpiece, Palatino. The original Palatino was cut in metal by August Rosenberger at D. Stempel AG typefoundry in Frankfurt, and released in 1950. Palatino was later adapted for mechanical composition on the Linotype machine, and became one of the most-used typefaces of the 20th Century. Palatino was designed for legibility, and has open counters and carefully weighted strokes. The type was named after Giambattista Palatino, a master of calligraphy from the time of Leonardo da Vinci. Palatino is a typeface based on classical Italian Renaissance forms. A modern classic in its own right, Palatino is popular among professional graphic designers and amateurs alike, working well for both text and display typography.

Hermann Zapf and Akira Kobayashi redeveloped Palatino for the 21st Century, creating Palatino nova. Released by Linotype in 2005, the Palatino nova family is part of Linotype's Platinum Collection. Palatino nova includes several weights (Light, Regular, Medium, and Bold), each with companion italics. Four styles (Regular, Italic, Bold, and Bold Italic) have Greek and Cyrillic glyphs built into their character sets. The Palatino nova family also includes revised versions of Aldus (now called Aldus nova), as well as two titling weights. The first titling weight, Palatino nova Titling, is based on Hermann Zapf's metal typeface Michelangelo, including Greek glyphs from Phidias Greek. The heavier titling weight, Palatino nova Imperial, is based on Sistina.

The fonts in the Palatino nova family support all 48 Western, Central, and Eastern European languages. Additional features: ligatures and historical ligatures, Small Caps, ornaments, and a range of numerals (proportional & tabular width lining and Old style Figures, fractions, inferiors, and superiors)."

Aldus nova Bold Italic

Desktop-Fonts sind für die Installation
auf einem Computer und die Nutzung
mit Anwendungen konzipiert. Diese
Fonts werden pro Computer lizenziert.
Webfonts werden mit der CSS-Regel @font-face verwendet. Die Lizenzen gelten für eine bestimmte Anzahl von Seitenzugriffen ohne Zeitbegrenzung.
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eNewspapers bestimmt. Diese Fonts
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auf denen der Font installiert werden soll.
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Weitere Information
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soll. Jede Lizenz gilt für eine Ausgabe und
deren Lebensdauer.
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CPUs aller Server wählen, auf denen
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Wählen Sie das technische
Format und den Sprachausbau.
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COM (56 Sprachen),
PRO (33 Sprachen) oder
STD (21 Sprachen).
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Aldus® nova Bold Italic in Typecast testen.

Typecast ist ein web-basiertes Werkzeug, um visuelle und semantische Designs zu erstellen. Prüfen Sie Lesbarkeit, Darstellung und Schönheit und zeigen Sie anderen einen Prototypen Ihres Designs.

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Fonts

Desktop

Web

Digital Ads

App

ePub

Server
Desktop-Fonts sind für die Installation auf einem Computer und die Nutzung mit Anwendungen konzipiert. Diese Fonts werden pro Computer lizenziert.
Webfonts werden mit der CSS-Regel @font-face verwendet. Die Lizenzen gelten für eine bestimmte Anzahl von Seitenzugriffen ohne Zeitbegrenzung.
Webfonts werden mit der CSS-Regel @font-face verwendet. Die Lizenz ist zeitlich unbegrenzt.
App-Fonts sind zur Einbettung in mobilen Applikation geeignet. Die Lizenz gilt pro App und basiert auf der Anzahl der App-Installationen.
Electronic Publication Fonts sind für die Einbettung in eBooks, eMagazines oder eNewspapers bestimmt. Diese Fonts werden pro Ausgabe lizenziert.
Server-Fonts können auf einem Server installiert und z.B. von Prozessen zur Erstellung von Objekten verwendet werden. Eine Lizenz gilt pro Server Core CPU pro Jahr.
Diesen Lizenztyp können Sie verwenden, um Webfonts in Digital Ads einzubetten, wie bei Anzeigen, die in HTML5 erstellt werden. Die Lizenzen gelten für eine bestimmte Anzahl von Ad Impressions ohne Zeitbegrenzung.
Aldus nova


world-map map

Pro / OT CFF

supports at least

33 Sprachen.















Technische Details
Digitale Daten von:
Linotype
OpenType-Kurven-Typ:
CFF - PostScript-Outlines
Technische Font-Namen:
Dateiname: AldusNovaPro-BoldItalic.otf
Windows-Menü-Name: Aldus nova Pro Book
PostScript-Name: AldusNovaPro-BoldItalic
Langer PostScript-Name: Aldus nova Pro Bold Italic
Katalognummer:
16746439
Characters:
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Besonderheiten

Sprachen

Case-Sensitive Forms

Tag: case

Funktion: Shifts various punctuation marks up to a position that works better with all-capital sequences or sets of lining figures; also changes oldstyle figures to lining figures. By default, glyphs in a text face are designed to work with lowercase characters. Some characters should be shifted vertically to fit the higher visual center of all-capital or lining text. Also, lining figures are the same height (or close to it) as capitals, and fit much better with all-capital text. The user selects a block of text and applies this feature. The dashes, bracketing characters, guillemet quotes and the like shift up to match the capitals, and oldstyle figures change to lining figures.

Denominators

Tag: dnom

Funktion: Replaces selected figures which follow a slash with denominator figures. In the string 11/17 selected by the user, the application turns the 17 into denominators when the user applies the fraction feature.

Fractions

Tag: frac

Funktion: Replaces figures separated by a slash with 'common' (diagonal) fractions. The user enters 3/4 in a recipe and gets the threequarters fraction.

Standard Ligatures

Tag: liga

Funktion: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions. The glyph for ffl replaces the sequence of glyphs f f l.

Lining Figures

Tag: lnum

Funktion: This feature changes selected figures from oldstyle to the default lining form. The user invokes this feature in order to get lining figures, which fit better with all-capital text. Various characters designed to be used with figures may also be covered by this feature. In cases where lining figures are the default form, this feature would undo previous substitutions.

Localized Forms

Tag: locl

Funktion: Many scripts used to write multiple languages over wide geographical areas have developed localized variant forms of specific letters, which are used by individual literary communities. For example, a number of letters in the Bulgarian and Serbian alphabets have forms distinct from their Russian counterparts and from each other. In some cases the localized form differs only subtly from the script 'norm', in others the forms are radically distinct. This feature enables localized forms of glyphs to be substituted for default forms. The user applies this feature to text to enable localized Bulgarian forms of Cyrillic letters; alternatively, the feature might enable localized Russian forms in a Bulgarian manufactured font in which the Bulgarian forms are the default characters.

Numerators

Tag: numr

Funktion: Replaces selected figures which precede a slash with numerator figures, and replaces the typographic slash with the fraction slash. In the string 11/17 selected by the user, the application turns the 11 into numerators, and the slash into a fraction slash when the user applies the fraction feature.

Old Style Figures

Tag: onum

Funktion: This feature changes selected figures from the default lining style to oldstyle form. The user invokes this feature to get oldstyle figures, which fit better into the flow of normal upper- and lowercase text. Various characters designed to be used with figures may also have oldstyle versions.

Ordinals

Tag: ordn

Funktion: Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature. The user applies this feature to turn 2.o into 2.o (abbreviation for secundo).

Proportional Figures

Tag: pnum

Funktion: Replaces figure glyphs set on uniform (tabular) widths with corresponding glyphs set on glyph-specific (proportional) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs. The user may apply this feature to get even spacing for lining figures used as dates in an all-cap headline.

Scientific Inferiors

Tag: sinf

Funktion: Replaces lining or oldstyle figures with inferior figures (smaller glyphs which sit lower than the standard baseline, primarily for chemical or mathematical notation). May also replace lowercase characters with alphabetic inferiors. The application can use this feature to automatically access the inferior figures (more legible than scaled figures).

Superscript

Tag: sups

Funktion: Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles). The application can use this feature to automatically access the superior figures (more legible than scaled figures) for footnotes, or the user can apply it to Mssr to get the classic form.

Tabular Figures

Tag: tnum

Funktion: Replaces figure glyphs set on proportional widths with corresponding glyphs set on uniform (tabular) widths. Tabular widths will generally be the default, but this cannot be safely assumed. Of course this feature would not be present in monospaced designs. The user may apply this feature to get oldstyle figures to align vertically in a column.

Small Capitals From Capitals

Tag: c2sc

Funktion: Small Capitals From Capitals

Small Capitals

Tag: smcp

Funktion: This feature turns lowercase characters into small capitals. This corresponds to the common SC font layout. It is generally used for display lines set in Large & small caps, such as titles. Forms related to small capitals, such as oldstyle figures, may be included. The user enters text as mixed capitals and lowercase, and gets Large & small cap text.

Stylistic Alternates

Tag: salt

Funktion: Many fonts contain alternate glyph designs for a purely esthetic effect; these don't always fit into a clear category like swash or historical. As in the case of swash glyphs, there may be more than one alternate form. This feature replaces the default forms with the stylistic alternates. The user applies this feature to Industria to get the alternate form of g.

Historical Forms

Tag: hist

Funktion: Some letterforms were in common use in the past, but appear anachronistic today. The best-known example is the long form of s; others would include the old Fraktur k. Some fonts include the historical forms as alternates, so they can be used for a 'period' effect. This feature replaces the default (current) forms with the historical alternates. While some ligatures are also used for historical effect, this feature deals only with single characters. The user applies this feature in Adobe Jenson to get the archaic forms of M, Q and Z.

Subscript

Tag: subs

Funktion: The "subs" feature may replace a default glyph with a subscript glyph, or it may combine a glyph substitution with positioning adjustments for proper placement. Recommended implementation: First, a single or contextual substitution lookup implements the subscript glyph (GSUB lookup type 1). Then, if the glyph needs repositioning, an application may apply a single adjustment, pair adjustment, or contextual adjustment positioning lookup to modify its position.

Ornaments

Tag: ornm

Funktion: This is a dual-function feature, which uses two input methods to give the user access to ornament glyphs (e.g. fleurons, dingbats and border elements) in the font. One method replaces the bullet character with a selection from the full set of available ornaments; the other replaces specific "lower ASCII" characters with ornaments assigned to them. The first approach supports the general or browsing user; the second supports the power user. The user inputs qwwwwwwwwwe to form the top of a flourished box in Adobe Caslon, or inputs the bullet character, then chooses the thistle dingbat.

Discretionary Ligatures

Tag: dlig

Funktion: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers those ligatures which may be used for special effect, at the user's preference. The glyph for ct replaces the sequence of glyphs c t, or U+322E (Kanji ligature for "Friday") replaces the sequence U+91D1 U+66DC U+65E5.

Sylistic Set 1

Tag: ss01

Funktion: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Sylistic Set 2

Tag: ss02

Funktion: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Sylistic Set 3

Tag: ss03

Funktion: In addition to, or instead of, stylistic alternatives of individual glyphs (see 'salt' feature), some fonts may contain sets of stylistic variant glyphs corresponding to portions of the character set, e.g. multiple variants for lowercase letters in a Latin font. Glyphs in stylistic sets may be designed to harmonise visually, interract in particular ways, or otherwise work together. Examples of fonts including stylistic sets are Zapfino Linotype and Adobe's Poetica. Individual features numbered sequentially with the tag name convention 'ss01' 'ss02' 'ss03' . 'ss20' provide a mechanism for glyphs in these sets to be associated via GSUB lookup indexes to default forms and to each other, and for users to select from available stylistic sets.

Historical Ligatures

Tag: hlig

Funktion: Some ligatures were in common use in the past, but appear anachronistic today. Some fonts include the historical forms as alternates, so they can be used for a 'period' effect. This feature replaces the default (current) forms with the historical alternates. The user applies this feature using Palatino Linotype, and historic ligatures are formed for all long s forms, including: long s+t, long s+b, long s+h, long s+k, and several others.

These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in d

Tag: Basic Latin

Funktion: These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.

These fonts support the Latin Extended character set. Each font is Unicode™ encoded, and available i

Tag: Latin Extended

Funktion: These fonts support the Latin Extended character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.

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Tag: Platinum

Funktion: Famous Linotype fonts from the last decade

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