Font Designer – Lucian Bernhard
1901: moves to Berlin. 1903: wins a poster competition for Priester matches. 1904: art director of the Deutsche Werkstätten für Handwerkskunst. 1910: works with Hans Sachs on the publication of the magazine "Das Plakat". 1920: professor at the Akademie der Künste in Berlin. 1923: moves to New York. 1928: opens the Contempora studio with Rockwell Kent, Paul Poiret, Bruno Paul and Erich Mendelsohn. Works as a graphic artist and interior designer. After 1930, he primarily works as a painter and sculptor.
Fonts: Bernhard Antiqua (1912), Bernhard Fraktur (1912–22), Flinsch Privat (1919), Bernhard Schönschrift (1925–28), Bernhard Handschrift (1928), Bernhard Fashion (1929), Bernhard Gothic BQ (1930), Negro (1930), Lilli (1930), Lucian (1932), Bernhard Tango (1933), Bernhard Modern™ (1933–38), Aigrette (1939).
Publications include: F. Plietzsch "Lucian Bernhard", Deutsches Museum, Hagen 1913. Numerous articles have been published on his work in international magazines and books; numerous exhibitions.
* TYPOGRAPHY – An Encyclopedic Survey of Type Design and Techniques Throughout History by Friedrich Friedl, Nicolaus Ott (Editor), Bernard Stein, published by Könemann Verlagsgesellschaft mbH.