Bryan Talbot font family


Designed by  John Roshell in 2008
Bryan Talbot in 2008
Designed by John Roshell and Bryan Talbot The lettering style of Lancashire's finest comic book artist, graphic novelist and NEMESIS deviant Bryan Talbot is finally at your beck and call thanks to the good graces of those awfully nice chaps at Comicraft. Created for Bryan's magnum opus, ALICE IN SUNDERLAND, the Bryan Talbot font will take you on a journey into delirium, through the looking glass of British underground comix into the complex world of experimental narrative techniques and bestow upon you semi- legendary cult status and prestigious awards from no less than the New York Times.* *Results may differ if you are not actually Bryan Talbot.

Bryan Talbot Lower

Desktop fonts are designed to be installed on a computer for use with applications. Licensed per computer.
Pay-as-you-go web fonts are licensed for a set number of page views.
Web fonts are used with the CSS rule @font-face used. The license has no time limit.
Application licensing allows fonts to be embedded in your software applications. The license may be based on the number of titles or the number of installations.
Electronic Publication Fonts can be embedded in an eBook, eMagazine or eNewspaper. Fonts are licensed per issue.
Server fonts can be installed on a server and e.g. used by automated processes to create items. A license is per server core CPU per year.
A Digital Ads license allows you to embed web fonts in digital ads, such as ads created in HTML5. These license is based on the number of ad impressions.
Bryan Talbot


Select technical format and
language support of the font.














Technical details
Digital data from:
OpenType outline flavour:
CFF - PostScript-Outlines
Technical font names:
File name: CCBryanTalbotLowerRegular.otf
Windows menu name: CCBryanTalbotLower
PostScript name: , CCBryanTalbotLower
PostScript full name: , CCBryanTalbotLower
Catalog number:
16715163
Characters:
223
US$ 39
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Features

Kerning

Tag: kern

Function: Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically. The o is shifted closer to the T in the combination "To."