Font News

Praxis Next from Gerard Unger

Praxis Next
The solid, friendly sans serif with new stroke widths, genuine italic and condensed fonts.
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Neue Helvetica World: the standard in sans serif design for international corporate communications

Neue Helvetica World
Corporate design on the global market requires a universal typographic identity. The timeless, world-famous classic Neue Helvetica with a distinctly expanded language support is also available as of now as a World font in the six most important styles!
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The new Rosella from Sabina Chipară

Rosella is an elegant and dainty majuscule font.
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FF Sizmo: technical, friendly, compelling

FF Sizmo
Verena Gerlach’s new font, with its five stroke weights, convinces in all respects.
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Wolpe Collection: Five unusual drafts

Wolpe Collection
Five new and – for the first time – digitized fonts of very different styles, designed by Berthold Wolpe: Albertus Nova, Wolpe Fanfare, Wolpe Pegasus, Wolpe Tempest and Sachsenwald.
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The new and modern FF Signa Round

FF Signa Round
The new member of the universal extended family FF Signa by font designer Ole Søndergaard. A font family that leaves nothing to be desired.
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Hombre – a rough Western font completely revised and expanded

The font family has the feeling of the wind in its face and the big wide world. Now available in two weights with matching italic styles.
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The new DIN Next Stencil – the DIN Next super-family is growing and growing

DIN Next Stencil
After DIN Next Slab, DIN Next Condensed, DIN Next Rounded and the international versions DIN Next Arabic and DIN Next Devanagari, there is now a stencil version.
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FF Uberhand: a new, extremely well-equipped script font

FF Uberhand
Berlin-based graphic designer Jens Kutílek worked on the new FF Uberhand for nearly ten years. Now the script font is available in two optical sizes and a total of 13 styles.
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SST – the modern, multilingual new release by Akira Kobayashi

What started out as an exclusive corporate typeface is now available to everyone: a modern sans serif with clean structures and an organic legibility.
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