Font News

Helvetica Now

The Gold Standard of Type Gets Better – Introducing Helvetica Now from the Monotype Studio
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Morandi – a new sans from Jovica Veljović

The Morandi font family by Jovica Veljović is a confidend and graceful design, drawn to work across print and digital environments.
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The new Terry Junior brush typeface

Terry Junior
The font family Terry Junior by Terrance Weinzierl is a perfectly imperfect design – one that retains the marks of the brush used to create it and harks back to the craft required to hand make letterforms.
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VAG Rounded Next

VAG Rounded Next
VAG Rounded Next is a well-developed, modernized version of the popular design classic.
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Angeletta, a dynamic script font by Rob Leuschke

With three decades of experience in calligraphy and handwritten typefaces, Rob Leuschke designed the letters of the partially linked script font, Angeletta.
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Neue Plak, a neutral sans with extensive options

Neue Plak
With Neue Plak, Linda Hintz and Toshi Omagari brought back a typographic treasure from the early 20th century.
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The new Hope Sans – a sans serif with numerous swash alternatives

Hope Sans
Featuring numerous swash capitals, ligatures and alternate characters, the unusual sans serif Hope Sans by Charles Nix attracts plenty of attention in headlines and logos or on packaging.
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DIN Next Shapes: a lively interpretation of the classic

DIN Next Shapes
An unusual design approach brings variety to your work: in DIN Next Shapes, Sabina Chipară puts the technical and industrial letters of the DIN font into a completely new guise, recreating the basic form of the font with different symbols.
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Madera: a geometric sans with flair

Based on his experience as a graphic designer well versed in typography, Malou Verlomme combined traditional geometric forms with the organic legibility of a humanist sans to create Madera.
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Unitext: a corporate typeface

Jan Hendrik Weber gave the new sans serif Unitext a friendly and lively appearance with clear humanistic influences.
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