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HGB Grotesk™ font family

Up to 7 Typefaces / 1 Value Packs
Supports at least 21 languages (Std / OT CFF)

Available licenses for all styles:

Supports up to 66 languages.

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Supports up to 10 OpenType features.

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New font releases in December 2015

New arrivals December 2015: The playful geometric cursive Catfish, the beautiful Antiqua Carrig, the dynamic brush font Monday and other fonts

Catfish (My Creative Land)

The playful, geometric cursive Catfish by Elena Genova pulls off a clever symbiosis of the cursive font and structured, monolinear letters. In addition to the various weights, the well-equipped font has many alternative characters as well as a style with incomplete color application.

Carrig (Paulo Goode)

The origins of the beautiful Antiqua Carrig by Paulo Goode lie in a corporate font that Goode designed years ago for a hotel in County Kerry. Goode combines the impression of mountains and lakes with the character of classical Roman fonts into a uniquely harmonious and noble Antiqua.

Monday (Fenotype)

The dynamic brush font Monday by Emil Karl Bertell retains all the charm of the 1950s and is ideal for logos, packaging and trademarks. Take advantage of the numerous alternative characters, the bold style, or the ornaments to create unique lettering designs.

Supermolot (TypeType)

Truncated line ends as well as horizontal and vertical elements in arches and diagonals lend the modern square sans Supermolot by Ivan Gladkikh and Roman Ershov a somewhat stencil-like character. The font, well-equipped with five weights and a matching italic, is suited to headlines as well as longer text.

Aristelle (My Creative Land)

Numerous alternate letters, ligatures, and start and end characters form the basis of the merry cursive font Aristelle by Elena Genova. Use them to create titles, logos and headlines that are rich in variety. Expand Aristelle with the two sans styles with painted letters.

Strato Pro (Mostardesign Studio)

Strato Pro by Olivier Gourvat has everything a modern Antiqua needs. The characterful and friendly letters are not only available in numerous weights and design variants. You can also use the many ligatures, alternate characters and ornaments to add the perfect flair to your designs.

HGB Grotesk (FontForum)

The contrast between rounded and sharp corners lends the geometric square sans HGB Grotesk by Hellmut G. Bomm a very unique, somewhat futuristic character. Different weights and italic cuts open the font up to a wide range of potential applications.

Lady Dodo (Sudtipos)

An extreme contrast in stroke width and ornamental shapes give the calligraphic brush font Lady Dodo by Laura Varsky and Alejandro Paul a slightly playful, fun-filled character. With Lady Dodo, you not only design logos and headlines; the Patterns style also offers you a world of patterns and borders.

Allegretto Script (My Creative Land)

Over 1,000 characters with endless letter alternatives, swash variants, start and end shapes and ligatures: the modern calligraphic font Allegretto Script by Elena Genova makes for a varied word image.

Symbah (The Northern Block)

Rebecca Hurst drew letters using a brush and paint as the basis for the easygoing brush font Symbah. As a result, the dynamic font, with its slightly infantile atmosphere, has a very realistic appearance.

Silvestrini (FontForum)

A big contrast in stroke width and floral, curving shapes lend Silvestrini by Coen Hofmann an oriental aura. Use this exotic font for greeting cards, invitations and headlines, for example.

Dominante (Profonts)

Dominante was originally drawn by Johannes Schweitzer in the 1950s. Many decades later, Ralph M. Unger revised and digitized the distinctive slab serif using old catalog prints. A very large x-height and strong, slightly angular forms give the font Dominante a very individual character.

Ivana Script (Profonts)

The extended, curving ascenders and descenders of Ivana Script by Ivana Koudelkova emphasize the calligraphic character of the font. Use this lively and unique font, for example, in packaging design or the fashion industry.

Brokman (The Northern Block)

The open forms and large x-height of Brokman by Jonathan Hill and Alessia Mazzarella give your designs a fresh aesthetic and an evenly flowing, harmonious texture. Use this well-equipped square sans for brand designs, for example.

Starling (Font Bureau)

Old documents by William Starling Burgess from the early 20th century formed the basis for Starling by Mike Parker. Use this friendly Antiqua with the lively italic for newspapers, magazines or books, for example.

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