Auberge Script (Sudtipos)

The calligraphic font Auberge Script by Alejandro Paul calls attention to itself with its sweeping curves. Numerous alternative letters, ligatures and swash variants make the font a diverse typeface – on invitations or wine labels, for example.

Boho (Latinotype)

Guisela Mendoza describes the fonts in the Boho collection as lively, free and unfettered. While the cursive styles shine with the elegance of calligraphic handwriting, the sans and serif versions recall hand-painted letters. All are available in several different styles and are complemented by an ornamental and pictogram version.

Look Script und Sans (Insigne)

Inspired by the American signs of the 1950s, the extended family Look has three styles in various weights and textures. While the script version exudes the retro charm of the old handwritten fonts, the upper-case sans and serif are striking representatives of their genre. Various styles simulate an incomplete color application and can also be combined with various shadows as overlay sections.

Effra (Dalton Maag)

Effra from Fabio Luiz Haag and Jonas Schudel is based on one of the first commercially available sans serif fonts, Caslon Junior, from 1816. The letters of the font, which is well equipped with different weights and italic styles, combine elements of the structured and humanist sans serif fonts.

Adria Grotesk/Adria Slab(FaceType)

The humanist and friendly Adria by Marcus Sterz is a unique concept. The letters of the Upright Italic style are not inclined; the more rounded and in some cases highly unusual letter forms create the distinction and make for a high recognition value. Adria is available as a sans and a slab serif in various weights.

Aeronaut (FaceType)

The Gothic blackletter Aeronaut by Georg Herold-Wildfellner is inspired by writing styles from the 19th century. Decorative elements that are available as overlays for multi-colored compositions lend the letters a modern touch.

Darjeeling (FaceType)

The strong character of the letters in Darjeeling by Marcus Sterz appears like a sans serif combination of Optima and Bodoni that has been trimmed for maximum x-height. A version with floral elements is also available for the very lively letters, which enables the creation of multi-colored overlay designs.

Substance (FaceType)

With its neutral and restrained character, Substance by Marcus Sterz is designed as an all-rounder and body text. The carefully conceived font is available in eight weights, each with matching italic, and offers upper-case and old-style figures, ligatures and small caps.

Ainslie/Ainslie Sans/Ainslie Slab (Insigne)

Originally drawn for a tender in Australia, Ainslie combines a geometric character with the organic and flowing forms of Aboriginal art. The rounded terminals of the semi-serif Ainslie are reduced in the Ainslie Sans and expanded to slab serifs in Ainslie Slab. All styles of the well-developed font family provide you with alternative characters to customize your design.

Nautica (Resistenza)

The elegant and festive Nautica is designed in the style of English copperplate fonts and is available in three weights. Use the many alternate characters and nautical icons from the pictogram style to add a personal touch to your designs.

Acryle Script (Resistenza)

Add a creative touch to your designs with the very lively, somewhat exuberant characters of the brush font Acryle Script by Måns Grebäck. Many alternate characters and ligatures are available for a diverse typeface.

Beaked Tyrant (Aring Typeface)

Sweeping and curving capitals dominate the character of the English cursive Beaked Tyrant by Måns Grebäck. Alternate characters and ligatures in the interconnected letters of the extravagant font provide for a uniform typeface.

Brev Script (Aring Typeface)

Old letters from the 19th century form the template for the historical font Brev Script by Måns Grebäck. Each lowercase letter has up to four alternatives, which makes for a very diverse and realistic typeface.

Mount (Aring Typeface)

The somewhat irregular shapes of Mount by Måns Grebäck lend the font the character of hand-painted letters. Their open counters and the slightly grooved serifs give Mount a friendly and lively flair.

Panton (Fontfabric Type Foundry)

Perfectly rounded shapes reduce somewhat the strictness of the structured Grotesque Panton from Ivan Petrov and Svetoslav Simov. Use the easily legible Panton, which is available in nine weights, for all types of graphic design for the Web, in print or for motion graphics. 16 pictogram styles, which can be used to create two-color icons, round out the font.