Cardamon™ font family
Designed by Brigitte Schuster
Cardamon is the first typeface designed by Brigitte Schuster. Without being overly obtrusive, the font family Cardamon, inspired as it is by historic antiqua typefaces, has a very characteristic voice and will thus add special appeal to your designs.
Several years ago, Brigitte Schuster made the original designs for Cardamon™ while participating in a Master of Design in Type and Media course at the Royal Academy of Art in the Hague in the Netherlands. Her own personal interest in typography and type design is something that has only gradually developed over the years in parallel with her work in the field of graphic design, but eventually she decided to create her own typeface. She began looking at historic typefaces from the 16th century by Hendrik van den Keere and Robert Granjon as the basis for the upright variants and turned to look at those by Giovan Francesco Cresci as inspiration for her italic. She took those elements that she particularly liked to provide the foundation for the forms of Cardamon. In addition, she decided to experiment with placing an emphasis on angular outlines in order to increase the legibility of the font in smaller point sizes and its individuality in the larger point sizes. However, as it turned out, she was unable to achieve the desired effect and decided to abandon this approach, although traces of her original concept still survive in the completed font. Before Cardamon was finally ready for release in early 2015, it was subject to various development phases over a longer period of time during which new and, in some cases, very subtle modifications were made to it.
The evidence of the influence of historic Renaissance antiquas is clearly apparent in the forms of Cardamon, and this is combined with calligraphic elements of text written with a broad-nib pen. The latter can be found, for example, in the partially angular forms, the slight inclination of the characters along the direction of movement of writing and the somewhat tapering stems. Schuster has added to the vibrancy of Cardamon by slightly varying the length of the serifs. A large x-height and generous counters ensure that the font is clearly legible even in small point sizes.Uppercase letters that are just shorter than the cap height also contribute to the aesthetic appeal. In German texts that are necessarily rich in capital letters, this feature makes them appear less prominent, facilitating a pleasant reading flow.
The italic of Cardamon has a quite different design that particularly highlights the calligraphic nature of the font. The most evident features of the italic, with its 15° inclination, are the curves that are coupled with or are free of the stems. Cardamon italic thus has the feel of loosely composed handwriting, and appears more as if written with a narrow rather than broad nib. When weighed against these fundamental changes to form, the typical details of an italic, such as the closed rather than open "a", the single story "g" and the added descender on the "f" hardly seem to register.
Cardamon is available in four finely differentiated weights, from Regular to Bold. All weights are accompanied by a corresponding italic and come with small caps, oldstyle and lining figures and many ligatures, some of which are particularly attractive. There is also a range of ornaments.
Cardamon may be a neutral, restrained antiqua font but considered as a whole it has a marked and individual character. Its somewhat angular forms give it a feel of bygone times that perfectly complements the appearance of the carefully designed italic. The well-conceived and readily legible Cardamon is the ideal tool for setting longer texts or creating editorials, for example. At the same time, the clear and characteristic forms of Cardamon also ensure that it cuts a good figure on device screens.
Cardamon Bold Italic
be installed on a computer for
use with applications.
Licensed per computer.
@font-face rule. They are licensed
for a set number of page views with
no time limitation.
embedded in an eBook, eMagazine or
eNewspaper. Fonts are licensed per issue.
a server and e.g. used by automated
processes to create items.
A license is per server core CPU per year.
on which the font will be installed.
that you can use over time. We’ll let
you know when you’re running low.
installations you want to license.
Some mobile app fonts allow an
unlimited number of installations.
you intend to embed the font in. Each license
is valid for one issue for the life of that issue.
CPUs of the servers on which
the font will be installed.
A license has a term of 1 year.
number of monthly page views
anticipated. The license has no time
limit and does not need to be replaced.
You only pay for additional page views
if your site gets more traffic than expected.
you know when you’re running low.
language support of the font.
the font: W1G (98 languages),
COM (56 languages),
PRO (33 languages) or
STD (21 languages).
available in. These differ in contained
characters and file size. You get all
available versions with your license.
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Pro / OT TTF
supports at least
No unencoded glyphs available
Windows menu name: Cardamon Pro
PostScript name: CardamonPro-BoldItalic
PostScript full name: Cardamon Pro Bold Italic
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