Graffiti Selection Value Pack
Graffiti Selection
Innercity pizzazz:
five typefaces in our Graffiti Selection.
In its endless diversity, graffiti art now also determines the look and feel of contemporary urban landscapes – it can exhibit considerable or little artistic flair, can be carefully coloured or quickly scribbled in black. The striking visual effects achieved by graffiti have already been co-opted by professional designers. It is difficult to think of a cutting-edge concept that does not now employ graffiti-like elements and fonts.
This selection consists of five fonts in urban art styles. All fonts are provided in the modern OpenType format.
Brief information on the fonts making up the Selection:

The letters of Genevieve Cerasoli’s ITC Arnova™ display the traces of a brush rapidly applied to an uneven surface. This typeface is also clearly legible even in the smaller font sizes.

The style of Magik Marker by Matthew Napolitano is derived from that of the stylised name tags that are one of the identifying characteristics of the hip hop generation.

Sufficient space will be required to use this typeface. In the larger font sizes, the rough-and-ready and dynamic features of Christian Vornehm’s Linotype Seven™ will help adorn design concepts.

The letters of Teebrush Paint™ Regular Alternate by Tomi Haaparanta appear to be derived from the text of a note quickly scrawled with a brush.

For his 1968 Graffiti, Gilles Le Corre was inspired by wall-painted political protest slogans of the 1960s and 1970s.