Recherche pour "opentypeflirtcdformacosandwindowshybridcd"

LIGNES/PAGE

5  |  10  |  20  |  50

Avenir™ Next OpenType CD pour Mac OS et Windows Plus de détails ... Ajouter au panier haute qualité: retrouvé par Fonte ressemblante Nom du produit 'Avenir™ Next OpenType CD for Mac OS and Windows' Prix: 1 199,00 US$       Ce CD Hybride contient exclusivement des fontes OpenType, le nouveau format avancé des fontes multiplateformes.

DIN Next OpenType CD for Mac OS and Windows Plus de détails ... Ajouter au panier haute qualité: retrouvé par Fonte ressemblante Nom du produit 'DIN Next OpenType CD for Mac OS and Windows' Prix: 1 699,00 US$

Palatino™ nova OpenType CD pour Mac OS et Windows Plus de détails ... Ajouter au panier haute qualité: retrouvé par Fonte ressemblante Nom du produit 'Palatino™ nova OpenType CD for Mac OS and Windows' Prix: 999,00 US$

Or why there´s now an Avenir Next While Adrian Frutiger has created such famous typefaces as Univers® or Frutiger®, another matter has remained very close to his heart – the design of his linear sans serif – the Avenir. In 1988, the Swiss typeface designer first presented Avenir to the public, which already at that time marked an excellent alternative to other well known typefaces such as Futura® or Avant Garde®. Compared to the mere metric construction of other typefaces, Avenir [...]

Whether Garamond, Baskerville or Bodoni, many of the typefaces produced during the 20th century were revivals of centuries-old models. Not so of Palatino: Hermann Zapf´s new design is an interpretation of our own time. Designed between 1948 and 1950, Palatino was first released as in lead type form by the German typefoundry D. Stempel AG in Frankfurt, and quickly became one of the world´s most popular typefaces. Palatino was thereafter altered for use on the Linotype machine and in photo-type [...]

DIN Next : Made in Germany

Adrian Frutiger: Right from the beginning, I was convinced that Avenir™ is the better Futura®. Akira Kobayashi: I share your opinion, but some weights have been missing to make Avenir an all-purpose typeface. Adrian Frutiger: You mean the condensed weights? Akira Kobayashi: Yes, with this extension I’m sure Avenir will then be able to cut its own path. Adrian Frutiger: Then we should get to work putting Avenir onto that path ... Akira Kobayashi: Yes. How to order Avenir Next: Please [...]

Adrian Frutiger: Right from the beginning, I was convinced that Avenir™ is the better Futura®. Akira Kobayashi: I share your opinion, but some weights have been missing to make Avenir an all-purpose typeface. Adrian Frutiger: You mean the condensed weights? Akira Kobayashi: Yes, with this extension I’m sure Avenir will then be able to cut its own path. Adrian Frutiger: Then we should get to work putting Avenir onto that path ... Akira Kobayashi: Yes. Avenir Next, along with [...]

Giovanbattista Palatino, after whom the Palatino typefaces are named, was a writing master of the 16th century in Rome. His work inspired Hermann Zapf, although none of Hermann Zapf´s typefaces could be said to be literal revivals of Giovanbattista Palatino´s letters. Yet many of the characteristics of the Palatino typefaces, such as its open counterforms and overall legibility, are certainly themes that had previously inspired Renaissance lettering. The Palatino typefaces´classical proportions [...]