Bei diesen 33 Halloween-Fonts ist Grusel-Stimmung garantiert!
Ob Sie ein Kostümfest organisieren, für Halloween-Artikel werben oder einfach eine gespenstische Atmosphäre schaffen wollen, diese Schriften sind genau das, was Sie gesucht haben!
In unserem Halloween Value Pack finden Sie fünf großartige Schriften zum kleinen Preis: drei Grusel-Schriften und zwei furchterregende Pi-Fonts!
Viele andere Designs sind außerdem einzeln erhältlich. Hier finden Sie unsere Auswahl vieler weiterer
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Johnstemp – eine Stempelschrift, basierend auf Tagesstempel von Linotype
Vor vielen Jahren entwarf einer unserer Schriftendesigner aus Deutschland eine Symbolschriftfamilie, die er Linotype Tagesstempel™ nannte. Wie man weiß, ist ein „Tagesstempel” so ein Handlanger der Bürokratie, mit dem man Datum und Zeit manuell einstellen und dann auf Dokumente stempeln kann. Die vier Schriften der Familie Linotype Tagesstempel enthielten jeweils 72 Zeichen. Zunächst waren
[...]Brazilian designer Eduardo Omine designed his Beret family of typefaces in an attempt to create a warm counterpart to the clean, minimalist sans serif of the 20th Century. The most individual characteristics of Beret are the terminals at the ends of its vertical strokes. They are slightly "bent", simulating a subtle flare. Like many classic sans-serif typefaces (e.g., the original Syntax and Univers), this family does not include true (calligraphic) italics. Instead, a masterful set of obliques
[...]The Polish designer Franciszek Otto has created several typefaces for Linoytpe, including Linotype Notec™ (1999), Brda™ (2003), JP2™ (2008), and Waza™ (2008).
Linotype Notec is a winner font of Linotype’s 3rd International Digital Type Design Contest.
Brda was originally developed the Powiat weekly newspaper. The family was one of the winners selected in Linoytpe’s 4th International Type Design Contest (2004).
JP2 is based on the handwriting of Pope John Paul II, and Waza was inspired
[...]Lucian Bernhard – born 15. 3. 1883 in Stuttgart, Germany, died 29. 5. 1972 in New York, USA – graphic artist, illustrator, painter, type designer, interior designer, teacher. Born as Emil Kahn, he assumes his pseudonym in 1905. Mostly self-taught, he studied briefly at the Akademie iin Munich.
1901: moves to Berlin. 1903: wins a poster competition for Priester matches. 1904: art director of the Deutsche Werkstätten für Handwerkskunst. 1910: works with Hans Sachs on the publication of the
[...]The designer Harold Broderson (born December 13, 1913) created Brody in 1953.
Body is a brush script face that mimics the show card style of lettering, which was very popular throughout the United States during the first half of the 20th Century. The letters appear as if they were drawn quickly and spontaneously with a wide, flat lettering brush. The lowercase letters connect to each other, cursive script style. Brody is the perfect display face to provoke a nostalgic feeling for the 1950s.
[...]Designer Alan Meeks (born 1951 in London) created the following fonts: Ambrose™, Aachen medium and bold (with Colin Brignall, 1969/1977), Algerian™ Condensed (1988), Astoria, Belwe™ Mono (1976/1989), Bertie™ (1985), Bickley™ Script (1986), Bramley™ (1979), Brigade, Burlington™ (1985), Cabaret™ (1980), Campaign™ (1987), Cancellaresca™ Script (1982), Candice™ (1976), Chalfont, Champers™ (1991), Chesterfield™ (1977), Claude™ Sans (1988/1990), Copacabana, Dynamo (with
[...]The German designers Helmut Ness and Markus Remscheid created the font Linotype Russisch Brot™ in 1997. Linotype Russisch Brot is part of the Take Type Library, chosen from contestants of Linotype's International Digital Type Design Contests of 1994 and 1997. The inspiration of the two designers is not hard to see for those who are familiar with the chocolate cookies in the form of letters which are called Russisches Brot. The font is available in six weights. The basic weight is perfectly
[...]The German designers Markus Remscheid and Helmut Ness created the font Linotype Russisch Brot™ in 1997. Linotype Russisch Brot is part of the TakeType Library, chosen from contestants of Linotype's International Digital Type Design Contests of 1994 and 1997. The inspiration of the two designers is not hard to see for those who are familiar with the chocolate cookies in the form of letters which are called Russisches Brot. The font is available in six weights. The basic weight is perfectly
[...]Type designer Eduardo Omine was born in 1981 in São Paulo where he still lives. Eduardo Omine graduated from the School of Architecture and Urbanism, São Paulo University (FAUUSP) in 2002. The font Beret™ is his first typeface to be commercially released.
Eduardo Omine designed his Beret family of typefaces in an attempt to create a warm counterpart to the clean, minimalist sans serif of the 20th Century. The most individual characteristics of Beret are the terminals at the ends of its
[...]Ludwig Wagner, Otto Schmidt and Max Schmidt founded Wagner + Schmidt in Leipzig in 1875. They occupied themselves producing new typeface designs to be sold to various type foundries throughout Europe. These foundries purchasing these designs were free to market them under names of their own deciding.
American designer Patricia Lillie created the fonts Alleycat™ (1996), Burweed™ (1996), Chilada™ (1994), ITC Cinderella™ (2002), Farrier™ (1996), Gargoil™ (1999), Mini Pics™ Doohickies, Mini Pics™ Lil, Saturday™ Sans, ITC Tickle™ (2001), Whassis™ (1995), Whimsy™ (1995) and Whimsy™ Baroque (1995).
Beret, Brda and Linotype Russisch Brot are trademarks of Linotype GmbH and may be registered in certain jurisdictions.
Bertie is a trademark of International Typeface Corporation and may be registered in certain jurisdictions.
Burweed and Mini Pics are trademarks of Monotype Imaging Inc. and may be registered in certain jurisdictions.
Bernhard Modern is a trademark of The Monotype Corporation and may be registered in certain jurisdictions.
Mixed Breed is a trademark of the TypeArt Foundry Inc. TypeArt® is a registered trademark the TypeArt Foundry Inc.
