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Documents faisant référence à ces articles ...
The idea to develop a new typeface tailored to the special requirements of annual reports was born out of the "First Heidelberg Forum for Annual Reports 1988".
The challenge was to provide a type system that delivered readability and multiple tonality while maintaining harmony throughout the wide range of different characters required in an annual report.
Linotype worked closely together with Professor Olaf Leu and his Analyse Team at the University of Applied Sciences, Mainz, who have [...]
Introduction
Every year the German business magazine “Manager Magazin” holds a competition to determine the best annual reports published in the German-speaking world. From the submitted public corporations who published their 2005 annual reports in early 2006, Manager Magazin released their jury’s favorites in the October 2006 issue.
Manager Magazin picked the top ten annual reports in six different business categories, and their jury selected an overall top ten as well. Virtually every [...]
Introduction
Many typeface catalogs, including our own, group all serif typefaces together under one umbrella-category. But in truth, there are many different kinds of serifs, e.g., Renaissance serifs, baroque serifs, unbracketed modern serifs, Latin serifs, wedge serifs, etc. One of the most popular styles of seriffed letter, especially for display type, remains the slab serif.
The slab serif is a genre of letterforms that has been in use for almost 200 years. Throughout this time, many [...]
Introduction
Chaque année, le magazine économique allemand « Manager Magazin » organise un concours désignant les meilleurs rapports annuels publiés dans la sphère germanophone. Dans son numéro du mois d’octobre 2007, le Manager Magazin a annoncé les favoris du jury, sélectionnés parmi les rapports annuels 2006 publiés début 2007 par les entreprises publiques participantes.
Le Manager Magazin a désigné les dix meilleurs rapports annuels dans six catégories économiques et le jury [...]
Linotype Compatil® is the first comprehensive type system which enables all typographical elements to be used to full effect in order to reproduce the message conveyed by text information. Four different type styles with a total of 16 weights have been merged into a unique typographical network. There are now no limits to the font user's creativity.
The system is a product of technical innovation and constitutes a new design approach which meets the highest aesthetic standards.
For [...]
Les fontes de la collection Platinum de Linotype – les coffrets promotionnels de ces fontes sont désormais disponibles
La Collection Platinum est une série exclusive de fontes classiques optimisées, issues de la bibliothèque Linotype. En étroite collaboration avec des dessinateurs de caractères de réputation internationale, Linotype a lancé des familles de caractères retravaillées et étendues, qui sont à la page aussi bien sur le plan de la technologie que de l’esthétique. Ces [...]
Linotype previously had three design studios located around the globe:
Mergenthaler Linotype, in the United States, was founded in Brooklyn, but later moved to Melville, NY, and then to Hauppauge, NY. Mergenthaler Linotype's design studio employed at varying times up to 80 designers under the direction of Chauncey H. Griffith, Jackson Burke, Mike Parker, and Matthew Carter.
In continental Europe, Linotype typefaces were produced by the D. Stempel AG typefoundry in Frankfurt, Germany. [...]
Olaf Leu was born in Chemnitz in 1936. He apprenticed as a typesetter and typographic designer in the art department of the Bauer type foundry. Later, he worked as the assistant to the creative director at the Hanns W. Brose advertising agency in Frankfurt am Main.
In 1959, he began his career as a freelance graphic designer and art director. In 1971, he founded the studio “Olaf Leu Design” in Frankfurt am Main, which became known as “Olaf Leu Design und Partner” in 1976. The studio remained [...]
Take a look at some sample pages of Gildemeister’s Annual Report 2005
– For a larger view please click on the images –
Nous vous invitons à découvrir quelques pages du Rapport Annuel 2006 de Gildemeister.
– Pour zoomer, cliquez sur les images –
Trouver d’autres Fonctions de Fontes dans nos Archives de Présentation de Fontes.
L’astuce typographique du mois par Akira Kobayashi, directeur de typographie de Linotype !
Juillet 2006: Le secret, c’est le mélange !
Lorsque vous utilisez plus d’une fonte dans un même design, un principe simple s’impose : les fontes ne doivent pas être trop similaires les unes aux autres, mais au contraire présenter un certain contraste. Cela permet d’ajouter un peu de surprise et de [...]
Interactive media – screen pages that are easy to read
The need to read and absorb information quickly and easily has never been greater.
The amount of information available to us, either on paper or on screen, grows daily. It is essential to have a typeface that is both extremely legible as well as aesthetically pleasing.
Linotype´s Compatil is the first type system that incorporates such a comprehensive range of typographic features, delivering optimal legibility and design potential.
The metric and visual concept that is used for [...]
Platinum Collection Fonts
The “building block” type system Compatil™ provides flexibility, a variety of appearances and levels of distinction as well as immense compatibility since the letterspacing is identical in all styles. The system was inspired by Professor Olaf Leu, who began examining the corporate design of both small and large companies with the goal of raising the overall level of corporate communication – in everything from the business card to the annual report. There was no type family that was capable of [...]
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