Neue Helvetica® Thai® famille de polices

Conçue par Linotype Design Studio en 1983
Max Miedinger
In 1983, D. Stempel AG redesigned the famous Helvetica typeface for the digital age, creating Neue Helvetica for Linotype: a self-contained font family. Today, this family consists of 59 different font weights. The Neue Helvetica font family is available as desktop fonts and as webfonts.

It's original numbering system for the weight designations came from Adrian Frutiger's numbering system for the Univers family. The basic font weight, Neue Helvetica Roman", is at the heart of this numbering system. The designation "55 Roman" forms the central point. The first figure of the number describes the stroke thickness -- 25 for ultra light to 95 for extra black. The second figure gives information on the width and orientation of the font -- "Neue Helvetica 53 Extended" or "Neue Helvetica 57 Condensed," for instance. The printer fonts are named as Helvetica Neue.

Neue Helvetica sets new standards in terms of its form and number of variants. It is the quintessential sans serif font, timeless and neutral, and can be used for all types of communication. Neue Helvetica is one of three Helvetica typeface families from Linotype.
The Neue Helvetica family had been extended with the range of eight compressed weights.

Aside from the original Helvetica from the 1960s, there is the 21st Century Helvetica World, with rich language support capabilities.

Many customers ask us what good non-Latin typefaces can be mixed with Neue Helvetica. Fortunately, Neue Helvetica Paneuropean already has Cyrillic versions, has Greek as well, and Helvetica World includes Arabic and a specially-designed Hebrew Helvetica in its OpenType character set. But Linotype also offers a number of CJK fonts that can be matched with Neue Helvetica.

Chinese fonts that pair well with Neue Helvetica:
MHei HK (Traditional Chinese)
MHei PRC (Simplified Chinese)

Japanese fonts that pair well with Neue Helvetica:
YU Gothic (Japanese)

Korean fonts that pair well with Neue Helvetica:
YD Gothic 100 (Korean)"

บระเทศไทย โครงการ ๑๕๗ Aa123

Les fontes d’ordinateurs de bureau sont conçues pour être installées sur un ordinateur et avec des applications. Une licence par ordinateur.
Les fontes Web sont utilisées avec la règle CSS @font-face. Elles bénéficient d’une licence couvrant un nombre déterminé de pages consultées et valable sans limite de temps.
Les polices d’applications sont adaptées à l’intégration dans les applications mobiles. La licence est valide pour respectivement une application et repose sur le nombre d’installations de l’application.
Les fontes pour publications électroniques peuvent être intégrées à un eBook, à un e-magazine ou à un e-journal. Ces fontes sont mises sous licence à chaque numéro.
Les fontes pour serveurs peuvent être installées sur un serveur ou p. ex. être utilisées par des processus automatisés afin de créer des éléments. Chaque serveur possède une licence valable un an.
Neue Helvetica Thai

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Détails techniques
Type de contours OpenType:
TTF - TrueType-Outlines
Noms techniques des fontes:
Nom du fichier: HelveticaNeueLTThai-Italic.ttf
Nom du menu Windows: Helvetica Neue LT Thai Regular
Nom PostScript: HelveticaNeueLTThai-Italic
Nom PostScript complet: Helvetica Neue LT Thai Italic
Numéro de catalogue:
US$ 149
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Tag: frac

Function: Replaces figures separated by a slash with 'common' (diagonal) fractions. The user enters 3/4 in a recipe and gets the threequarters fraction.

Standard Ligatures

Tag: liga

Function: Replaces a sequence of glyphs with a single glyph which is preferred for typographic purposes. This feature covers the ligatures which the designer/manufacturer judges should be used in normal conditions. The glyph for ffl replaces the sequence of glyphs f f l.


Tag: ordn

Function: Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures. One exception to the follows-a-figure rule is the numero character (U+2116), which is actually a ligature substitution, but is best accessed through this feature. The user applies this feature to turn 2.o into 2.o (abbreviation for secundo).


Tag: sups

Function: Replaces lining or oldstyle figures with superior figures (primarily for footnote indication), and replaces lowercase letters with superior letters (primarily for abbreviated French titles). The application can use this feature to automatically access the superior figures (more legible than scaled figures) for footnotes, or the user can apply it to Mssr to get the classic form.

Glyph Composition/Decomposition

Tag: ccmp

Function: To minimize the number of glyph alternates, it is sometimes desired to decompose a character into two glyphs. Additionally, it may be preferable to compose two characters into a single glyph for better glyph processing. This feature permits such composition/decompostion. The feature should be processed as the first feature processed, and should be processed only when it is called. In Syriac, the character 0x0732 is a combining mark that has a dot above AND a dot below the base character. To avoid multiple glyph variants to fit all base glyphs, the character is decomposed into two glyphs...a dot above and a dot below. These two glyphs can then be correctly placed using GPOS. In Arabic it might be preferred to combine the shadda with fatha (0x0651, 0x064E) into a ligature before processing shapes. This allows the font vendor to do special handling of the mark combination when doing further processing without requiring larger contextual rules.

Capital Spacing

Tag: cpsp

Function: Globally adjusts inter-glyph spacing for all-capital text. Most typefaces contain capitals and lowercase characters, and the capitals are positioned to work with the lowercase. When capitals are used for words, they need more space between them for legibility and esthetics. This feature would not apply to monospaced designs. Of course the user may want to override this behavior in order to do more pronounced letterspacing for esthetic reasons. The user sets a title in all caps, and the Capital Spacing feature opens the spacing.


Tag: kern

Function: Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically. The o is shifted closer to the T in the combination "To."

Mark Positioning

Tag: mark

Function: Positions mark glyphs with respect to base glyphs. In the Arabic script, positioning the Hamza above the Yeh.

Mark to Mark Positioning

Tag: mkmk

Function: Positions marks with respect to other marks. Required in various non-Latin scripts like Arabic. In Arabic, the ligaturised mark Ha with Hamza above it; can also be obtained by positioning these marks relative to one another.

These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in d

Tag: Basic Latin

Function: These fonts support the Basic Latin character set. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.

These fonts support the Thai script. Each font is Unicode™ encoded, and available in different forma

Tag: Thai

Function: These fonts support the Thai script. Each font is Unicode™ encoded, and available in different formats. Please review the product information for each font to ensure it will meet your requirements.