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Documents faisant référence à ces articles ...
ITC Chino et Klint : deux nouvelles polices sans empattement venues de Berlin
Hannes von Döhren est sans aucun doute l’un des créateurs de polices allemands les plus prometteurs. En moins d’un an, Linotype a proposé cinq de ses polices : Quench®, ensuite Opal™ et Snoogle™, et dernièrement, les familles Klint™ et ITC Chino™ families.
Nous avons créé un mini-site pour mettre en valeur les caractéristiques intrinsèques de ITC Chino.
Pour tout [...]
Hannes von Döhren was born in Berlin/Germany in 1979. After completing his studies (graphic design) in 2005, he worked in an advertising agency in Hamburg/Germany. Since 2007 he has been working as a freelancing graphic designer in Berlin, which allows him to spend some of his time developing fonts as well.
Linotype released Quench® in 2008, the first of Hannes von Döhren’s typefaces in the Linotype library. In 2009, he added Opal™ and Snoogle™ (Snoogle was designed in [...]
Autres familles de fontes du même dessinateur ...
À propos de Klint™ famille de polices ...
Designer: Hannes von Döhren, 2009
La Klint™ famille de polices appartient à la bibliothèque Linotype Originals.
Ce texte vous a été présenté en français parce qu'il n'est pas disponible dans votre langue.
"Klint is a sans serif typeface with a technical appearance and humanistic streak. The family includes five weights; each weight ships in three widths: condensed, regular, and extended. All of the 15 Klint variants have a companion Italic, rounding out family at 30 fonts. Klint's large x-height makes the design especially legible at small point sizes. In today's day and age, appliance manufacturers and/or companies in the mobile phone, computer hardware and software or Internet sectors are becoming ever more important.
Klint fills the rising need for superfamilies with a technical feeling that are also legible in both text and display settings. Through conspicuous letters like R, K, k, or g, as well as the independent nature of its Italic, Klint exudes an ethos that separates it from the competition.
Longer text passages in brochures, catalogs, or magazines would be well served by Klint's Light, Regular, and Medium weights. The heavier cuts are optimized for poster settings and headlines."
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