Trouver d’autres Fonctions de Fontes dans nos Archives de Présentation de Fontes.
Pas besoin de sable pour profiter de ces polices sur le thème Beach Party. Ces caractères englobent des images de surfeurs des années 60 au tikis huts et DJ passant de la musique techno sur une plage de sable. Que vous fassiez de la publicité pour une fête, des documents sur des voyages à l’aventure ou l’emballage de produits pour l’été, ces polices de caractère vous donneront certainement le sentiment de « profiter du soleil ».
Capturez les esprits d’Halloween avec ces 33 fontes sinistres !
Ces fontes sont faites pour vous ! Que vous organisiez une soirée, cherchiez une maison hantée ou que vous vouliez simplement créer une atmosphère macabre.
L’Halloween Value Pack contient cinq superbes fontes à un tarif unique et avantageux. Y figurent également trois polices de caractères effrayantes et deux fontes Pi terrifiantes !
Nous proposons également beaucoup d’autres graisses individuelles.
[...]Brazilian designer Eduardo Omine designed his Beret family of typefaces in an attempt to create a warm counterpart to the clean, minimalist sans serif of the 20th Century. The most individual characteristics of Beret are the terminals at the ends of its vertical strokes. They are slightly "bent", simulating a subtle flare. Like many classic sans-serif typefaces (e.g., the original Syntax and Univers), this family does not include true (calligraphic) italics. Instead, a masterful set of obliques
[...]Italian designer Alessio Leonardi creates experimental typefaces that capture the Zeitgeist of the 1990s, and are full of charm and wit to boot!
More about the fonts:
F2F Al Retto™
Like a game of Tertis gone awry, Alessio Leonardi’s F2F Al Retto is an alphabet full of boxy, outlined squares that seem to move across lines of text. This typeface should be set large, so that its subtle movement-like qualities may best be observed.
F2F Allineato™
A double wavy outline roughly defines
[...]Swiss designer Michael Parson creates experimental fonts. His palette ranges from techno to contemporary interpretations of foreign scripts.
More about the fonts:
Anlinear™
Anlinear is part of a series of constructed typographic experiments from Michael Parson. In the Anlinear family, which contains three separate weights, Parson has successfully created a fabulous display of alphabets out of the sole arrangement of lines at right angles to each other. The letters in this face virtually
[...]Swedish designer Lutz Baar creates noteworthy and well-rounded typefaces with a modern and contemporary vibe.
More about the fonts:
Linotype Atlantis™
Atlantis is classified as a European sans serif. In comparison to its American cousins, which display the heavier influence of an antiqua, the European version usually have strictly constructed forms. Those of Atlantis are based on the geometric forms of the circle, square and rectangle. The a is rather stout and the g has an open descender,
[...]
Les vrais caractères utilisés dans les trois alphabets officiels de l’Union Européenne. Avec l’adhésion de la Bulgarie en janvier 2007, le cyrillique vient compléter les deux autres alphabets (latin et grec) utilisés dans l’UE.
Les fontes originales de Linotype qui portent la mention « W1G » complètent le jeu de caractères et respectent la norme Linotype W1G (World Glyph 1).
Découvrez les langues qui prennent en charge les fontes W1G (Fichier pdf
[...]Giabattista Bodoni – born 16. 2. 1740 in Saluzzo, Piedmont, Italy, died 30. 11. 1813 in Parma, Italy – engraver, type designer, typographer, printer, publisher.
1758–66: typesetter in the Vatican’s Propaganda Fide printing works. 1766: the Duke of Parma invites Bodoni to set up an run a printing works. 1768: begins working in the Stamperia Reale. 1770: opens his own type foundry. 1771: publishes his first typographical contribution "Fregi e Majuscole". 1782: Charles III of Spain names Bodoni
[...]Born: London, 5 April 1945
Education: Kings College, Taunton, and Cambridge School of Art.
Art director, caricaturist and type designer.
ART DIRECTOR
The Wall Street Journal Europe
1999 –
Die Welt
1998–1999
Redesigned the newspaper; Drew daily editorial cartoons.
Drew logotype for Berliner Morgenpost
International Herald Tribune
1987–1998
Redesigned the newspaper. Drew editorial cartoons.
The New York Times
1978–1987
Designed the Financial sections and business
[...]The designer Ferdinay Duman created the font Linotype BlackWhite™ in 1989.
BlackWhite is a titling typeface, styled after the designs of the late 1980s. Like the name says, the figures emphasizes the play between dark and light. To this end, most inner spaces have been deleted. The constructed outlines of the robust figures draw the attention. In some weights, Duman split the figures horizontally, giving them a unique look. The technical and mechanical BlackWhite is perfect for generous
[...]The British designer Ed Bugg created the fonts Linotype Agogo™ (1997), Kanban™ (1992) and Linotype Sunburst™ (1997). Linotype Agogo and Linotype Sunburst are included in the TakeType Library, chosen from the contestants of Linotype's International Digital Type Design Contests of 1994 and 1997.
Linotype Agogo is reminiscent of the elegant 1920s and 1930s. It is a calligraphy font with five weights, one regular and four swash. The regular weight alone is clear and legible enough even for longer
[...]Italian designer Mauro Carichini created the following fonts in 2002: Linotype Arab Stroke™, Linotype BioPlasm™, Linotype GlassFlag™, Linotype WaterFlag™, Linotype Orbit™.
The Russian designer Alexei Chekoulaev created the font Linotype Bariton™ in 1997. Linotype Bariton is part of the TakeType Library, chosen from contestants of Linotype's International Digital Type Design Contests of 1994 and 1997. Designer Alexej Chekoulaev designed his font in one weight to mirror the Zeitgeist of the early 1930s. The characters of this extremely bold font are based on the form of a rectangle though its rounded edges soften its look a bit. Linotype Bariton should be used only
[...]The British designer Rachel Ellaway created the font Linotype Besque™ in 1999. It was chosen from the entries of the 1999 International Digital Type Design Contest. A generous typeface in which the circle, or better, the o, is without a doubt the dominant element. Almost all figures were constructed from the form of the o. The letters are therefore almost without exception convex and make an open, airy and dynamic impression. The wedges at the ends of some figures give the typeface a
[...]The designer Roland John Goulsbra created the fonts Linotype Agrafie™ in 1994. This font family is included in the TakeType Library, chosen from the contestants of Linotype's International Digital Type Design Contests of 1994 and 1997.
In 2002 Roland John Goulsbra created the font Linotype Textur™.
The German designer Bjoern Hansen created the font Linotype Algologfont™ in 1997. This font is part of the TakeType Library, chosen from the contestants of Linotype's International Digital Type Design Contests of 1994 and 1997. Linotype Algologfont contains exclusively capital letters and the forms of the characters look like branches or driftwood bent to form an alphabet and punctuation. The font is very flexible and can give text either a myterious and strange impression or a free and natural
[...]German designer Stefan Hauser created the fonts F2F BoneR™ (1996) and F2F Haakonsen™ (2002).
The German designer Jörg Herz created the fonts Linotype Short Story™ (1997), Linotype Afrika™ (1999), Linotype Monday Devils™ (1999), Linotype Dasitzt™ (2003) and Linotype Textra™ (2003).
Karlgeorg Hoefer was born on February 6th, 1914 in Schlesisch-Drehnow. Following schooling in Schlesien and Hamburg, he served a four-year typesetting apprenticeship from 1930-1934 in Hamburg. After two years of military service, he studied at the Kunstgewerbeschule (School of Arts and Crafts) in Offenbach am Main and then worked in Potsdam. From 1939 until 1945 he was in active military service and was also a prisoner of the Russians.
His activities as a calligrapher began after his
[...]The German designer Karin Huschka created the fonts Linotype Authentic™ (1999), Chineze Dragon™ (2002) and Picture Yourself™ (2003, with Peter Huschka).
The text font Linotype Authentic is part of the TakeType Library, chosen from the entries of the 1999 International Digital Type Design Contest.
Picture Yourself was a winner in the 2003 International Type Design Contest, sponsored by Linotype GmbH.
American designer Frank Marciuliano created the following fonts:
Linotype Abstract™ (2002), Linotype Automat™ (2002), Linotype Breeze™ (2002), Linotype Constitution™ (2002), Linotype Isilda™ (2002), ITC Jaft™ (1996), ITC Jambalaya™ (1996), Linotype Labyrinth™ (2002), Linotype Lindy™ (2002), Linotype Mediterraneo™ (2002), ITC Schizoid™ (1997).
The German designer Johannes Plass created the fonts Linotype Animalia™, Linotype Atomatic™ and Linotype Auferstehung™ in 1997. These fonts are included in the TakeType Library, chosen from the contestants of Linotype's International Digital Type Design Contests of 1994 and 1997.
Linotype Animalia is full of surprises. It is like a walk through the zoo, where the j is a shark chasing a small fish and the K is a moose gazing at the sky. Linotype Animalia is intended exclusively for use in
[...]The Swiss designer Isabelle Stutz created Linotype Belle™ Plain in 1999.
Linotype Belle Plain, a casual script face, is a winner font of Linotype’s 3rd International Digital Type Design Contest. The letters in this design have a light, informal nature, and appear as if they were written out quickly, using a writing instrument similar to a ballpoint pen. Linotype Belle has two fonts to offer: Linotype Belle Plain and Linotype Belle Bonus. Linotype Belle Bonus contains more extravagant,
[...]The French designer Jean-Jacques Tachdijan (born 1958) created the font Linotype Barock™ in 1999. Linotype Barock is part of the Take Type Library, chosen from the entries of the 1999 International Digital Type Design Contest. At first glance you might think, "What a mess!" The forms look as though they cannot settle down. But when you enlarge the figures you will understand why the designer named the font Barock, signifying ornateness. Not only is the font based on the forms of a transitional
[...]Designer Jan Tomás created the fonts Linotype Alphabat™, Linotype Element™, Linotype Silver™ and Linotype Startec™ in 1999.
These fonts are part of the Take Type Library, chosen from the entries of the 1999 International Digital Type Design Contest for inclusion on the TakeType 3.1 CD.
When you look closely to Linotype Alphabat, the figures start to change from letters into flying bats and scary faces. Linotype Alphabat can be used for very short texts however it is particularly effective
[...]Jürgen Weltin was born on May 8th, 1969 in Constance. After schooling and swimming a lot in the Lake of Constance he worked in a publishing house before he started to study graphic design at the Technical College in Würzburg. After an apprenticeship in design company Stankowski + Duschek and after one term at Bournemouth & Poole College of Art and Design he graduated in Würzburg under Reinhard Haus from Linotype presenting the beginning of the new typeface Linotype Finnegan®.
Then he
[...]Michael Parson – Born 10.1.1979 in Geneva, Switzerland – Graphic Designer, Type Designer, Illustrator.
1998–2002 – Studies Graphic Design at the Ecole Cantonale D'art de Lausanne & Bellecour Genève.
2001 – Creates, as a student project, Type Garage as a support to his type experiments. Has now developed the project as a commercial endevor creating custom fonts for such clients as Dev TV, Morocco, Audioactivity. Has also been developing a series of designs for his type library.
2002 –
[...]Italian designer Alessio Leonardi created the following fonts:
F2F Al Retto™ (1996), F2F Allineato™ (1995), F2F CoolWool™ (1994), HaManga Irregular™ (1994), F2F Madame Butterfly™ (1996), F2F Mekanik Amente™ (1993), F2F Mekkaso Tomanik™ (1994), F2F Metamorfosi™ (1995), F2F Poison Flowers™ (1994), F2F Prototipa Multipla™ (1996), F2F Provinciali™ (1995), F2F Tagliatelle Sugo™ (1996), F2F Ale™ (1994), F2F Simbolico™ (1994).
Take a look at the personal designer portrait of Alessio Leonardi.
Swedish designer Bo Berndal created the following fonts:
Belltrap™ (1995), Benedikt (1991), Berndal™ (2002), Boberia™ (1994), Boscribe™ (2005), Bosis™, Brigida™ (1995), Buccardi™ (2003), Byngve™ (2002), Carl Beck (1992), Linotype Dala™ (1999), Exlibris (1992), Frisans™ (2005), Golota (1997), Grafilone™ (1994), Grantofte (1995), Johabu (1989), Läckö (1993), Lebensjoy (1993), Logoform (1992), Magellan (1993), Maricava (1994), Naniara (1997), Olaus (1992), Promemoria (1996), Sabellicus,
[...]German designer Hans-Jürgen Ellenberger created the following fonts:
Linotype Albafire™ (2002), Linotype Albatross™ (2002), Linotype Albawing™ (2002), Linotype Aspect™ (1999), Linotype Beluga™ (2003), Cajoun™ (2002), Carlin Script™ (2002), Linotype Colibri™ (1999), Linotype Escript™ (2003), Linotype Inagur™ (1999), Mateo™ (1994), Linotype Pegathlon™ (1999), Linotype Rana™ (1997), Linotype Traco™ (1999), Linotype Biosymbols™ (2003), Linotype Chemsymbols™ (2003), Linotype Chemtools™ (2003),
[...]Swedish designer Lutz Baar created the following fonts:
Linotype Atlantis™ (1999), Balder™ (1994), Linotype Feltpen™ (1997), Linotype Kaliber™ (1999), Linotype Nordica™ (1997), Linotype Ordinar™ (1999), Linotype Pisa™ (1997).
Please take a look at the personal designer portrait of Lutz Baar.
German artist Tim Ahrens created the font Linotype Aroma™ in 1999.
Please take a look at the personal designer portrait of Tim Ahrens.
Maria Martina Schmitt was born in Vienna (Austria) in 1950. After completing an apprenticeship as a commercial artist at "Graphischen" in her home city, she began working as a graphic designer. For ten years, she worked with the "United States Information Agency" in both Austria and the United States. Projects there led her into the realm of type design, where she worked with PostScript fonts dealing with a number of writing systems, including Armenian and Georgian.
Since 1998, Schmitt has
[...]Argentine designer Victor Garcia created the following fonts:
Linotype Tangomaniacs™ (2002), Linotype Bix Bats™ family fonts (2003), Linotype Bix™ Plain (2000), Linotype Zootype™ family fonts (1999). His type design Linotype Zootype single font (1997) won second prize "Fun" category at the 1997 Linotype´s International Digital Type Design Contest.
Linotype Zootype Land is on View Victor Garcia´s type designs of Zootype, Tangomaniacs, Bix Plain and Bix Bats into the designer's
[...]The British designer Tehmina Rauf created the font Linotype Araby Rafique™ in 1997. Araby Rafique is a part of the TakeType Library, winners of Linotype's International Digital Type Design Contest. The forms lean sometimes left, sometimes right, which, combined with the stroke contrast, gives the font a dynamic character. Other distinguishing characteristics are the mix of teardrop and fine hair strokes and the handwritten style. This font is good for very short texts and headlines, especially
[...]Eduardo Manso is graphic and type designer. He is born in Argentina, in 1972. Studied graphic
design in the School of Visual Arts "Martín A. Malharro" of Mar del Plata, Argentina. He has attended the graduated degree course “Design and visual communication” in the “Universidad Nacional de Mar del Plata”. Eduardo Manso has designed and published several types through ITC (International Typeface Corporation), Bitstream Inc. and [T-26 ] Fonts, among others. He is now living in Barcelona, Spain,
[...]Type designer Eduardo Omine was born in 1981 in São Paulo where he still lives. Eduardo Omine graduated from the School of Architecture and Urbanism, São Paulo University (FAUUSP) in 2002. The font Beret™ is his first typeface to be commercially released.
Eduardo Omine designed his Beret family of typefaces in an attempt to create a warm counterpart to the clean, minimalist sans serif of the 20th Century. The most individual characteristics of Beret are the terminals at the ends of its
[...]Prof. Karlgeorg Hoefer was one one the most influential calligraphers of the 20th Century. Aside from leading numerous workshops inside the United States, as well as abroad, he taught for decades at the Hochschule für Gestaltung in Offenbach am Main (Germany). One of his most representative typefaces is Salto, which he developed in 1952 for the Klingspor foundry in Offenbach.
More about the fonts:
Beneta™
Karlgeorg Hoefer designed Beneta in 1991, inspired by the Littera beneventana, the
[...]Trouver d’autres Fonctions de Fontes dans nos Archives de Présentation de Fontes.
L’astuce typographique du mois par Akira Kobayashi, directeur de typographie de Linotype !
Août 2006 : Utilisez les caractères ornés italiques d’une fonte pour des variations de dessin
De nombreuses fontes sont équipées de caractères ornés italiques destinés à servir d’éléments supplémentaires parmi les outils d’un designer. Cependant, les caractères ornés italiques – des lettres
[...]3rd International Design Contest
The Winners of the Category Display
Five font families for a new season
Bad Homburg, 26 January, 2007. A new year is here, time to get back to the drawing board. Linotype has been busy sourcing the latest originals all year and to kick off the new year, launches five new font families in OpenType format. Each family offers its own dash of color and originality and can be employed for a variety of graphic communication needs. The fresh additions to the Linotype Library – Sunetta™, Aptifer™, Linotype Aroma™ OT, Anno™ and OCR A
[...]
Font Designer: Lutz Baar, 1974
Lutz Baar about Balder: "Balder™ is the Swedish name of the Nordic God Baldur. The font expresses strenght and a wild liveliness, composed of only capital letters to give text a compact appearance. Each character of the alphabet has a corresponding alternate, created by using the shift key with the letter on the keyboard. The letters C, G and S in particular each have 2 very different forms. I call this the 'Gutenberg Effect', because Gutenberg tried
[...]
Font Designer: Mauro Carichini, 2002
The round, often open forms of Linotype Bioplasm™ are dynamic, modern and objective. This typeface is an excellent choice for headlines but is flexible enough for any number of applications. It is particularly effective in advertisements for cosmetic, medical and health products.
Font Designer: Rachel Ellaway, 1999
Linotype Besque™, from English designer Rachel Ellaway, is part of the Take Type Library, chosen from the entries of the 1999 International Digital Type Design Contest. A generous typeface in which the circle, or better, the o, is without a doubt the dominant element. Almost all figures were constructed from the form of the o. The letters are therefore almost without exception convex and make an open, airy and dynamic impression. The wedges at
[...]Linotype Atomatic™ is part of the TakeType Library, selected from the contestants of Linotype’s International Type Design Contests of 1994 and 1997. German artist Johannes Plass designed his font in one strongly-crafted weight. Linotype Atomatic seems to mirror the fast pace and technology of modern times. The slight lean to the right gives an impression of speed and movement. Linotype Atomatic is intended exclusively for headlines in larger point sizes.
Linotype Afrika™ One and Two
Designed by Jörg Herz, senior designer "die argonauten" (Munich)
Jörg Herz about Linotype Afrika™:
“Linotype Afrika is a font which was designed after an educational journey through Zimbabwe.
The font was developed from forms which can be found in the streets, especially in Harare where past, present and future co-exist side by side. The font can be used, for an African feel or theme – Africa as described traditionally as well as the modern
[...]
Font Designer: Victor Garcia, 1999
Linotype Bix™, a font from Argentinian designer Victor Luis Garcia, is part of the Take Type Library, chosen from the entries of the 1999 International Digital Type Design Contest. The font is composed exclusively of capital letters. The figures have constructed basic forms and show the influence of the advertisement types of the 1920s, with all their well-mannered details. The lower sections of the graceful letters are white and set against a
[...]
Achispado, Agrafie, Airam, Ale, Amherst, Anasdair, Anlinear, Astrotype, Balder, Balega, Bandalero, Beluga, Beret, Berndal, Biosymbols, Bix Bats, Boberia, Bohemia, F2F Al Retto, F2F Allineato, F2F BoneR, Linotype Abstract, Linotype Afrika, Linotype Agogo, Linotype Albafire, Linotype Albatross, Linotype Albawing, Linotype Algologfont, Linotype Alphabat, Linotype Animalia, Linotype Arab Stroke, Linotype Araby Rafique, Linotype Aroma, Linotype Aspect, Linotype Atlantis, Linotype Atomatic, Linotype Auferstehung, Linotype Authentic, Linotype Automat, Linotype Bariton, Linotype Barock, Linotype Belle, Linotype Besque, Linotype BioPlasm, Linotype Bix and Linotype BlackWhite are trademarks of Linotype GmbH and may be registered in certain jurisdictions.
Bigband is a trademark of Bauer Types.
