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Asterism Clean

Asterism Clean

par Great Lakes Lettering
Styles individuels à partir de $30.00
Famille complète de 3 polices: $60.00
Asterism Clean Font la famille était conçu par Dathan Boardman, Molly Jacques Erickson et publié par Great Lakes Lettering. Asterism Clean contient 3 styles et des offres familiales.

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Asterism Clean Family

3 polices

Meilleure offre !

A propos d'Asterism Clean Police Family


Asterism Clean est la version lisse et lignée d'Asterism. Il s'agit d'un style calligraphique police avec une ligne de base mobile et beaucoup de personnalité brillante. Contient également une version grasse et une version monoline. Ce style écrit à la main police est basé sur l'un des styles de calligraphie de Molly et s'associe parfaitement avec Frosted, Icing, Saint Agnes.

Concepteurs : Dathan Boardman, Molly Jacques Erickson

Éditeur : Great Lakes Lettering

Fonderie : Great Lakes Lettering

Fonderie d'origine : unknown

Maître d'ouvrage : Great Lakes Lettering

MyFonts débout : 4 avril 2015

Asterism Clean

À propos Great Lakes Lettering

Dathan Boardman and Molly Jacques Erickson founded Great Lakes Lettering with a mutual appreciation for artful calligraphy. “In 2012 I had been working on lots of calligraphic fonts and came across Molly’s work and was immediately struck by how visceral it was and how it didn’t really look like any other kind of calligraphy that I’ve come across,” Dathan says. “I reached out to her wondering if she had any interest in turning her lettering into fonts.” The duo’s first typeface, Frosted, was released later that year. Dathan and Molly’s bestselling typefaces include Asterism, a calligraphy style font with a moving baseline and lots of shining personality, and Kailey, a hand lettered typeface that was inspired by Molly’s signature lettering style, consisting of bold brush strokes, fluid flourishes, and distinctive characters. Alissa Mazzenga joined the team in 2014 with the the foundry’s debut of her design, Feast; a typeface whose magic seems to reside in the ethereal movement of fluid wisps of ink, forming soft arched lines and design that stands alone. The group’s fonts are best known for working in a variety of settings, both formal and informal. They’ve worked with brands such as Nike and Martha Stewart and have a lot more ahead of them. “We have a lot of exciting collaborations ahead. As our fonts are becoming more refined and more formal, we are reaching a new level of elegance that makes us excited to keep going and keep perfecting our working method.

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