Capturez les esprits d’Halloween avec ces 33 fontes sinistres !
Ces fontes sont faites pour vous ! Que vous organisiez une soirée, cherchiez une maison hantée ou que vous vouliez simplement créer une atmosphère macabre.
L’Halloween Value Pack contient cinq superbes fontes à un tarif unique et avantageux. Y figurent également trois polices de caractères effrayantes et deux fontes Pi terrifiantes !
Nous proposons également beaucoup d’autres graisses individuelles.
[...]The work of the American designer and calligrapher Jill Bell is full of joy and luminosity. Her typefaces are suited for a wide array of applications, and each conveys its own, personal touch.
More about the fonts:
ITC Caribbean™
ITC Caribbean is earthy yet exotic. Jill Bell combined in her typeface experiment unusual angles and curves to produce tall, thin letters whose stroke style completes the suggestion of palm trees which this typeface brings to mind. The typeface contains capitals
[...]Colin Brignall – born 1940 in Warwickshire, England – photographer, type designer, art director. Started work as photographer for the fashion trade, the press and industry.
1964: joins the Letraset Type Studio as photographic technician. Since 1974: type designer for Letraset International. Since 1980: type director for Esselte Letraset in London.
Fonts: Countdown™ (1965), Aachen™ (1969), Premier™ Lightline (1969), Revue™ (1969), Premier™ shaded (1970), Superstar™ (1970), Octopuss™
[...]The late Phill Grimshaw was a prolific designer who delighted in the sheer fun and challenge of drawing display typefaces. His fonts reflect his understanding of calligraphy, his own imagination for dynamic letterforms, and his knack for drawing a great variety of styles. After studying at the Royal College of Art in London in the 1970s, he settled in his native Manchester in northern England to work as a lettering artist. He developed a specialization in type design, influenced and encouraged
[...]The Chicago-based lettering designer Charles Hughes created the font Indy™ in 1990. The lowercase letters link together to evoke the look of true handwriting and complement a generous and graceful capital alphabet. Indy is a refined handwriting script ideal for anything needing a touch of elegance.
American designer Frank Marciuliano created the following fonts:
Linotype Abstract™ (2002), Linotype Automat™ (2002), Linotype Breeze™ (2002), Linotype Constitution™ (2002), Linotype Isilda™ (2002), ITC Jaft™ (1996), ITC Jambalaya™ (1996), Linotype Labyrinth™ (2002), Linotype Lindy™ (2002), Linotype Mediterraneo™ (2002), ITC Schizoid™ (1997).
Austrian designer Otmar Motter (born 1927) created the fonts ITC Motter Corpus™ (1994), ITC Motter Femina™ (1981) and ITC Motter Sparta™ (1997).
The American designer David Sagorski created the fonts Bang™ (1993), Bluntz™ (1994), Dancin’™ (1995), ITC Dave’s Raves™ (1994), Expressions™ (1995), Faithful Fly™ (1994), ITC Juice™ (1995), Moderns (1994), Mo’s Funky Fresh™ (1993), ITC Snap® (1995), Tag™ (1994), Wildlife (1994).
German designer Martina Theisen created the fonts Linotype Astrolo™, Linotype Creatures™, Linotype Improfil™, Linotype Maenneken™, Linotype Smileface™ and Linotype Typentypo™ in 2002.
The British designer Martin Wait created the following fonts:
Artiste™ (1991), Balmoral™ (1978), Banner™ (1986), Bertram™ (1991), Challenge™ (1982), Conference™ (1978), Emphasis™ (1989), Forest™ (1986), Freestyle Script™ (1981/86), Hadfield™ (1980), Horndon™ (1984), Informal Roman™ (1989), Julietrose™ (2006), Laser™ (1987/88), Pendry Script™ (1981), Pritchard™ (1990), Rapier™ (1989), Refracta™ (1988), Riva™ (1994), Roquette™ (1993), Scriba™ (1992), Wild Thing™ (1995).
Jill Bell Design is involved in many forms of letter crafting: calligraphy and signpainting, handlettering, logotypes and icons for advertising, packaging and entertainment, as well as type design. She has designed and/or digitized fonts for ITC, Adobe, Agfa/Monotype and for clientele such as Disney and Johnson & Johnson. Her designs are informed by her broad knowledge of letter creation: from ancient inscriptions and writing through contemporary graffiti and tagging, and from diverse cultural
[...]German designer Stefan Pott created the following fonts Linotype Henri™ (1999) and Linotype Konflikt™ (1997).
Linotype Konflikt is part of the TakeType Library, which features winners of Linotype's International Digital Type Design Contest from 1994 to 1997. Stefan Pott was inspired by the conflict between the appearance of a typeface in print and on a computer screen. Out of this conflict came a font in which every character has aspects of both flowing handwriting and angular pixel-like
[...]German designer Thomas Nagel created the following fonts:
F2F El Dee Cons™ (1993), F2F HogRoach™ (1995), F2F Pixmix™ (1995), F2F Screen Sream™ (1996), F2F Shakkarakk™ (1996), F2F Shpeetz™ (1996), F2F Tyrell Corp™ (1996), F2F Whale Tree™ (1994), F2F ZakkGlobe™ (1994).
These fonts are part of the new Take Type No. 5 which contains 204 exclusive, contemporary fonts for electronic publishing.
Please take a look at the personal designer portrait of Thomas Nagel.
The Algerian designer Taouffik Semmad created the fonts ITC Atmosphere™ (1997) and ITC Shadowettes™ (1998).
Taouffik Semmad grew up speaking Algerian-Arabic dialect and French, studied Russian, and is now living in Montreal. This could perhaps explain his current passion, to "find a universal writing", which he admits is a Utopian idea. Created with brush and Chinese ink, the characters of ITC Atmosphere came from Semmad's hand but only after they were fully formed in his mind's eye.
ITC
[...]Janet Murphy created the font ITC Wild West™ in 1997.
Janet Murphy's professional background is in graphic art and illustration. Janet has lived in Idaho for many years creating logos, commissioned illustrations, murals and originals for small businesses, corporations and individuals all over the West. Many of her illustrations have been published in magazines, travel guides, and catalogs. Some of her diverse clients include: American Fisheries Society & Idaho Fish and Game, Canyons
[...]Designer Joe Pepitone created the font ITC Home Improvement™ in 1997.
Designer Frank McShane created the font Incidentals™ in 1993.
Designer Jannine Cabossel created the font Inspirations™ in 1995.
3rd International Design Contest
The Winners of the Category Fun
Font Designer: Frank Marciuliano, 1997
The strictly constructed forms are the first thing about Frank Marciuliano's Linotype Isilda™ to make an impression. Like his other fonts Linotype Lindy™ and Linotype Automat™, the emphasized vertical strokes of Isilda are reminiscent of bars and give text a static feel. Isilda is not recommended for text but is particularly good for headlines in large point sizes, which allow its unusual forms to really stand out.
Dessinateur : Phill Grimshaw, 1997
ITC Kendo™ est la réalisation du graphiste britannique Phill Grimshaw. Cette police évoque l’empressement et la verve d’une calligraphie esquissée, parsemée de petites taches d’encre. Grimshaw explique qu’il est allé délibérément à l’encontre de ses propres habitudes pour créer les formes de la police, dessinant les lettres « après mûre réflexion », à l’aide d’un stylo plume. Il a rempli le
[...]
F2F HogRoach, Linotype Henri, Linotype Improfil and Linotype Isilda are trademarks of Linotype GmbH and may be registered in certain jurisdictions.
Harlow, Hollyweird, ITC Home Improvement, ITC Humana, ITC Jambalaya, ITC Kendo, ITC Motter Corpus, ITC Shadowettes, ITC Wild West, Incidentals, Indy and Inspirations are trademarks of International Typeface Corporation and may be registered in certain jurisdictions.
Snap and Tempus are trademarks of International Typeface Corporation registered in the U.S. Patent and Trademark Office and which may be registered in certain other jurisdictions.
