Trouver d’autres Fonctions de Fontes dans nos Archives de Présentation de Fontes.
Capturez les esprits d’Halloween avec ces 33 fontes sinistres !
Ces fontes sont faites pour vous ! Que vous organisiez une soirée, cherchiez une maison hantée ou que vous vouliez simplement créer une atmosphère macabre.
L’Halloween Value Pack contient cinq superbes fontes à un tarif unique et avantageux. Y figurent également trois polices de caractères effrayantes et deux fontes Pi terrifiantes !
Nous proposons également beaucoup d’autres graisses individuelles.
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Voici une sélection de fontes que nous venons de redécouvrir. De véritables pépites. Vous en connaissez peut-être déjà certaines … mais êtes-vous sûr que vous les connaissez toutes ?
Nous espérons que vous apprécierez cette sélection !
Italian designer Alessio Leonardi creates experimental typefaces that capture the Zeitgeist of the 1990s, and are full of charm and wit to boot!
More about the fonts:
F2F Al Retto™
Like a game of Tertis gone awry, Alessio Leonardi’s F2F Al Retto is an alphabet full of boxy, outlined squares that seem to move across lines of text. This typeface should be set large, so that its subtle movement-like qualities may best be observed.
F2F Allineato™
A double wavy outline roughly defines
[...]The work of the American designer and calligrapher Jill Bell is full of joy and luminosity. Her typefaces are suited for a wide array of applications, and each conveys its own, personal touch.
More about the fonts:
ITC Caribbean™
ITC Caribbean is earthy yet exotic. Jill Bell combined in her typeface experiment unusual angles and curves to produce tall, thin letters whose stroke style completes the suggestion of palm trees which this typeface brings to mind. The typeface contains capitals
[...]The high-quality fonts of renowned Dutch designer Gerard Unger offer versatile application in typography today.
More about the fonts:
Demos™
Gerard Unger designed Demos for the German technology corporation Dr.-Ing Rudolf Hell* in 1976. Originally intended for use in the typesetting of newspapers, Demos was one of the new digital generation's first typefaces, well suited for book printing as well. Its robust forms and rounded corners make this face particularly legible and flexible, it
[...]Faudrait-il mieux un sans serif, un caractère de texte, une fonte scripte ou peut-être une gothique ? Chaque mois, des fontes uniques sont choisies depuis les fins fonds de la Collection Linotype pour que vous puissiez les consulter. Venez découvrir notre florilège de ce mois !
Gerard Unger – born 22. 1. 1942 in Amsterdam, The Netherlands – graphic designer, typographer, type designer, teacher.
1963–67: studies at the Gerrit Rietveld Academie in Amsterdam. Then assistant to Wim Crouwel at Total Design. 1970: starts teaching at the Gerrit Rietveld Academie in Amsterdam. From 1975 onwards: freelance designer. 1981: does typography work for Dutch coins and postage stamps. Redesigns numerous magazines. 1984: designs special digits for the Dutch telephone directories.
[...]The Italian designer Giancarlo Barison created the display font Linotype Graphena™ in 1997. This handwriting font is part of the Take Type Library, chosen from the entries of the 2nd International Digital Type Design Contests of 1994 and 1997. Linotype Graphena is consciously irregular and erratic, the letters dance across a page, large and small, tilted and erect. The font could be described as angular, restless, even mischievous.
Linotype Graphena is part of the Take Type No. 2 CD which
[...]Györi Attila, a designer based in Drebecen, Hungary, created ITC Grapefruit™ in 1997. ITC Grapefruit is an angular, mannered and geometric display face with a loud appearance. The font combines strong display characteristics with legibility and is suitable for a wide variety of uses. ITC Grapefruit contains one weight.
Born in 1947 in Portsmouth, England and after schooling entered a 5 year apprenticeship with the Metal Box Company, Portsmouth. Trained in Design, Lettering, Calligraphy and Sign Writing under gifted lettering artists Norman March and Dieter Smith. During day release to Portsmouth College of Art & Design studied Fine Typography under Stan Kerry obtaining Full Technological Certificate in City & Guilds, London.
Self taught in further Calligraphy, Illustration and Water Color Painting and
[...]David Farey (born 1943) created the fonts ITC Beesknees™ (1991), Bodoni™ Unique, Cachet™, Font, Gabardine, Greyhound™, ITC Highlander® (1993), ITC Johnston™ (with Richard Dawson, 1999), Little Louis, ITC Ozwald® (1992), Virgin Roman, Zemestro™ (2003), Tanseek Modern™ (with Arlette Boutros, Mourad Boutros, Richard Dawson, 2008), Tanseek Traditional™ (with Arlette Boutros, Mourad Boutros, Richard Dawson, 2008), Azbuka™ (with Richard Dawson, 2008).
German designer Arne Freytag created the font Linotype Freytag™ in 2002.
Linotype Freytag is a display family of sans serif typefaces based on lettering work done at the Bauhaus during the 1920s. Arne Freytag, was so inspired by these historic letterforms that he developed them into working fonts for the 21st century. But these are not strict digitisations of old forms; instead Arne Freytag redeveloped the forms, making them more legible and up to date. However, Linotype Freytag is still true
[...]British designer Tony Geddes created the fonts Flamenco™ Inline (1979) and Spotlight™ (1989).
The versatile display style of Flamenco Inline has an inline contour decoration and a controlled yet casual appearance. Flamenco Inline will guarantee visual excitement across a vast range of advertising applications.
Spotlight was created in the tradition of the bold serif fonts of early 19th century England. It too is a robust alphabet exhibiting extreme stroke contrasts, however, Tony Geddes gave
[...]The late Phill Grimshaw was a prolific designer who delighted in the sheer fun and challenge of drawing display typefaces. His fonts reflect his understanding of calligraphy, his own imagination for dynamic letterforms, and his knack for drawing a great variety of styles. After studying at the Royal College of Art in London in the 1970s, he settled in his native Manchester in northern England to work as a lettering artist. He developed a specialization in type design, influenced and encouraged
[...]Professor Reinhard Haus (born 25. 5. 1950 in Dörnigheim) created the font Guardi® and appeared with Linotype AG in 1986. This text font is based on the Venecian Old Face styles of the 15th century. The influence of characters originally written with a feather can be seen in many of the forms of this modern alphabet.
American designer James Montalbano created the fonts ITC Freddo™ (1996), ITC Nora™ (1997) and ITC Orbon™ (1995).
ITC Freddo was inspired by a sign lettering manual from the 1930s. James Montalbano liked the character shapes illustrated in this manual but found many of the proportions odd. So he reinterpreted them to produce capitals and lower case letters which, according to today's standards, better complement one another.
ITC Nora was designed by James Montalbano when he was on a 1930s
[...]Adobe art director Laurie Szujewska created the font Giddyup™. She used the rope letters decorating cattle brands and cowboy blankets to create Giddyup, a typeface with a twist. "The idea was to make each letter with one line that overlaps like a rope, rather than two strokes joined together,” Laurie Szujewska explains. She also corralled a few varmints into the Giddyup Thangs ornament set.
The British designer Martin Wait created the following fonts:
Artiste™ (1991), Balmoral™ (1978), Banner™ (1986), Bertram™ (1991), Challenge™ (1982), Conference™ (1978), Emphasis™ (1989), Forest™ (1986), Freestyle Script™ (1981/86), Hadfield™ (1980), Horndon™ (1984), Informal Roman™ (1989), Julietrose™ (2006), Laser™ (1987/88), Pendry Script™ (1981), Pritchard™ (1990), Rapier™ (1989), Refracta™ (1988), Riva™ (1994), Roquette™ (1993), Scriba™ (1992), Wild Thing™ (1995).
Jill Bell Design is involved in many forms of letter crafting: calligraphy and signpainting, handlettering, logotypes and icons for advertising, packaging and entertainment, as well as type design. She has designed and/or digitized fonts for ITC, Adobe, Agfa/Monotype and for clientele such as Disney and Johnson & Johnson. Her designs are informed by her broad knowledge of letter creation: from ancient inscriptions and writing through contemporary graffiti and tagging, and from diverse cultural
[...]Italian designer Alessio Leonardi created the following fonts:
F2F Al Retto™ (1996), F2F Allineato™ (1995), F2F CoolWool™ (1994), HaManga Irregular™ (1994), F2F Madame Butterfly™ (1996), F2F Mekanik Amente™ (1993), F2F Mekkaso Tomanik™ (1994), F2F Metamorfosi™ (1995), F2F Poison Flowers™ (1994), F2F Prototipa Multipla™ (1996), F2F Provinciali™ (1995), F2F Tagliatelle Sugo™ (1996), F2F Ale™ (1994), F2F Simbolico™ (1994).
Take a look at the personal designer portrait of Alessio Leonardi.
Polish designer Dariusz Nowak-Nova created the fonts Linotype Fresh Ewka™ (1997) and Linotype NoweAteny™ (1994).
Linotype Fresh Ewka and Linotype NoweAteny are included in the TakeType Library, chosen from the contestants of Linotype's International Digital Type Design Contests of 1994 and 1997.
Each letter of Linotype Fresh Ewka seems to be a work in itself. The fine hair lines are decorated with tiny squares and look like wires with nodes while the thicker strokes have indefinite contours
[...]The American designer Steve Zafarana (part of the Galápagos Design Group) created the fonts ITC Gargoonies™ ITC Fontoonies™ and ITC Backyard Beasties™ in 1995.
The two British type designers Richard Dawson and Dave Farey created the fonts ITC Golden Cockerel™ (1996) and ITC Johnston™ (1999).
Richard Dawson and David Farey created in 2008 also Tanseek Modern™ and Tanseek Traditional™, together with Arlette Boutros and Mourad Boutros, and Azbuka™
Brazilian graphic designer Claudio Rocha created the fonts ITC Gema™ (1998) and ITC Underscript™ (1997).
ITC Gema was first written in a small size "to keep the surface irregularity of a non-coated paper when enlarged for use as a display font," says Rocha. Many strokes do not quite join, giving Gema the visual effect of a stencil typeface, the distinguishing characteristic of the font. "Some characters have my own handwriting gestures," says Rocha, like elongated endings and angular shapes.
[...]Linotype Freytag™ is a bold condensed typeface that has modern stylish letterforms like Neville Brody's Insignia or David Quay's Mekanik. Because of its readable letterforms it can be ideally used for flyers, advertisements, posters and also for headlines in magazines.
Designer Michael Gills (born 1962 in London) created the following fonts: Charlotte™ (1992), Elysium™ (1992), Figural™ (1992), Fling™ (1995), ITC Forkbeard™ (1998), Frances Uncial (1995), Gilgamesh™ (1994), Hand Drawn™ (1993), Isis (1990), Katfish™ (1994), Prague™ (1991), Type Embellishments One (with Colin Brignall, 1993).
These fonts are included in the Linotype Library.
Fontes d’affiches
Initial concepts for comprehensive type systems surfaced as early as the 1930s, yet they remained the exception. In the days of hot-metal typesetting, handbooks generally recommended creating typeface mixtures from a single type family, a family being understood as including all of a typeface’s weights, such as light, normal, semi-bold, and bold, and including all of the italic weights as well. A well-rounded type family also includes small caps, tabular and old-style figures. These days, the
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