The repetition of simple geometric shapes forms a daily part of our environment. Throughout the 20th century – and into the 21st – typefaces whose designs have taken advantage of this have remained popular. But finding exactly the right mood can be tricky. For your convenience, we have grouped some of our favorite geometric typefaces (mostly sans serif and symbol) into four categories: circles, squares, ovals, and triangles.
Pas besoin de sable pour profiter de ces polices sur le thème Beach Party. Ces caractères englobent des images de surfeurs des années 60 au tikis huts et DJ passant de la musique techno sur une plage de sable. Que vous fassiez de la publicité pour une fête, des documents sur des voyages à l’aventure ou l’emballage de produits pour l’été, ces polices de caractère vous donneront certainement le sentiment de « profiter du soleil ».
Nick Belshaw designed the fonts Belshaw™ (1980) and Frankfurter (with Alan Meeks, 1978/1981).
Belshaw and Frankfurter are included in the Linotype Library.
Designer Alan Meeks (born 1951 in London) created the following fonts: Ambrose™, Aachen medium and bold (with Colin Brignall, 1969/1977), Algerian™ Condensed (1988), Astoria, Belwe™ Mono (1976/1989), Bertie™ (1985), Bickley™ Script (1986), Bramley™ (1979), Brigade, Burlington™ (1985), Cabaret™ (1980), Campaign™ (1987), Cancellaresca™ Script (1982), Candice™ (1976), Chalfont, Champers™ (1991), Chesterfield™ (1977), Claude™ Sans (1988/1990), Copacabana, Dynamo (with
[...]The British designer Bob Newman created the fonts Data 70™ (1970), Frankfurter™ (1970) and Odin™ (1972).
