"Type is made to be read", he reminded, "and that implies a reader. It may usefully be asked what does that all-important but often disregarded person expect? He expects nothing but to be left in optical ease while he pursues his reading."
Rudolf Ruzicka (1883–1978) was a consultant to Mergenthaler Linotype Company for 50 years. Considered a distinguished engraver in wood and metal and an accomplished and versatile artist and designer of his time, he was recommended to C. H. Griffith,
[...]Linotype previously had three design studios located around the globe:
Mergenthaler Linotype, in the United States, was founded in Brooklyn, but later moved to Melville, NY, and then to Hauppauge, NY. Mergenthaler Linotype's design studio employed at varying times up to 80 designers under the direction of Chauncey H. Griffith, Jackson Burke, Mike Parker, and Matthew Carter.
In continental Europe, Linotype typefaces were produced by the D. Stempel AG typefoundry in Frankfurt, Germany.
[...]Trouver d’autres Fonctions de Fontes dans nos Archives de Présentation de Fontes.
L’astuce typographique du mois par Akira Kobayashi, directeur de typographie de Linotype !
Août 2006 : Utilisez les caractères ornés italiques d’une fonte pour des variations de dessin
De nombreuses fontes sont équipées de caractères ornés italiques destinés à servir d’éléments supplémentaires parmi les outils d’un designer. Cependant, les caractères ornés italiques – des lettres
[...]
