The Five Fairest Art Deco Fonts
| ! Welcome to the Current Issue of the LinoLetter ! |
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Introduction:
Whether used in posters, catalogs, brochures, scrapbooks or websites, Linotype’s original fonts stand out for their innovative design and high technical quality.
With this month’s issue’s choices ranging from our seasonal feelings-awakening Art Deco Value Pack to the remarkable script face ITC Johann Sparkling, the modernist classic Metro series, and the personalized image-creation service LetterJames, you are sure to find the perfect product to make this April typographically fruitful.
Note! Take a look at a product that we first published last year around this time: the Spring Pack. This bargain package includes five joyful script and symbol fonts selected to capture the spirit of this part of the year.
Have fonts of fun!
 | Fascinating fonts in the style of the Art Deco epoch! The Art Deco era was a period of rebirth and discovery in the world of the arts and design. Just in time for spring, we’ve bundled together five Art Deco fonts into one low-priced Value Pack. Coming out to just 6 USD/EUR per font, this package includes the Arnold Boecklin, ITC Rennie Mackintosh and ITC Manhattan – three fonts based on some of the of the most popular type styles used during the Art Deco era. Plus, Auriol Black and ITC Benguiat – two additional interpretations of the spirit of this age – are included.
Got an antique poster to finish? This Value Pack’s bargain price is only available through the end of the month! |
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 | What gives a piece of design its personal touch? Certainly the typeface plays an important role! The unusual antique script ITC Johann Sparkling offers a great injection of personality into any piece of text. Created by Austrian designer Viktor Solt, this typeface is a perfect imitation of the academic handwriting from the 18th century. "ITC Johann Sparkling is intended to close the gap between highly formal copperplate scripts and the scribbled look of ’true’ handwriting," says Solt. "I am not very interested in highly formal and perfect calligraphy, but rather in quick, personal-looking scripts.” |
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 | The first of the Metro family typefaces to be released was Metroblack, brought to market by Linotype in 1929. Seeking a sans serif with more of a humanist quality than the geometric styles popular in Europe at the time, W.A. Dwiggins drew what he believed to be the ideal sans serif for headlines and advertising copy. Later expanded to include other weights, the Metro family has a warmer character than the European Modernists’ typographic achievements. Metro fonts are full of mannered curves and angled terminals; Metroblack also has an astoundingly beautiful Q!
A popular sans serif family for over three-quarters of a century, Metro is spec’d less often than similar bestsellers, such as Futura or Kabel. Perhaps because of this niche charm, Metro has found many diverse uses: it has appeared throughout Europe and the North America for decades in newspapers and magazines, and can even help create a great brand image when used in logos and corporate identities. |
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 | We are always on the lookout for interesting opportunities to make the lives of graphic designers easier, and to bring new design aids to the attention of everyday computer users. Just recently, we discovered LetterJames.
James creates individualized postcards, e-cards and posters to your specifications! Entering text is easy, and James will then insert it into the appropriate place on the picture motif. In this way, you can produce unique messages to send to friends and acquaintances. |
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Outfit yourself and your computer for the new season with our Spring Pack: an exquisite selection of script and symbol fonts that may be used together to create designs that spring to life! Introducing a new service: We are pleased to offer you the chance to download our FontExplorer tool for free. FontExplorer makes searching for fonts directly from your desktop easy and comfortable – even without a direct connection to the internet.
 | With these five peppy fonts from the categories of display, calligraphy and symbol fonts, your designs are sure to catch spring fever! |
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 | The standard reference guide for designing with type: Search the entire product offerings from the Linotype Library directly from your desktop with this stand-alone application. Innovative search criteria make finding the right font as easier than ever before. |
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We hope you found this issue of the LinoLetter informative and useful. We highly appreciate your feedback at info@linotype.com
The next issue of this newsletter will be published and dropped in your mailbox at the beginning of May.
Your Linotype Online Team
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This newsletter may contain forward-looking statements, including but not limited to statements about the product, strategic or business plans of Linotype GmbH. Various important risks and uncertainties may cause our actual results to differ materially from the results indicated by these forward-looking statements, including, without limitation, the implementation of product changes, the adoption of our products by the marketplace, or our ability to obtain and enforce intellectual property protection. For
a further list and description of the risks and uncertainties we face, please refer to the the filings made by our parent company, Monotype Imaging Holdings Inc., with the United States Securities and Exchange Commission. We assume no obligation to update any forward-looking statements; whether as a result of new information, future events or otherwise and such statements are current only as of the date they are made.
Metrolite is a trademark of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.
ITC Johann Sparkling is a trademark of International Typeface Corporation and may be registered in certain jurisdictions.
Pour obtenir encore plus d’information, n’hésitez pas à nous contacter :
Copyright © 2008 Linotype GmbH. Tous droits réservés.
Nous nous réservons le droit d’erreurs et de modifications.
