Nami® famille de polices

Nami® Light (Linotype Originals) Plus de détails ... Ajouter au panier Prix à partir de: 65,00 US$

Nami® Regular (Linotype Originals) Plus de détails ... Ajouter au panier Prix à partir de: 65,00 US$

Nami® Bold (Linotype Originals) Plus de détails ... Ajouter au panier Prix à partir de: 65,00 US$

Nami® Complete Family Value Pack (Linotype Originals) Plus de détails ... Ajouter au panier Prix à partir de: 195,00 US$

Find further Font Features in our Font Feature Archive. Typographic Tip of the Month from Linotype’s Type Director Akira Kobayashi! October 2007: A few words on letter spacing Optical Spacing Option in Adobe InDesign In Adobe InDesign, there is an Optical Spacing option available for the spacing between individual glyph pairs, or kerning. The Optical Spacing selection overrides the metrics information stored in the font file itself, or specific values that one enters [...]

Nami, the Japanese word for "wave," is the latest collaboration between Adrian Frutiger and Linotype's Type Director, Akira Kobayashi. This typeface family is the most humanistic sans serif design ever to come from Adrian Frutiger, and it has an interesting twist: lapidar alternates that may be surfed through with the help of OpenType-savy applications. Adrian Frutiger began the design that would blossom into Nami during the 1980s. Although it would not be produced during the 20th century, it was quite forward thinking. The typeface included several seemingly avant garde alternates; these were "lapidary" versions of common letterforms. Revisiting the project in 2006, Akira Kobayashi reworked the concept into a working family of three typefaces. Each font contains 483 glyphs, including 11 alternates-two extra forms of the lowercase g, as well as new forms for a, e, h, l, m, n, r, t, and u.