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Documents faisant référence à ces articles ...
Whether Garamond, Baskerville or Bodoni, many of the typefaces produced during the 20th century were revivals of centuries-old models. Not so of Palatino: Hermann Zapf´s new design is an interpretation of our own time.
Designed between 1948 and 1950, Palatino was first released as in lead type form by the German typefoundry D. Stempel AG in Frankfurt, and quickly became one of the world´s most popular typefaces. Palatino was thereafter altered for use on the Linotype machine and in photo-type [...]
Des clients du monde entier affluent chaque jour sur le site Linotype.com pour acheter les fontes. Voici une liste des 20 familles de fontes que nos clients ont acquis au cours de 2008. Les connaissez-vous toutes ?
Palatino Sans shows in its alphabets an interpretation of a type different from all the traditional sans serif faces of monotone strokes that are done with a ruler. Notice how the letters of Palatino Sans have elegant curved outlines, not as uniform and without sharp edges, to convey a more soft expression. The details of the stems can be seen especially in large sizes. Typical for all the Palatino alphabets are the open letter ‘P’, and the curved lower-case ‘l’ for a [...]
Les fontes de la collection Platinum de Linotype – les coffrets promotionnels de ces fontes sont désormais disponibles
La Collection Platinum est une série exclusive de fontes classiques optimisées, issues de la bibliothèque Linotype. En étroite collaboration avec des dessinateurs de caractères de réputation internationale, Linotype a lancé des familles de caractères retravaillées et étendues, qui sont à la page aussi bien sur le plan de la technologie que de l’esthétique. Ces [...]
Biography of Akira Kobayashi:
Studied at the Musashino Art University in Tokyo, and later followed this up with a calligraphy course at the London College of Printing. Freelance type designer since 1997.
Professional experience
April 1983–March 1989
Sha-ken Co. Ltd, Japan Typeface design department
December 1990–June 1993
Jiyu-kobo Ltd, Japan
September 1993–March 1997
TypeBank Co. Ltd, Japan
March 1997–April 2001
Freelance type designer
April 1998–April [...]
German designer Hermann Zapf created the following fonts:
Aldus® (1954), Aldus Nova (2005), Aurelia™ (1983), Comenius® Antiqua BQ (1976), Edison™ (1978), Kompakt™ (1954), Marconi® (1976), Medici® Script (1971), Melior® (1952), Noris Script® (1976), Optima® (1958), Optima nova (2002), Orion™ (1974), Palatino™® (1950), Palatino nova (2005), Palatino™ Sans (2006), Saphir™ (1953), Sistina® (1950), Vario™ (1982), Venture™ (1969), Virtuosa® Classic (2009), [...]
For more than half a century, Professor Hermann Zapf has been designing typefaces that have helped define how our world communicates. Now we are pleased to present his newest series of families, Palatino™ Sans and Palatino Sans Informal. An extension of the Palatino idea, which was first made manifest in 1950, these groundbreaking sans serif typefaces offer another interpretation of the sans serif genre. Whether set alone or used in combination with each other or the Palatino, Palatino [...]
The Palatino alphabet was designed after many careful studies together with the punchcutter August Rosenberger. Even such small details as the serifs were carefully scrutinized. In 1948 tests in offset printing were made, especially in connection with the weight of the serifs. You see how important such serifs are.
The type Palatino is named after the Italian writing master of the 16th century Giambattista Palatino. I hope he will forgive me once a day in heaven and give me his blessing in [...]
Hermann Zapf is renowned the world over as a master calligrapher and type designer. Throughout his tremendous life, he has contributed volumes to the history of typography. His oeuvre encompasses text faces, symbol fonts, and even script designs, such as the new classic Zapfino. So many of his typefaces have entered our daily lives that it is impossible to image contemporary design without them. Below are all of his digital designs for Linotype.
More about the fonts:
Aldus™
This typeface [...]
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L’astuce typographique du mois par Akira Kobayashi, directeur de typographie de Linotype !
Juin 2006: Apostrophes et guillemets
Quel est le bon glyphe : le pouce, l’aigu ou l’apostrophe ? – Cette fonction décrit l’usage correct des signes de ponctuation trompeurs qui servent à signifier les omissions et, dans la langue anglaise, les possessifs et parfois les [...]
Palatino undressed – Sans and Sans Informal
Bad Homburg, 26 January, 2007. Palatino Sans recasts the mold. Migrating his classic typeface from a serif to sans, Hermann Zapf makes an epochal leap. He not only transforms the traditional letters of the famous Palatino™ typeface into the grotesque, but does it with a warmth that transcends the usual cool associations with a sans serif typeface. This synthesis of modern and classic styles leaves room for a bright openness, so the type strides [...]
Award Winning Typefaces by Linotype
Bad Homburg, 23 April 2007. Linotype has once again received critical recognition for their commitment to exploring the cultural and technological frontiers of typography. The accolades came at the culmination of this year’s Type Directors Club Type Design Competition – TDC2 2007 – at which two pioneering Linotype fonts were awarded the celebrated Certificate of Typographic Excellence in Type Design. Representing the breadth and the depth of Linotype’s [...]
Font Designer: Hermann Zapf, 1986
Palatino® is the work of Hermann Zapf and became available in the late 1950s from D. Stempel AG in Frankfurt am Main. Zapf named the font after Giambattista Palatino, a master of scripts from the time of Leonardo da Vinci. Zapf optimized Palatino's design for legibility, producing a typeface which remained legible even on the inferior paper of the post-World War II period. Palatino is an Old Face font which proves that classic forms can still be used [...]
Font Designer: Hermann Zapf, 1954
Aldus® was designed by Hermann Zapf and appeared with the font foundry D. Stempel AG in Frankfurt am Main in 1954. Zapf named this font after the famous Venecian printer Aldus Manutius, whose work is among the most important of the Renaissance period as well as Zapf's inspiration for Aldus. Linotype Aldus was introduced by Linotype as a text font lighter than Palatino®. Zapf's goal with his Palatino and Aldus was to create a new form of Old Face [...]
Font Designer: Hermann Zapf, 1954
Aldus® was designed by Hermann Zapf and appeared with the font foundry D. Stempel AG in Frankfurt am Main in 1954. Zapf named this font after the famous Venecian printer Aldus Manutius, whose work is among the most important of the Renaissance period as well as Zapf's inspiration for Aldus. Linotype Aldus was introduced by Linotype as a text font lighter than Palatino®. Zapf's goal with his Palatino and Aldus was to create a new form of Old Face [...]
Giovanbattista Palatino, after whom the Palatino typefaces are named, was a writing master of the 16th century in Rome. His work inspired Hermann Zapf, although none of Hermann Zapf´s typefaces could be said to be literal revivals of Giovanbattista Palatino´s letters. Yet many of the characteristics of the Palatino typefaces, such as its open counterforms and overall legibility, are certainly themes that had previously inspired Renaissance lettering. The Palatino typefaces´classical proportions [...]
Platinum Collection Fonts
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