Morris Sans® famille de polices
Conçue par Dan Reynolds en 2006
Morris Fuller Benton
Morris Sans is a newly revised and extended version of a small geometric family of typefaces originally produced by Morris Fuller Benton in 1930 for ATF. His initial design consisted of an alphabet of squared capital letters with a unique twist that characterized its appearance: corners with rounded exteriors and right-angle interiors. The types were intended for use in the fine print found on business cards, banking or financial forms, and contracts. But over the ensuing decades, this design became a popular element in all sorts of design environments, and several foundries revived the typeface in digital form. Since digital fonts are bicameral, with slots for both upper and lowercase letters, new cuts of the type opted filled the lowercase slots with small caps.
In 2006, Linotype commissioned its own version of the typeface-an extension for 21st century use. Under the advisement of Linotype's type director Akira Kobayashi, Dan Reynolds redrew the uppercase and added an original lowercase for the first time. Additionally, a number of extras were brought into the fonts, including six figure styles (tabular and proportional lining figures, tabular and proportional oldstyle figures, and special tabular and proportional small cap" figures). Small caps, which have become an iconic element over time, are accessible in each font as an OpenType feature. To differentiate this version from the original, Linotype's new family is named Morris Sans, in honor of Morris Fuller Benton.
All fonts in the Morris Sans family are OpenType Com fonts; they include a character set capable of setting 48 European languages that employ the Roman alphabet, including all Central and Eastern Europe languages, those from the Baltics, and Turkish. This glyph coverage extends to the small caps as well.
Morris Sans is a wide typeface, especially in its regular widths; the condensed faces set a more conventional line of text. The new lowercase letters are less geometric than the uppercase, except for those that share the same basic forms (e.g., c, o, and s). Instead of following this geometric trend, the new lowercase tends to strengthen the humanist elements that were present in several characters from the original type, including the uppercase D and the figures 5, 6, and 9. Morris Sans also sports a number of glyphic flares, like the stroke found on the original uppercase Q.
Morris Sans is a clean, modern design best suited for headlines, advertising, posters, expressive signage (especially on storefronts), and corporate identity work."
In 2006, Linotype commissioned its own version of the typeface-an extension for 21st century use. Under the advisement of Linotype's type director Akira Kobayashi, Dan Reynolds redrew the uppercase and added an original lowercase for the first time. Additionally, a number of extras were brought into the fonts, including six figure styles (tabular and proportional lining figures, tabular and proportional oldstyle figures, and special tabular and proportional small cap" figures). Small caps, which have become an iconic element over time, are accessible in each font as an OpenType feature. To differentiate this version from the original, Linotype's new family is named Morris Sans, in honor of Morris Fuller Benton.
All fonts in the Morris Sans family are OpenType Com fonts; they include a character set capable of setting 48 European languages that employ the Roman alphabet, including all Central and Eastern Europe languages, those from the Baltics, and Turkish. This glyph coverage extends to the small caps as well.
Morris Sans is a wide typeface, especially in its regular widths; the condensed faces set a more conventional line of text. The new lowercase letters are less geometric than the uppercase, except for those that share the same basic forms (e.g., c, o, and s). Instead of following this geometric trend, the new lowercase tends to strengthen the humanist elements that were present in several characters from the original type, including the uppercase D and the figures 5, 6, and 9. Morris Sans also sports a number of glyphic flares, like the stroke found on the original uppercase Q.
Morris Sans is a clean, modern design best suited for headlines, advertising, posters, expressive signage (especially on storefronts), and corporate identity work."
Morris Sans Heavy
Les fontes d’ordinateurs de
bureau sont conçues pour être
installées sur un ordinateur et
avec des applications.
Licence par utilisateur.
Les polices web annuelles sont concédées sous licence pour un nombre déterminé de pages vues.
Les polices web annuelles sont
concédées sous licence pour un
nombre déterminé de pages vues.
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peuvent être intégrées dans un e-book,
un magazine électronique ou un journal
électronique. Les polices sont sous
licences annuelles pour chaque publication.
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installées sur un serveur ou p. ex. être
utilisées par des processus automatisés
afin de créer des éléments. Chaque serveur
possède une licence valable un an.
Une licence Digital Ads vous permet d’intégrer des polices Web dans des publicités numériques, telles que les publicités HTML5. Cette licence est basée sur le nombre d’impressions publicitaires.
Morris Sans
Sélectionner le format de la
fonte: OT (OpenType) avec
Postscript outlines (OT CFF) ou
TrueType outlines (OT TTF)
fonte: OT (OpenType) avec
Postscript outlines (OT CFF) ou
TrueType outlines (OT TTF)
Détails techniques
Données numériques de:
Type de contours OpenType:
CFF - PostScript-Outlines
Noms techniques des fontes:
Nom du fichier: MorrisSansStd-Heavy.otf
Nom du menu Windows: Morris Sans Std Light
Nom PostScript: , MorrisSansStd-Heavy
Nom PostScript complet: , Morris Sans Std Heavy
Nom du menu Windows: Morris Sans Std Light
Nom PostScript: , MorrisSansStd-Heavy
Nom PostScript complet: , Morris Sans Std Heavy
Numéro de catalogue:
167403713
Characters:
423