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Morris Sans® Medium

- par Dan Reynolds
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Morris Sans® Com Medium
  Format: OpenType Com

Prix: 65,00 US$
  
... appartient à la Morris Sans® famille de polices qui contient 6 fontes en format OpenType Com.
Fonctions de l’ensemble des caractères:
euro smallcaps osf latinext LTCom_logo isoadobe2 adobece proplining
600 Caractères
Carte de caractères: Tableau d'encodage   
Ce produit est contenu dans:
The Linotype Originals OpenType Edition Version Two
Morris Sans® Com Complete Family Value Pack
Informations techniques  

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Documents faisant référence à cet article ...

Font Designer: Dan Reynolds, 2006 Finally, Bank Gothic with lowercase! Morris Sans™ is a revised and extended version of Bank Gothic, the ever-popular typeface created by Morris Fuller Benton in 1930. Building onto the initial squared capitals design, Dan Reynolds added an original lowercase, as well as several figure options: 1. tabular and proportional lining figures, 2. tabular and proportional old style figures, 3. and small cap figures, too! Small caps, which have become an [...]
Morris Fuller Benton – born 30. 11. 1872 in Milwaukee, USA, died 30. 6. 1948 in Morristown, USA – engineer, type designer. After training as a mechanic and engineer, Benton jointed the ATF, where he became type designer and in-house designer with ATF. Fonts: Benton developed over 200 alphabets, all of which were published by ATF, including Century roman (with Theodor Low de Vinne, 1885), Mariage (1901), Alternate Gothic (1903), Franklin Gothic (1903–12), Cheltenham® (1904), Clearface® [...]

À propos de Morris Sans® Medium ...

Linotype usage sample for Morris Sans® Com Medium
Dessinateur: Dan Reynolds, 2006
Morris Sans® Medium appartient à la Morris Sans® famille de polices qui fait partie de la Linotype Originals.

Ce texte vous a été présenté en français parce qu'il n'est pas disponible dans votre langue.

Morris Sans is a newly revised and extended version of a small geometric family of typefaces originally produced by Morris Fuller Benton in 1930 for ATF. His initial design consisted of an alphabet of squared capital letters with a unique twist that characterized its appearance: corners with rounded exteriors and right-angle interiors. The types were intended for use in the fine print found on business cards, banking or financial forms, and contracts. But over the ensuing decades, this design became a popular element in all sorts of design environments, and several foundries revived the typeface in digital form. Since digital fonts are bicameral, with slots for both upper and lowercase letters, new cuts of the type opted filled the lowercase slots with small caps.

In 2006, Linotype commissioned its own version of the typeface-an extension for 21st century use. Under the advisement of Linotype's type director Akira Kobayashi, Dan Reynolds redrew the uppercase and added an original lowercase for the first time. Additionally, a number of extras were brought into the fonts, including six figure styles (tabular and proportional lining figures, tabular and proportional oldstyle figures, and special tabular and proportional "small cap" figures). Small caps, which have become an iconic element over time, are accessible in each font as an OpenType feature. To differentiate this version from the original, Linotype's new family is named Morris Sans, in honor of Morris Fuller Benton.

All fonts in the Morris Sans family are OpenType Com fonts; they include a character set capable of setting 48 European languages that employ the Roman alphabet, including all Central and Eastern Europe languages, those from the Baltics, and Turkish. This glyph coverage extends to the small caps as well.

Morris Sans is a wide typeface, especially in its regular widths; the condensed faces set a more conventional line of text. The new lowercase letters are less geometric than the uppercase, except for those that share the same basic forms (e.g., c, o, and s). Instead of following this geometric trend, the new lowercase tends to strengthen the humanist elements that were present in several characters from the original type, including the uppercase D and the figures 5, 6, and 9. Morris Sans also sports a number of glyphic flares, like the stroke found on the original uppercase Q.

Morris Sans is a clean, modern design best suited for headlines, advertising, posters, expressive signage (especially on storefronts), and corporate identity work.
Rechercher ce produit ou des produits similaires à l'aide des mots-clés suivants: Art Déco, au carré, caractères sans embattements, Cartes commerciales, Cartes de visite, CE, cher, chiffre, chiffres elzéviriens, Com, commun, Computer, construit, contemporain, Corporate, d'entreprise, engin, Europe centrale, football, géométral, géométrique, Langues d'Europe centrale, machine, magazin, New York, nombre, normal, numéro, Old style Figures, onéreux, OpenType, ordinaire, Ordinateur, petites capitales, quadrillé, Sans Serif, SC, Small Caps, technique, Techno, titre de film, turc, élégant, 1930, 2000.

Morris Sans is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Pour obtenir encore plus d’information, n’hésitez pas à nous contacter :

Téléphone :+49 (0) 6172 484-418
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Page édité dernièrement : 2008-02-27