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Documents faisant référence à ces articles ...
Introduction
Voici l’occasion rêvée pour revoir les plus belles fontes Linotype des dix dernières années ; « revoir » est certainement le terme qui convient, car ces dessins font partie de votre environnement visuel depuis déjà quelque temps.
Depuis la fin des années 90, Linotype a enrichi le marché de nouveaux caractères qui ont changé la façon dont le monde communique. Nombreuses sont nos fontes installées sur les ordinateurs du monde entier, certaines sont même devenues [...]
Agilita™ is a new humanistic sanserif typeface designed by Jürgen Weltin. The mulitilingual OpenType font family has rather classical proportions, to give it more distinct word shapes through clear descenders and ascenders.
This new face has a dynamic, yet strong and very functional appearance with a fine but clear emphasis on the horizontals.
The classical approach of Agilita makes it a versatile typeface for largescale textsetting but it can also be used in complex information design [...]
Quelles sont les fontes les plus fines disponibles sur Linotype.com, et de quoi ont-elles l’air ? Notre revue Linotype Matrix publie un article qui vous en donne un aperçu !
Dans chaque numéro de Linotype Matrix, nous consacrons un article aux extrêmes typographiques. Le premier numéro Matrix Vol. 4 No. 1 s’intéressait ainsi aux « Fat Boys » et énumérait certaines des plus captivantes et des plus larges polices de caractères. Notre dernier numéro Matrix Vol. 4 No. 3 [...]
Voici une sélection de fontes que nous venons de redécouvrir. De véritables pépites. Vous en connaissez peut-être déjà certaines … mais êtes-vous sûr que vous les connaissez toutes ?
Nous espérons que vous apprécierez cette sélection !
Jürgen Weltin was born on May 8th, 1969 in Constance. After schooling and swimming a lot in the Lake of Constance he worked in a publishing house before he started to study graphic design at the Technical College in Würzburg. After an apprenticeship in design company Stankowski + Duschek and after one term at Bournemouth & Poole College of Art and Design he graduated in Würzburg under Reinhard Haus from Linotype presenting the beginning of the new typeface Linotype Finnegan®.
Then he [...]
For a larger view please click on the image.
This text shows Linotype Finnegan’s possibilities of combinations.
The first drawings from Jürgen Weltin to be used for digitizing Agilita™ began early in 2000.
Autres familles de fontes du même dessinateur ...
À propos de Agilita® famille de polices ...
Designer: Jürgen Weltin, 2006
La Agilita® famille de polices appartient à la bibliothèque Linotype Originals.
Ce texte vous a été présenté en français parce qu'il n'est pas disponible dans votre langue.
Created by German designer Jürgen Weltin, Linotype's Agilita is a contemporary humanist sans serif family with a wide variety of weights, including both ultra thin hairline options and heavier, dark type. Agilita has rather classical proportions; its clear ascenders and descenders lend more distinct word shapes. Weltin's design has a dynamic, yet strong and very functional appearance with a fine but clear emphasis on the horizontals. This traditional approach makes it a versatile typeface for large-scale text setting, but it can also be used in complex information design projects, and orientation systems, for example. Hence it was developed carefully into a wide range type family system consisting of thirty-two styles. This even covers the requirements for display and headline setting. Corresponding condensed weights are suitable where horizontal space is rare, as in narrow columns and tables, for example. The Agilta Hairline and Agilta Ultra Thin styles were especially made for display use. These fonts should be set at a minimum size of 20 pt for printed project, and about 40 pt on output to laser printers, depending on the paper used.
Agilita's character sets include special symbols and signs that may be used in dictionaries; like arrows for lemmata and signs for cross references, idioms or colloquial language. There are two sets of arrows available in each weight for use in orientation systems. Each font in the Agilta family is built according to Linotype's Extended European character set guidelines. These offer support for more than 48 Latin-based languages used in Western, Central, and Eastern Europe, including Baltics and Turkey.
Pour obtenir encore plus d’information, n’hésitez pas à nous contacter :
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Nous nous réservons le droit d’erreurs et de modifications.
Nous nous réservons le droit d’erreurs et de modifications.