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Documents faisant référence à ces articles ...
From Carl’s early interest in calligraphy and drawing, through his youth and college years studying fine arts and book arts, to his eventual degree from Rochester Institute of Technology in Printing/Typography, the constant thread has been Carl’s fascination with letterforms. Before he knew there was such a thing as typeface design, he was assembling alphabets, drawing letters and poring over lettering guides.
At RIT, Carl discovered the world of type design and began digitizing [...]
Designer Steve Matteson created the fonts Andalé, Andy™, Blueprint™, Fineprint™, Curlz™ (1995), Kidprint™ and Truesdell™.
Early on, Matteson planned a career in printing management, but a college job editing font bitmaps quickly changed his mind. That’s when he discovered the world of typeface design and font technology, an irresistibly fascinating convergence of left- and right-brain processes. Sensitively designed letters and their digital representations soon became Matteson’s [...]
Font Designer: Steve Matteson, Carl Crossgrove, 1995
Curlz® is designed to look like bent, twisted metal. The Curlz font is best used for impudent, carefree titles. Curlz is appropriate for menus, signage and greetings cards.
The Curlz Font Family is part of the Monotype Library OpenType Edition.
Autres familles de fontes du même dessinateur ...
À propos de Curlz® famille de polices ...
Designer: Steve Matteson / Carl Crossgrove, 1995
La Curlz® famille de polices appartient à la bibliothèque Monotype Originals.
Ce texte vous a été présenté en français parce qu'il n'est pas disponible dans votre langue.
Curlz is designed to look like bent, twisted metal. The Curlz font is best used for impudent, carefree titles. Curlz is appropriate for menus, signage and greetings cards.
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