¿No ha encontrado lo que estaba buscando?
|
|||||||||||||||||||||||||
|
|||||||||||||||||||||||||
|
|||||||||||||||||||||||||
|
|||||||||||||||||||||||||
|
|||||||||||||||||||||||||
Documentos que se refieren a estos artículos ...
The idea for Generis™ came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms.
The first design scheme came about in 1997, following the space saving model of American Gothics. As development progressed, a serif face, a slab serif design, and a further simplified sans serif were added.
Consisting in each case of two typographic styles with and without serifs, Generis [...]
Introduction
Many typeface catalogs, including our own, group all serif typefaces together under one umbrella-category. But in truth, there are many different kinds of serifs, e.g., Renaissance serifs, baroque serifs, unbracketed modern serifs, Latin serifs, wedge serifs, etc. One of the most popular styles of seriffed letter, especially for display type, remains the slab serif.
The slab serif is a genre of letterforms that has been in use for almost 200 years. Throughout this time, many [...]
Al igual que la famosa Compatil®, el sistema tipográfico Generis de Linotype es una matriz para cuatro familias tipográficas. Los pesos Generis Serif, Generis Sans, Generis Simple y Generis Slab se cuadriplican en cada tipo. Es decir, que puede modificar cualquier cantidad de texto compuesto en un estilo de Generis a otro, sin que afecte al aspecto de la línea. Subraye algunas palabras de un texto compuesto en Generis Serif con Generis Simple, por ejemplo, y la posición de cada carácter [...]
Adrian Frutiger ha trabajado estrechamente con Linotype durante varios decenios. A lo largo de los profusos años de su fructífera colaboración, hemos recopilado un buen número de fotografías de Adrian Frutiger. Estas imágenes nos permiten vislumbrar distintos periodos y puntos culminantes de su vida hasta el momento. Tenemos fotos en las que está trabajando en su estudio, momentos de su vida junto a sus tipos de letra e incluso imágenes más recientes en las que está trabajando con Akira [...]
5. Frutiger
Frutiger® – la imparable fuente sans serif classic.
Consiga los originales de Linotype como fuentes únicas, en un Value Pack o en CD.
Acerca de Frutiger
El famoso diseñador tipográfico Adrian Frutiger creó una obra maestra con esta fuente tipográfica. Ante el desafío de diseñar un tipo excepcionalmente legible para las señales del aeropuerto Charles de Gaulle en París, desarrolló lo que ahora es el legendario conjunto Frutiger en 1968. La fuente tipográfica Linotype original no ha [...]
Used in tiny point sizes for pharmaceutical instructions, or enormously as Supermarket signage: the four styles within the Generis type system can all be combined, giving a range of options that stimulates creativity and provides a wide variety of typographic expression.
The elegant serif style, with a classical essence.
The stable slab serif, with technical characteristics.
The clear sans serif, with an objective appearance.
The simplified sans serif, with a contemporary [...]
Über die Lesbarkeit
Unter dem Einfluss der verschieden Druckverfahren hat die lateinische Textschrift subtile Formveränderungen erfahren. Grundsätzlich neue Formen sind jedoch keine entstanden. Als Demonstration dafür sind acht a in den meistgelesenen Schriftstilen mit einem Drehraster versehen und übereinander kopiert. Das Resultat zeigt eine erstaunliche Übereinstimmung.
Born in Germany (1966). Studied Graphic-Design in Karlsruhe. Freelance designer since 1996. Held teaching assignments in Halle, Weimar and Wuppertal.
In 2006 Erik Faulhaber designed Generis®. Generis is a system of four compatible typeface families, each variant drawn in a different generic style, perfectly suitable for almost any design application.
In 2009, Erik Faulhaber created Aeonis™, a classic-style sans serif typeface family with a clear, minimalistic design.
The Website of [...]
Portrait
We can read because we perceive elements and forms which are familiar to us. So in order to even recognize words, we must first decipher the elements which make up the shapes of the letters – a process which involves the interplay of myriad aspects. To a certain degree, many of us are aware of these aspects. Yet Adrian Frutiger knows about such shifting dynamics in perception in a way no other person can, as he has been instrumental in researching the subject and over several decades [...]
OCR™
OCR A and OCR B are standardized, monospaced fonts designed for "Optical Character Recognition" on electronic devices. OCR A was developed to meet the standards set by the American National Standards Institute in 1966 for the processing of documents by banks, credit card companies and similar businesses. This font was intended to be "read" by scanning devices, and not necessarily by humans. However, because of its "techno" look, it has been re-discovered for advertising and display [...]
The origins of the font Versailles™ go back to the 19th century in France when, with the introduction of lithography, alphabets could contain freer forms. The basic forms are Modern Face with triangular serifs. The direct influence for Versailles was the writing on the back of the memorial to Charles Garnier, the architect of the Paris Opera. Versailles is a classic font for advertisements, perfect for shorter texts and titles/headlines and it makes an impression of elegance and strength.
Para más información, no dude en ponerse en contacto con nosotros a través de:
| Teléfono: | +49 (0) 6172 484-418 |
| Fax: | +49 (0) 6172 484-499 |
| Correo electrónico: | info@linotype.com |
Copyright © 2009 Linotype GmbH. Todos los derechos reservados.
Nos reservamos el derecho a errores o cambios.
Nos reservamos el derecho a errores o cambios.