Cisalpin™ Font Family

Cisalpin™ Regular (Linotype Originals) Más detalles ... Añadir al carrito Preciodesde: 54.00 US$

Cisalpin™ Italic (Linotype Originals) Más detalles ... Añadir al carrito Preciodesde: 54.00 US$

Cisalpin™ Bold (Linotype Originals) Más detalles ... Añadir al carrito Preciodesde: 54.00 US$

Cisalpin™ Bold Italic (Linotype Originals) Más detalles ... Está en el carrito Preciodesde: 54.00 US$

Cisalpin Complete Family Pack (Linotype Originals) Más detalles ... Está en el carrito Preciodesde: 194.00 US$

Introducción Vuelva a disfrutar de las mejores fuentes Linotype de los últimos 10 años. Y decimos vuelva porque ha estado en contacto con estos diseños en su entorno visual durante mucho tiempo. Desde finales de los 90 del siglo pasado, Linotype ha introducido nuevas fuentes tipográficas en el mercado que han cambiado la forma en la que se comunica el mundo. Muchas de nuestras fuentes se pueden encontrar en ordenadores de cualquier rincón del globo y unas pocas se han convertido en [...]

The Swiss designer/typographer Felix Arnold designed Cisalpin™ during the late 1990s, after he had challenged himself to create a contemporary typeface that could be used for cartographic uses. Arnold came to the subject of cartographic typefaces after analyzing many maps and atlases, and discovering that there was no standard typeface for these types of documents. Like any good cartographic type, Cisalpin is very legible at small sizes. While he was drawing this typeface on his computer, [...]

In the mood for more samples of our fonts? Our Font Gallery displays numerous examples of Linotype fonts. Search alphabetically or by category.

Fuentes Sans Serif

The ideal typeface for cartography

The Swiss designer/typographer Felix Arnold designed Cisalpin during the late 1990s, after he had challenged himself to create a contemporary typeface that could be used for cartographic uses. Arnold came to the subject of cartographic typefaces after analyzing many maps and atlases, and discovering that there was no standard typeface for these types of documents. Like any good cartographic type, Cisalpin is very legible at small sizes. While he was drawing this typeface on his computer, Arnold used a reduction glass to refine his design, making it work in these situations. Cisalpin is a linear sans serif face, with slight resemblance to renaissance serif types. The various weights are all clearly differentiated from one another. And because space is often a premium on maps, Cisalpin runs narrow. Words close in around themselves to help them become more identifiable. The letterforms in Cisalpin are durable, and can maintain their readability when placed over complex backgrounds. They have open interior forms, flattened curves, tall x-heights, and a capital height that almost reaches the tops of the ascenders. Cisalpin also has pronounced Italics, with a very clear angle of inclination. Each letterform in the family has been optimized so that they cannot be easily mistaken for another. This again helps minimize the misunderstandings that often occur because of illegibility.

Although Cisalpin was developed for use in cartography, it may be used for countless other purposes; any font that can work well in small sizes on a map could be used almost anywhere else!