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Garamond #3 Bold SC
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| Precio: | 26.00 US$ |
| ... pertenece a Garamond #3 Font Family, que incluye 8 fuentes en formato Windows TrueType. |
| Características del conjunto de caracteres: |
229 caracteres |
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Garamond #3 Bold SC
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| Precio: | 26.00 US$ |
| ... pertenece a Garamond #3 Font Family, que incluye 7 fuentes en formato Windows PostScript. |
| Características del conjunto de caracteres: |
229 caracteres |
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Garamond #3 Bold SC
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| Precio: | 26.00 US$ |
| ... pertenece a Garamond #3 Font Family, que incluye 8 fuentes en formato Mac PostScript. |
| Características del conjunto de caracteres: |
229 caracteres |
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| Tablas de caracteres: | Tabla de codificación | |||||||
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Claude Garamond – born c. 1480 in Paris, France, died 1561 in Paris, France – type founder, publisher, punch cutter, type designer.
1510: trains as a punch cutter with Simon de Colines in Paris. 1520: trains with Geoffroy Tory. 1530: Garamond’s first type is used in an edition of the book "Paraphrasis in Elegantiarum Libros Laurentii Vallae" by Erasmus. It is based on Aldus Manutius’ type De Aetna, cut in 1455. 1540: King Francis I commissions Garamond to cut a Greek type. Garamond’s ensuing [...]
Morris Fuller Benton – born 30. 11. 1872 in Milwaukee, USA, died 30. 6. 1948 in Morristown, USA – engineer, type designer.
After training as a mechanic and engineer, Benton jointed the ATF, where he became type designer and in-house designer with ATF.
Fonts: Benton developed over 200 alphabets, all of which were published by ATF, including Century roman (with Theodor Low de Vinne, 1885), Mariage (1901), Alternate Gothic (1903), Franklin Gothic (1903–12), Cheltenham® (1904), Clearface® [...]
American designer born in Brooklyn in 1880. Died in Danbury, CT in 1964. Painter, illustrator, and book designer. Worked at the Caslon Press and the Merrymount Press. He founded his own press in Boston under the name “Cornhill Press”.
Font: Garamond™ #3 (together with Morris Fuller Benton.
Font Designer: Claude Garamond, 1499–1561
Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the range of contemporary typefaces that bear his name. What is accepted is the influence his work had on other typefaces from the late Renaissance to the present. Fonts named Garamond, or Garamont, are related to the alphabets of Claude Garamond as well as to the work of Jean Jannon (1580–1635 or 1658), much of which was attributed to Garamond. In [...]
Font Designer: Claude Garamond, 1499–1561
Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the range of contemporary typefaces that bear his name. What is accepted is the influence his work had on other typefaces from the late Renaissance to the present. Fonts named Garamond, or Garamont, are related to the alphabets of Claude Garamond as well as to the work of Jean Jannon (1580–1635 or 1658), much of which was attributed to Garamond. In [...]
Acerca de Garamond #3 Bold SC ...
Diseñador: Morris Fuller Benton, 1917, 1936
Garamond #3 Bold SC pertenece a Garamond #3 Font Family que es parte de Linotype Originals.
El texto se muestra en inglés, ya que no está disponible en su idioma.
Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the "Garamond" types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability.Garamond™ #3 was issued for linecasting machines by Linotype in 1936, and was derived from Morris F. Benton's Garamond, which was based on the forms of Jean Jannon and which was released by ATF in 1917. It is available in four weights.
Buscar este producto o similares con las siguientes palabras clave: 1500s, 16th century, anno 1500, SC, Serif, Small Caps.
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Las fuentes XSF (Excellent Screen Fonts) son caracteres OpenType o TrueType con un aspecto fabuloso en la pantalla a baja resolución o tamaño pequeño – diseñadas y optimizadas como caracteres fácilmente legibles en la pantalla para ordenadores con sistemas operativos Microsoft® Windows.
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