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Times® Phonetic Pi Ipa

- de Stanley Morison
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Times® Std Phonetic Pi
  Formato: OpenType Std

Precio: 29.00 US$
  
... pertenece a Times® Font Family, que incluye 7 fuentes en formato OpenType Std.
Características del conjunto de caracteres:
symbolpi ligatures
1290 caracteres
Tablas de caracteres: Tabla de codificación   
Productos incluidos en:
The Linotype Originals OpenType Edition Version Two
Times Complete Family Pack
Especificaciones técnicas  

Times® Phonetic Pi Ipa
  Formato: Windows TrueType

Precio: 26.00 US$
  
... pertenece a Times® Font Family, que incluye 14 fuentes en formato Windows TrueType.
Características del conjunto de caracteres:
symbolpi
177 caracteres
Tablas de caracteres: Tabla de codificación   
Productos incluidos en:
GoldEdition 1.7.1 DVD for Mac OS and Windows
GoldEdition 2.0 DVD for Mac OS and Windows
Times Complete Family Pack
Especificaciones técnicas  

Times® Phonetic Pi Ipa
  Formato: Windows PostScript

Precio: 26.00 US$
  
... pertenece a Times® Font Family, que incluye 18 fuentes en formato Windows PostScript.
Características del conjunto de caracteres:
symbolpi
174 caracteres
Tablas de caracteres: Tabla de codificación   
Productos incluidos en:
GoldEdition 2.0 DVD for Mac OS and Windows
Especificaciones técnicas  

Times® Phonetic Pi Ipa
  Formato: Mac PostScript

Precio: 26.00 US$
  
... pertenece a Times® Font Family, que incluye 18 fuentes en formato Mac PostScript.
Características del conjunto de caracteres:
symbolpi
174 caracteres
Tablas de caracteres: Tabla de codificación   
Productos incluidos en:
GoldEdition 1.7.1 DVD for Mac OS and Windows
GoldEdition 2.0 DVD for Mac OS and Windows
Times Complete Family Pack
Especificaciones técnicas  

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Stanley Morison – born 6. 5. 1889 in Wanstead, England, died 11. 10. 1967 in London, England – typographer, type designer. 1913–14: works for "The Imprint". 1914–18: is sent to prison as a conscientious objector. 1919–21: works for Pelican Press and from 1921–23 for Cloister Press in Manchester. 1923–30: co-editor of "The Fleuron" magazine with Holbrook Jackson, Francis Meynell, B. H. Newdigate and Oliver Simon. 1923–67: typography consultant to the Monotype Corporation. From 1923 onwards: [...]
Linotype previously had three design studios located around the globe: Mergenthaler Linotype, in the United States, was founded in Brooklyn, but later moved to Melville, NY, and then to Hauppauge, NY. Mergenthaler Linotype's design studio employed at varying times up to 80 designers under the direction of Chauncey H. Griffith, Jackson Burke, Mike Parker, and Matthew Carter. In continental Europe, Linotype typefaces were produced by the D. Stempel AG typefoundry in Frankfurt, Germany. [...]
Consulte más características de las fuentes en nuestro Archivo de características de las fuentes. Typographic Tip of the Month from Linotype’s Type Director Akira Kobayashi! Junio 2006: Apóstrofos y comillas ¿Qué glifo es correcto: la tilde, el acento agudo o el apóstrofo? - Aquí se describe el uso correcto del molesto signo de puntuación que significa omisión y forma el posesivo (y a veces el plural). Apóstrofos El símbolo de comillas se usa aquí incorrectamente [...]

Acerca de Times® Phonetic Pi Ipa ...

Linotype usage sample for Times® Std Phonetic Pi
Diseñador: Stanley Morison, 1931
Times® Phonetic Pi Ipa pertenece a Times® Font Family que es parte de Linotype Originals.

El texto se muestra en inglés, ya que no está disponible en su idioma.

In 1931, The Times of London commissioned a new text type design from Stanley Morison and the Monotype Corporation, after Morison had written an article criticizing The Times for being badly printed and typographically behind the times. The new design was supervised by Stanley Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older typeface, Plantin, as the basis for his design, but made revisions for legibility and economy of space (always important concerns for newspapers). As the old type used by the newspaper had been called "Times Old Roman," Morison's revision became "Times New Roman." The Times of London debuted the new typeface in October 1932, and after one year the design was released for commercial sale. The Linotype version, called simply "Times," was optimized for line-casting technology, though the differences in the basic design are subtle. The typeface was very successful for the Times of London, which used a higher grade of newsprint than most newspapers. The better, whiter paper enhanced the new typeface's high degree of contrast and sharp serifs, and created a sparkling, modern look. In 1972, Walter Tracy designed Times Europa for The Times of London. This was a sturdier version, and it was needed to hold up to the newest demands of newspaper printing: faster presses and cheaper paper. In the United States, the Times font family has enjoyed popularity as a magazine and book type since the 1940s. Times continues to be very popular around the world because of its versatility and readability. And because it is a standard font on most computers and digital printers, it has become universally familiar as the office workhorse. Times™, Times™ Europa, and Times New Roman™ are sure bets for proposals, annual reports, office correspondence, magazines, and newspapers.
Linotype offers many versions of this font:
Times™ is the universal version of Times, used formerly as the matrices for the Linotype hot metal line-casting machines. The basic four weights of roman, italic, bold and bold italic are standard fonts on most printers. There are also small caps, Old style Figures, phonetic characters, and Central European characters.
Times™ Ten is the version specially designed for smaller text (12 point and below); its characters are wider and the hairlines are a little stronger. Times Ten has many weights for Latin typography, as well as several weights for Central European, Cyrillic, and Greek typesetting.
Times™ Eighteen is the headline version, ideal for point sizes of 18 and larger. The characters are subtly condensed and the hairlines are finer.
Times™ Europa is the Walter Tracy re-design of 1972, its sturdier characters and open counterspaces maintain readability in rougher printing conditions.
Times New Roman™ is the historic font version first drawn by Victor Lardent and Stanley Morison for the Monotype hot metal caster.
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Times is a trademark of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.

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Última edición: 2009-06-11