P22 Zebra Familia tipográfica


Diseñado por Colin Kahn/2008
Karlgeorg Hoefer/2008
Karlgeorg Hoefer's most unusual type face was probably his experiment with a brush face which he designed as a partly black and partly grey drawing. The optical effect of this typeface was completely new and different, but how should the grey be produced? The punch cutters of D. Stempel AG had an answer. The areas that should be grey were made from cross hatched lines: The typeface was released by D. Stempel AG and appropriately named »Zebra«.
In 2008 P22 designer Colin Kahn made a new digital version which is based on the original drawings. He made also a wedged and a stencil version and added several color shape layers (A, B, C) that the give the user a broad variety to color and shape the words.

P22 Zebra Stencil

P22 Zebra


world-map map

Std / OT CFF

compatible con al menos

21 idiomas.















Detalles técnicos
Datos digitales de:
Tipo de curvas OpenType:
CFF - PostScript-Outlines
Nombres técnicos de las fuentes:
Nombre del archivo: P22Zebra_stencil.otf
Nombre del menú Windows: P22 Zebra Stencil
Nombre PostScript: P22ZebraStencil
Nombre PostScript completo: P22 Zebra Stencil
Número del catálogo:
16788261
Characters:
230
25 US$
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Características

Kerning

Tag: kern

Function: Adjusts amount of space between glyphs, generally to provide optically consistent spacing between glyphs. Although a well-designed typeface has consistent inter-glyph spacing overall, some glyph combinations require adjustment for improved legibility. Besides standard adjustment in the horizontal direction, this feature can supply size-dependent kerning data via device tables, "cross-stream" kerning in the Y text direction, and adjustment of glyph placement independent of the advance adjustment. Note that this feature may apply to runs of more than two glyphs, and would not be used in monospaced fonts. Also note that this feature does not apply to text set vertically. The o is shifted closer to the T in the combination "To."