|
|
| Precio: | 79.00 US$ |
| ... pertenece a Optima nova® Font Family, que incluye 20 fuentes en formato OpenType Pro. |
| Características del conjunto de caracteres: |
576 caracteres |
|||
|---|---|---|---|---|
| Tablas de caracteres: | Tabla de codificación | |||
| Productos incluidos en: |
|
|||
| Especificaciones técnicas | ||||
| Precio: | 79.00 US$ |
| ... pertenece a Optima nova® Font Family, que incluye 40 fuentes en formato Windows TrueType. |
| Características del conjunto de caracteres: |
246 caracteres |
|
|---|---|---|
| Tablas de caracteres: | Tabla de codificación | |
| Grupo de fuentes enlazado: |
|
|
| Productos incluidos en: | En este formato, sólo está disponible como fuente individual. | |
| Especificaciones técnicas | ||
| Precio: | 79.00 US$ |
| ... pertenece a Optima nova® Font Family, que incluye 40 fuentes en formato Windows PostScript. |
| Características del conjunto de caracteres: |
247 caracteres |
|
|---|---|---|
| Tablas de caracteres: | Tabla de codificación | |
| Grupo de fuentes enlazado: |
|
|
| Productos incluidos en: | En este formato, sólo está disponible como fuente individual. | |
| Especificaciones técnicas | ||
| Precio: | 79.00 US$ |
| ... pertenece a Optima nova® Font Family, que incluye 40 fuentes en formato Mac PostScript. |
| Características del conjunto de caracteres: |
247 caracteres |
|
|---|---|---|
| Tablas de caracteres: | Tabla de codificación | |
| Grupo de fuentes enlazado: |
|
|
| Productos incluidos en: | En este formato, sólo está disponible como fuente individual. | |
| Especificaciones técnicas | ||
Los clientes que compraron este artículo también compraron ...
Otras familias de este diseñador ...
Documentos que se refieren a este producto ...
Linotype’s Platinum Collection typefaces – Value Packs for the fonts now available
The Platinum Collection is an exclusive series of optimized classic typefaces in the Linotype Library. In close collaboration with world-famous type designers, Linotype has produced reworked, expanded typeface families that are both technologically and aesthetically up to date. These new typeface families have fine, harmonious weights; some have new italic weights and often come complete with Small Caps [...]
Biography of Akira Kobayashi:
Studied at the Musashino Art University in Tokyo, and later followed this up with a calligraphy course at the London College of Printing. Freelance type designer since 1997.
Professional experience
April 1983–March 1989
Sha-ken Co. Ltd, Japan Typeface design department
December 1990–June 1993
Jiyu-kobo Ltd, Japan
September 1993–March 1997
TypeBank Co. Ltd, Japan
March 1997–April 2001
Freelance type designer
April 1998–April [...]
German designer Hermann Zapf created the following fonts:
Aldus® (1954), Aldus Nova (2005), Aurelia™ (1983), Comenius® Antiqua BQ (1976), Edison™ (1978), Kompakt™ (1954), Marconi® (1976), Medici® Script (1971), Melior® (1952), Noris Script® (1976), Optima® (1958), Optima nova (2002), Orion™ (1974), Palatino™® (1950), Palatino nova (2005), Palatino™ Sans (2006), Saphir™ (1953), Sistina® (1950), Vario™ (1982), Venture™ (1969), Virtuosa® Classic (2009), [...]
Japanese designer Akira Kobayashi is Type Director at Linotype. Since joining Linotype, he has been responsible for the futher development of classic typefaces like Avenir, Optima, and Zapfino. He has created numerous typefaces of his own, many of which have received prizes from all across the typographic spectrum.
ITC Luna
Akira Kobayashi turned to the designs of the 1930s for his inspiration for both ITC Luna and ITC Silvermoon. "Luna is designed to fill the gap between a pure Art Deco [...]
Orion™
Hermann Zapf made his first scetches for Orion in 1963. Zapf's aim was to create a neutral textface which can be ideally used as a newspaper face. Its strokethickness and open letterforms also fits well for book and magazine production. The final two weights of Orion were released in 1974 for the Linofilm photocomposing machine.
Optima™
Optima was designed by Hermann Zapf and is his most successful typeface. In 1950, Zapf made his first sketches while visiting the Santa Croce [...]
Consulte más características de las fuentes en nuestro Archivo de características de las fuentes.
Typographic Tip of the Month from Linotype’s Type Director Akira Kobayashi!
Diciembre 2006: Use las versalitas de su tipo de letra correctamente o, de lo contrario, no las use.
Las versalitas se han usado en la tipografía durante siglos. Se trata de letras mayúsculas de menor tamaño que se pueden emplear de manera independiente o combinar con texto en mayúsculas o minúsculas. [...]
Optima®, designed by Hermann Zapf, combines the clarity of Modern Face with the objectivity of sans-serif typefaces. He was influenced by the stone inlay alphabets of Roman Antiquity as well as typefaces of the early Renaissance. The clear, elegant characters of Optima can often be seen in advertisements, especially for cosmetics.
Acerca de Optima nova® Medium ...
Diseñador: Hermann Zapf / Akira Kobayashi, 2002
Optima nova® Medium pertenece a Optima nova® Font Family que es parte de Platinum Collection.
El texto se muestra en inglés, ya que no está disponible en su idioma.
Optima™ was designed by Hermann Zapf and is his most successful typeface. In 1950, Zapf made his first scetches while visiting the Santa Croce church in Florence. He sketched letters from grave plates that had been cut about 1530, and as he had no other paper with him at the time, the sketches were done on two 1000 lire bank notes. These letters from the floor of the church inspired Optima, a typeface that is classically roman in proportion and character, but without serifs. The letterforms were designed in the proportions of the Golden Ratio. In 1952, after careful legibility testing, the first drawings were finished.The type was cut by the famous punchcutter August Rosenberger at the D. Stempel AG typefoundry in Frankfurt. Optima was produced in matrices for the Linotype typesetting machines and released in 1958. With the clear, simple elegance of its sans serif forms and the warmly human touches of its tapering stems, this family has proved popular around the world. In 2002, when it was finally possible to produce digital alphabets without technical limitations and compromises, and more than 50 years after the first sketches, an expansion and redesign of the Optima family was completed and released as Optima nova.
Hermann Zapf and Japanese type designer Akira Kobayashi collaborated on the project, which included re-working of the existing weights and the addition of several new weights for a total of 40 fonts. Small caps, Old style Figures, light, heavy, and condensed fonts have been added.
The original Optima was never manufactured with a real italic, only an oblique version of the roman. Optima™ nova has a complete range of beautifully designed real italics; the new italic forms , of the e, f and g are especially notable.
The titling face includes capital letters with special and unusual letter combinations and ligatures, making it an excellent choice for headlines, logos and advertising purposes. Optima continues to be an all-purpose typeface; and Optima nova works for just about anything from book text to signage.
Buscar este producto o similares con las siguientes palabras clave: 1960s, 60s, anno 1960, Platinum, Platinum Collection, Sans Serif.
Optima nova is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.
Quality features
La Platinum Collection es una serie exclusiva de tipos de letra clásicos optimizados de la Biblioteca Linotype.
Las fuentes XSF (Excellent Screen Fonts) son caracteres OpenType o TrueType con un aspecto fabuloso en la pantalla a baja resolución o tamaño pequeño – diseñadas y optimizadas como caracteres fácilmente legibles en la pantalla para ordenadores con sistemas operativos Microsoft® Windows.
Las fuentes XSF (Excellent Screen Fonts) son caracteres OpenType o TrueType con un aspecto fabuloso en la pantalla a baja resolución o tamaño pequeño – diseñadas y optimizadas como caracteres fácilmente legibles en la pantalla para ordenadores con sistemas operativos Microsoft® Windows.
Character set features
Aquí podrá ver cuántos caracteres contiene la fuente.
Los símbolos que se muestran le dan una impresión del tipo de caracteres que contiene la fuente.
Puede crear una muestra usando esta fuente.
Character maps
Haga clic en el mapa de codificación para ver los caracteres agrupados por las codificaciones que contiene la fuente.
Product is contained in
Aquí podrá ver los nombres de todos los productos que contienen esta fuente.
Haga clic en el nombre del producto para ver el producto.
Source of digital data
Los datos digitales de una fuente pueden suministrarlos diferentes empresas de digitalización. La entrada muestra la empresa que ha digitalizado esta fuente.
OpenType outline flavour
Esta información le indica qué tecnología (PostScript o TrueType) se ha empleado en crear los caracteres de esta fuente OpenType.
Technical font names
Aquí podrá conocer los nombres de esta fuente: como archivo en un soporte de datos o en los menús de algunas aplicaciones después de la instalación.
Catalog material number
Este número de artículo identifica individualmente al producto.
Puede usarlo para encargar el producto.
Para más información, no dude en ponerse en contacto con nosotros a través de:
| Teléfono: | +49 (0) 6172 484-418 |
| Fax: | +49 (0) 6172 484-499 |
| Correo electrónico: | info@linotype.com |
Copyright © 2009 Linotype GmbH. Todos los derechos reservados.
Nos reservamos el derecho a errores o cambios.
Nos reservamos el derecho a errores o cambios.













