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Optima nova® Medium

- de Hermann Zapf, Akira Kobayashi
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Optima nova® Pro Medium
  Formato: OpenType Pro

Precio: 79.00 US$
  
... pertenece a Optima nova® Font Family, que incluye 20 fuentes en formato OpenType Pro.
Características del conjunto de caracteres:
euro smallcaps osf latinext isoadobe2 adobece proplining caseforms
576 caracteres
Tablas de caracteres: Tabla de codificación   
Productos incluidos en:
Optima nova® Pro Basic 3 Value Pack
Especificaciones técnicas  

Optima nova® Medium
  Formato: Windows TrueType

Precio: 79.00 US$
  
... pertenece a Optima nova® Font Family, que incluye 40 fuentes en formato Windows TrueType.
Características del conjunto de caracteres:
euro
246 caracteres
Tablas de caracteres: Tabla de codificación   
Grupo de fuentes enlazado:
Optima nova® Medium
Optima nova® Medium Italic
Optima nova® Heavy
Optima nova® Heavy Italic
Put the core family into shopping cart Añadir grupo de fuente
Productos incluidos en: En este formato, sólo está disponible como fuente individual.
Especificaciones técnicas  

Optima nova® Medium
  Formato: Windows PostScript

Precio: 79.00 US$
  
... pertenece a Optima nova® Font Family, que incluye 40 fuentes en formato Windows PostScript.
Características del conjunto de caracteres:
euro
247 caracteres
Tablas de caracteres: Tabla de codificación   
Grupo de fuentes enlazado:
Optima nova® Medium
Optima nova® Medium Italic
Optima nova® Heavy
Optima nova® Heavy Italic
Put the core family into shopping cart Añadir grupo de fuente
Productos incluidos en: En este formato, sólo está disponible como fuente individual.
Especificaciones técnicas  

Optima nova® Medium
  Formato: Mac PostScript

Precio: 79.00 US$
  
... pertenece a Optima nova® Font Family, que incluye 40 fuentes en formato Mac PostScript.
Características del conjunto de caracteres:
euro
247 caracteres
Tablas de caracteres: Tabla de codificación   
Grupo de fuentes enlazado:
Optima nova® Medium
Optima nova® Medium Italic
Optima nova® Heavy
Optima nova® Heavy Italic
Put the core family into shopping cart Añadir grupo de fuente
Productos incluidos en: En este formato, sólo está disponible como fuente individual.
Especificaciones técnicas  

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Documentos que se refieren a este producto ...

Linotype’s Platinum Collection typefaces – Value Packs for the fonts now available The Platinum Collection is an exclusive series of optimized classic typefaces in the Linotype Library. In close collaboration with world-famous type designers, Linotype has produced reworked, expanded typeface families that are both technologically and aesthetically up to date. These new typeface families have fine, harmonious weights; some have new italic weights and often come complete with Small Caps [...]
Biography of Akira Kobayashi: Studied at the Musashino Art University in Tokyo, and later followed this up with a calligraphy course at the London College of Printing. Freelance type designer since 1997. Professional experience April 1983–March 1989 Sha-ken Co. Ltd, Japan Typeface design department December 1990–June 1993 Jiyu-kobo Ltd, Japan September 1993–March 1997 TypeBank Co. Ltd, Japan March 1997–April 2001 Freelance type designer April 1998–April [...]
German designer Hermann Zapf created the following fonts: Aldus® (1954), Aldus Nova (2005), Aurelia™ (1983), Comenius® Antiqua BQ (1976), Edison™ (1978), Kompakt™ (1954), Marconi® (1976), Medici® Script (1971), Melior® (1952), Noris Script® (1976), Optima® (1958), Optima nova (2002), Orion™ (1974), Palatino™® (1950), Palatino nova (2005), Palatino™ Sans (2006), Saphir™ (1953), Sistina® (1950), Vario™ (1982), Venture™ (1969), Virtuosa® Classic (2009), [...]
Japanese designer Akira Kobayashi is Type Director at Linotype. Since joining Linotype, he has been responsible for the futher development of classic typefaces like Avenir, Optima, and Zapfino. He has created numerous typefaces of his own, many of which have received prizes from all across the typographic spectrum. ITC Luna Akira Kobayashi turned to the designs of the 1930s for his inspiration for both ITC Luna and ITC Silvermoon. "Luna is designed to fill the gap between a pure Art Deco [...]
Orion™ Hermann Zapf made his first scetches for Orion in 1963. Zapf's aim was to create a neutral textface which can be ideally used as a newspaper face. Its strokethickness and open letterforms also fits well for book and magazine production. The final two weights of Orion were released in 1974 for the Linofilm photocomposing machine. Optima™ Optima was designed by Hermann Zapf and is his most successful typeface. In 1950, Zapf made his first sketches while visiting the Santa Croce [...]
Consulte más características de las fuentes en nuestro Archivo de características de las fuentes. Typographic Tip of the Month from Linotype’s Type Director Akira Kobayashi! Diciembre 2006: Use las versalitas de su tipo de letra correctamente o, de lo contrario, no las use. Las versalitas se han usado en la tipografía durante siglos. Se trata de letras mayúsculas de menor tamaño que se pueden emplear de manera independiente o combinar con texto en mayúsculas o minúsculas. [...]
Optima®, designed by Hermann Zapf, combines the clarity of Modern Face with the objectivity of sans-serif typefaces. He was influenced by the stone inlay alphabets of Roman Antiquity as well as typefaces of the early Renaissance. The clear, elegant characters of Optima can often be seen in advertisements, especially for cosmetics.

Acerca de Optima nova® Medium ...

Linotype usage sample for Optima nova® Pro Medium
Diseñador: Hermann Zapf / Akira Kobayashi, 2002
Optima nova® Medium pertenece a Optima nova® Font Family que es parte de Platinum Collection.

El texto se muestra en inglés, ya que no está disponible en su idioma.

Optima™ was designed by Hermann Zapf and is his most successful typeface. In 1950, Zapf made his first scetches while visiting the Santa Croce church in Florence. He sketched letters from grave plates that had been cut about 1530, and as he had no other paper with him at the time, the sketches were done on two 1000 lire bank notes. These letters from the floor of the church inspired Optima, a typeface that is classically roman in proportion and character, but without serifs. The letterforms were designed in the proportions of the Golden Ratio. In 1952, after careful legibility testing, the first drawings were finished.
The type was cut by the famous punchcutter August Rosenberger at the D. Stempel AG typefoundry in Frankfurt. Optima was produced in matrices for the Linotype typesetting machines and released in 1958. With the clear, simple elegance of its sans serif forms and the warmly human touches of its tapering stems, this family has proved popular around the world. In 2002, when it was finally possible to produce digital alphabets without technical limitations and compromises, and more than 50 years after the first sketches, an expansion and redesign of the Optima family was completed and released as Optima nova.
Hermann Zapf and Japanese type designer Akira Kobayashi collaborated on the project, which included re-working of the existing weights and the addition of several new weights for a total of 40 fonts. Small caps, Old style Figures, light, heavy, and condensed fonts have been added.
The original Optima was never manufactured with a real italic, only an oblique version of the roman. Optima™ nova has a complete range of beautifully designed real italics; the new italic forms , of the e, f and g are especially notable.
The titling face includes capital letters with special and unusual letter combinations and ligatures, making it an excellent choice for headlines, logos and advertising purposes. Optima continues to be an all-purpose typeface; and Optima nova works for just about anything from book text to signage.
Buscar este producto o similares con las siguientes palabras clave: 1960s, 60s, anno 1960, Platinum, Platinum Collection, Sans Serif.

Optima nova is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Para más información, no dude en ponerse en contacto con nosotros a través de:

Teléfono: +49 (0) 6172 484-418
Fax: +49 (0) 6172 484-499
Correo electrónico: info@linotype.com
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Última edición: 2009-06-11