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Documentos que se refieren a estos artículos ...
Frederic William Goudy – born 8. 3. 1865 in Bloomington, USA, died 11. 5. 1947 in Malborough-on-Hudson, USA – type designer, typographer, publisher, teacher.
1888: book-keeper for credit and mortgage companies. 1889: moves to Chicago, works in real estate. 1892: launches "Modern Advertising" magazine which issues only a few numbers. 1895: opens a print workshop in Chicago and prints the "American Chap-Book". 1897: designs his first type, Camelot Old Style. Produces typographical designs for [...]
Old English Value Pack for instant download available
Blackletter typefaces evolved out of Northern Europe's medieval manuscript tradition. Grouped into four sub-families (Textura, Fraktur, Bastarda, and Rotunda), this style of type is characterized by the wide-nibbed pen strokes that are make its letterforms. Often heavy, these strokes leave a “black” color on the page. The German term for Blackletter, gebrochene Schriften, or "broken type", is also a helpful term to remember while [...]
Font Designer: Frederic W. Goudy , 1916
In 1915, Frederic W. Goudy designed Goudy Old Style, his twenty-fifth typeface, and his first for American Type Founders. Flexible enough for both text and display, it is one of the most popular typefaces ever produced, frequently used for packaging and advertising. Its recognizable features include the diamond-shaped dots on i, j, and on punctuation marks, the upturned ear of the g, and the base of E and L. Several years later, in response to the [...]
Otras familias de este diseñador ...
Acerca de Goudy Text™ Font Family ...
Designer: Frederic W. Goudy, 1928
Goudy Text™ Font Family pertenece a Monotype Originals.
El texto se muestra en inglés, ya que no está disponible en su idioma.
The word "Text" in Goudy Text™ is short for Textura, and textura is the style of blackletter or gothic writing developed in Northern Europe in the middle ages. The use of space in blackletter is quite different from what we know about Roman letterforms. Lowercase forms in blackletter writing and typefaces must be evenly textured with black and white elements, like the texture of weaving or fabric. Capital letters can provide either an integration of the even texture (by the use of decoration in their construction) or, if they are wide and open and filled with white, they provide bright spots of visual emphasis. Goudy, despite being an American in the twentieth century, understood well the fundamental texture of medieval blackletter and the importance of both density and light. He designed Goudy Text in 1928 for Lanston Monotype after studying the type in Gutenberg's 42-line bible; still one of the best models for designers of blackletter typefaces. The lowercase of Goudy Text has impact and medieval authenticity. The standard caps have some Victorian eccentricities but are mostly well drawn. The alternate, or "Lombardic" caps are spectacular - they set beautifully with the lowercase letters, providing the proverbial shafts of light through the Gothic cathedral's stained glass windows. Use this potent font in sizes 14 point or larger, for Christmas greetings, certificates, wedding invitations, advertising, or music collateral pieces.
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